Now extended until 5 May 2014, Martin Creed’s ‘What’s the point of it?’ exhibition is on at Hayward Gallery in Southbank. Showing on 3 levels including the outside terraces, there’s an example of contemporary art from nearly every discipline:  simple sculpture, installations, kinetic/interactive pieces, 2-D works on paper and even video and sound. If you’re suffering from FOMO*, you still have a few more days to see it!

*FOMO = Fear of Missing Out

Martin Creed, installation view, 'What's the point of it?' at Hayward Gallery, Southbank, London. Photo credit Linda Nylind.
Martin Creed, installation view, ‘What’s the point of it?’ at Hayward Gallery, Southbank, London. Photo credit Linda Nylind.

What does a queue of cacti, a load of balls and a Ford Focus have in common?

Answer: they all lead you to ‘Work No. 200 – Half the air in a given space’. Yep, nearly everybody agrees on this one: it’s all about the balloons. But we’ll get to that…

There’s a lot to see here, so you’ll need at least an hour if you want to zoom through the space. However, I’d recommend that you stay a while, to really spend time with the works that grab your attention.

Martin Creed, 'Work No. 79', some Blu-tack on the wall, in 'What's the point of it?' at Hayward Gallery, Southbank, London. Image courtesy Hauser and Wirth. Photo credit the artist.
Martin Creed, ‘Work No. 79’, some Blu-tack on the wall, in ‘What’s the point of it?’ at Hayward Gallery, Southbank, London. Image courtesy Hauser and Wirth. Photo credit the artist.

You might ask yourself, “Is that art?” when you see a wad of Blu-Tack on the wall, next to a little cube made of masking tape.  Or the crumpled ball of paper made precious by encasing it in plexiglass box. For that matter, the question might apply to everything in the place. But who’s really asking? The real issue is: are you enjoying yourself? If not, you might be lost and must-needs get you to the bar at the main entrance toute-de-suite! But be careful on your way down; you’ll have to watch out for the swinging ‘Mothers’ just above your head!

Martin Creed, 'Work No. 1092', in 'What's the point of it?' at Hayward Gallery, Southbank, London. Image courtesy The Telegraph. Photo credit Linda Nylind.
Martin Creed, ‘Work No. 1092’, in ‘What’s the point of it?’ at Hayward Gallery, Southbank, London. Image courtesy The Telegraph. Photo credit Linda Nylind.

Of course, there’s a bit of controversy not exclusive to “Work no. 1029” (the giant penis) [NSFW] on the terrace and the two films, “Work no. 610 Sick Film” [NSFW] and “Work no. 660 Shit Film” [NSFW] on the way out (these are exactly what you think they are, and you can, if you wish, ask for an escort out from a less “offensive” exit). But before you go, consider, isn’t that what art should be? If not controversial then at least begging the question… what IS art anyway?

Martin Creed, 'Work No. 88', in 'What's the point of it?' at Hayward Gallery, Southbank, London. Image courtesy Hayward Gallery.
Martin Creed, ‘Work No. 88’, in ‘What’s the point of it?’ at Hayward Gallery, Southbank, London. Image courtesy Hayward Gallery.

Finally, if you don’t smile at least once before walk out the door, then you’ve left your fun behind somewhere.

Two visitors in Martin Creed's 'Work No. 200 -half the air in the room', balloons, in 'What's the point of it?' at Hayward Gallery, Southbank, London. Photo credit Kelise Franclemont.
Two visitors in Martin Creed’s ‘Work No. 200 -half the air in the room’, balloons, in ‘What’s the point of it?’ at Hayward Gallery, Southbank, London. Photo credit Kelise Franclemont.

More links and information

Exhibition details: ‘What’s the point of it? Martin Creed’ at Hayward Gallery, Southbank Centre, London SE1 until 27 April 2014 (extended to 5 May 2014). Paid admission, concessions. Step-free access available.

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