https://kelise72.com/2013/11/14/victoriana-art-guildhall-gallery/https://kelise72.com/wp-content/uploads/2013/11/posh_tea04.jpgposh_tea04Kelise Franclemont at a Victorian tea party, 2012. https://kelise72.com/wp-content/uploads/2013/11/victoriana_logo_1825659-attractionimage.pngVictoriana_Logo_1825659-AttractionImagehttps://kelise72.com/wp-content/uploads/2013/11/citylondon_logo.jpgcitylondon_logohttps://kelise72.com/wp-content/uploads/2013/11/yumiko_utsu_01.pngYumiko_Utsu_01Yumiko Utsu, Octopus Portrait, 2009, c-type print in 'Victoriana - The Art of Revival' at Guildhall Art Gallery, London. Photo courtesy bbc.co.ukhttps://kelise72.com/wp-content/uploads/2013/11/william_theed_general_gordon_goggles.pngWilliam_Theed_General_Gordon_gogglesWilliam Theed's bust of General Gordon sports steampunk goggles. Photo courtesy City of London and Guildhall Art Gallery.https://kelise72.com/wp-content/uploads/2013/11/victoriana_installation_view.jpgVictoriana_installation_viewInstallation view of 'Victoriana' at Guildhall Art Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/tom_weber_dan_hillier_losersflush.jpgTom_Weber_Dan_Hillier_LosersFlushStill from 'Losers, Flush feat. Riz MC and Envy', 2010, Director Tom Werber and artwork Dan Hillier, in 'Victoriana' at Guildhall Art Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/tessa_farmer_minion_faeries.jpgTessa_Farmer_Minion_faeriesTessa Farmer, 'Minion Ambushed by a Mob of Faeries', 2013, foreground, Installation view of 'Victoriana' at Guildhall Art Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/sue_blackwell_while_you_were_sleeping.pngSue_Blackwell_while_you_were_sleepingSu Blackwell, 'While you were sleeping', 2004, installation of cotton dress with hand-cut detail, in 'Victoriana' at Guildhall Art Gallery, London. Photo courtesy City of London.https://kelise72.com/wp-content/uploads/2013/11/sue_blackwell_02.jpgSue_Blackwell_02Su Blackwell, 'While you were sleeping', 2004, installation of cotton dress with hand-cut details, in 'Victoriana' at Guildhall Art Gallery, London. Photo credit Kelise Franclemont.2026-01-24T10:30:41+00:00monthlyhttps://kelise72.com/2013/11/28/life-drawing-in-nw-london/https://kelise72.com/wp-content/uploads/2013/11/dsc04470.jpgDSC04470drawing by Kelise Franclemont, 2 minute pose, 2013, ink on paper in 'Draw at NW London', at Mini Picassos, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/mini_picassos_logo.pngmini_picassos_logohttps://kelise72.com/wp-content/uploads/2013/11/drawat_nw_london_logo.pngdrawAT_NW_London_logohttps://kelise72.com/wp-content/uploads/2013/11/dsc04459.jpgDSC04459Drawing by TB. 45 minute pose, 2013, coloured Art Stix on cartridge paper, Draw at NW London, Mini Picassos, Kensal Rise, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04458.jpgDSC04458Drawing by TB, 45 minute pose, 2013, graphite on cartridge paper, Draw at NW London, Mini Picassos, Kensal Rise, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04457.jpgDSC04457(l-r) Emmeline and Tom, at Draw at NW London, Mini Picassos, Kensal Rise, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04456.jpgDSC0445645 minute pose, 2013, charcoal on sugar paper, Draw at NW London, Mini Picassos, Kensal Rise, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04455.jpgDSC0445545 minute pose, 2013, chalk pastel on sugar paper, Draw at NW London, Mini Picassos, Kensal Rise, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04454.jpgDSC0445445 minute pose, 2013, charcoal on sugar paper, Draw at NW London, Mini Picassos, Kensal Rise, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04453.jpgDSC0445345 minute pose, 2013, conte and chalk on sugar paper, Draw at NW London, Mini Picassos, Kensal Rise, London. Photo credit Kelise Franclemont.2026-01-24T10:29:46+00:00monthlyhttps://kelise72.com/2014/05/30/a-good-enough-reason-to-build-a-wall/https://kelise72.com/wp-content/uploads/2014/05/mar_saba_2012_dsc01306.jpgMar_Saba_2012_DSC01306The monastery of Mar Saba, carved out of the hills near Jericho.https://kelise72.com/wp-content/uploads/2014/05/jerusalem_western_wall_dsc01698.jpgJerusalem_Western_Wall_DSC01698The Western Wall, adjacent to Haram al-Sharif (The Noble Quarter), in the Old City, Jerusalem. https://kelise72.com/wp-content/uploads/2014/05/jenin_dsc00719.jpgJenin_DSC00719Sunset over Jenin, West Bank, Palestine.https://kelise72.com/wp-content/uploads/2014/05/jerusalem_damascus_gate_dsc01795.jpgJerusalem_Damascus_Gate_DSC01795Damascus Gate, Old City Jerusalem.https://kelise72.com/wp-content/uploads/2014/05/img_2655.jpgBeit_Sahour_AidaOne of the many key sculptures, symbolising the refugees right to return someday to their homes. This one is adjacent to Aida refugee camp (you can see the wall at left of photo). Aida camp is situated near Bethlehem. https://kelise72.com/wp-content/uploads/2014/05/dsc00648.jpgThe_Wall_Aida_01The wall adjacent to Aida refugee camp situated near Bethlehem. https://kelise72.com/wp-content/uploads/2014/05/dsc00647.jpgThe_Wall_Aida_02The wall adjacent to Aida refugee camp situated near Bethlehem. https://kelise72.com/wp-content/uploads/2014/05/dsc00646.jpgThe_Wall_Aida_03The wall adjacent to Aida refugee camp situated near Bethlehem. https://kelise72.com/wp-content/uploads/2014/05/dsc00645.jpgThe_Wall_Aida_04The wall adjacent to Aida refugee camp situated near Bethlehem. Phttps://kelise72.com/wp-content/uploads/2014/05/bethlehem_the_wall_2012_dsc01628.jpgBethlehem_the_Wall_2012_DSC01628Despite seemingly indomitable barriers, someone left a message of hope on The Wall that divides Bethlehem from Jerusalem. Photo: Thomas Butler.2026-01-24T10:28:08+00:00monthlyhttps://kelise72.com/2016/06/18/new-tate-modern-2016-london/https://kelise72.com/wp-content/uploads/2016/06/tate_modern_pin_badge_square_hk1.jpgTate_Modern_pin_Badge_Square_hk1https://kelise72.com/wp-content/uploads/2016/06/img_87251.jpgTate_Modern_IMG_8725One the bridge between new and old sections of Tate Modern, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8721.jpgTate_Modern_IMG_8721Inside the New Tate Modern, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8733.jpgTate_Modern_IMG_8733Inside the galleries at the New Tate Modern, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8729.jpgTate_Modern_IMG_8729The New Tate Modern, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8719.jpgTate_Modern_IMG_8719The New Tate Modern, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8715.jpgTate_Modern_IMG_8715Looking Southeast from the 10th floor of the Switch House at The New Tate Modern, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8713.jpgTate_Modern_IMG_8713Looking North from the 10th floor of the Switch House at The New Tate Modern, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8710.jpgTate_Modern_IMG_8710The New Tate Modern, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8704.jpgTate_Modern_IMG_8704The New Tate Modern, London. Photo credit Kelise Franclemont.2025-06-02T12:37:17+00:00monthlyhttps://kelise72.com/2016/07/01/artists-british-european-cultural-projects-important-post-brexit/https://kelise72.com/wp-content/uploads/2016/07/eu_dog_marchforeurope_2july2016.pngEU_Dog_MarchforEurope_2July2016From March for Europe, London, 2 July 2016. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/07/bettertogether_marchforeurope_2july2016.pngBetterTogether_MarchforEurope_2July2016From March for Europe, London, 2 July 2016. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/connectkatowice_banner_screengrab.pngConnectKatowice_banner_screengrabImage courtesy connectkatowice.wordpress.comhttps://kelise72.com/wp-content/uploads/2016/06/eu_flag_icon.gifEU_flag_iconCourtesy flags.nethttps://kelise72.com/wp-content/uploads/2016/06/eu-flags_photo.jpgEU-Flags_photoImage courtesy internationaljournalism280.com2025-06-02T12:36:33+00:00monthlyhttps://kelise72.com/2015/08/14/gaza-on-gaza-palestinian-art-p21-gallery-london/https://kelise72.com/wp-content/uploads/2015/08/palestinian_arts_festival_logo.jpgPalestinian_arts_festival_logohttps://kelise72.com/wp-content/uploads/2015/08/dsc05452.jpgDSC05452Majdal Nateel, 'If I wasn't there' (detail), 2015, series of drawings on paper in 'Gaza on Gaza' exhibition at P21 Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/dsc05459.jpgDSC05459Majdal Nateel, 'If I wasn't there' (detail), 2015, series of drawings on paper in 'Gaza on Gaza' exhibition at P21 Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/dsc05453.jpgDSC05453Majdal Nateel, 'If I wasn't there' (detail), 2015, series of drawings on paper in 'Gaza on Gaza' exhibition at P21 Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/dsc05450.jpgDSC05450Majdel Nateel, 'If I wasn't there', 2015, series of drawings on paper in 'Gaza on Gaza' exhibition at P21 Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/dsc05440.jpgDSC05440Drawings by teenagers in Gaza as part of the Culture and Free Thought Association (CFTA) supported by Christian Aid, in 'Gaza on Gaza' exhibition at P21 Gallery, London. Photo credit Kelise Franclemont. https://kelise72.com/wp-content/uploads/2015/08/dsc05436.jpgDSC05436Heidi Levine, 'Gaza conflict: my drawings reflect what is in my heart', 2014/15, photographic print, in 'Gaza on Gaza' exhibition at P21 Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/p21_gallery_logo.jpgP21_gallery_logo2025-05-08T07:51:09+00:00monthlyhttps://kelise72.com/2014/10/17/introduction-qalandiya-international-2014-palestine-biennial-art-fair/https://kelise72.com/wp-content/uploads/2014/10/vera_tamari_manam_qi.jpgVera_Tamari_Manam_QIArtwork by Vera Tamari in 'Manam' exhibition at Al-mashgal - Arab Centre for Culture and Arts, Haifa, Israel, in Qalandiya International 2014 biennial art fair, Palestine. Exhibition open 1-15 November 2014. Image courtesy Qalandiya International.https://kelise72.com/wp-content/uploads/2014/10/qalandiya_girls_basketball.pngQalandiya_girls_basketballImage courtesy Qalandiya Internationalhttps://kelise72.com/wp-content/uploads/2014/10/uriel_orlow_unmade_film_01.pngUriel_Orlow_unmade_film_01Uriel Orlow, from 'Unmade Film' a project about the consequences of 1948 occupation of the village of Deir Yassin, 2011-2013 (on-going), performance, photography, and installation. Uriel Orlow's work features in of 'Fractures - Jerusalem Show VII' exhibition, Jerusalem, as part of Qalandiya International 2014. Image courtesy UrielOrlow.nethttps://kelise72.com/wp-content/uploads/2014/10/hanadi_abu_jamal_otherbadnews.jpgHanadi_Abu_Jamal_otherbadnewsHanadi Abu Jamal, 'Are there other bad news', 2013, oil on canvas. Image courtesy the artist and Bright Stars of Bethlehem Gallery.https://kelise72.com/wp-content/uploads/2014/10/noor_abuarafeh_imaginary_event1.pngNoor_Abuarafeh_imaginary_eventNoor Abuarafeh with Sogino Mana, 'An Imaginary Event (1972)', 2014, digital video, duration 8:28 mins. Image courtesy the artist and Vimeo.https://kelise72.com/wp-content/uploads/2014/10/noor_abuarafeh_screenshot.jpgNoor_Abuarafeh_screenshotNoor Abuarafeh, screenshot from short film, 'Instructions for several intimate solutions, or at least they seem more intimate', 2013, digital video, duration 9:19mins. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2014/10/wafa-hourani-qalandia_2067_theredlist.jpgwafa-hourani-Qalandia_2067_theredlistWafa Hourani, 'Qalandia 2067', 2008, installation. Image courtesy theredlist.comhttps://kelise72.com/wp-content/uploads/2014/10/qalandiya_international_img_biennialfoundation-org.jpgQalandiya_international_img_biennialfoundation-orgImage courtesy Qalandiya International 2012.https://kelise72.com/wp-content/uploads/2014/10/il-checkpoint-di-qalandiya-arttribune-com.jpgIl-checkpoint-di-Qalandiya-arttribune-comView of Qalandiya checkpoint, Ramallah. Image courtesy www.arttribune.com, 2 November 2012.https://kelise72.com/wp-content/uploads/2014/10/qalandiya_intl_banner.pngQalandiya_Intl_banner2025-05-08T07:50:38+00:00monthlyhttps://kelise72.com/2015/04/03/palestine-marathon-2015/https://kelise72.com/wp-content/uploads/2015/04/img_0354.jpgPalestine_Marathon_IMG_0354The starting line, the Palestine Marathon 2015, Bethlehem, Palestine (Occupied Territories). Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/uriel_sinai_nyt_02bethlehem3-articlelarge1.jpgUriel_Sinai_NYT_02BETHLEHEM3-articleLargeRunner receiving encouragement from a spectator in the Palestine Marathon, 2015, Bethlehem, Palestine (Occupied Territories). Photo courtesy Uriel Sinai for New York Timeshttps://kelise72.com/wp-content/uploads/2015/04/img_0376.jpgPalestine_marathon_medal_IMG_0376A Palestine Marathon finisher's medal made of olive wood and mother-of-pearl. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/nader_al_masri_pal_marathon_02.jpgNader_al_Masri_pal_marathon_02Nader al-Masri in the Palestine Marathon with a time of 2:57, Bethlehem, Palestine (Occupied Territories), 27 March 2015. Photo courtesy EPA/JIM HOLLANDER.https://kelise72.com/wp-content/uploads/2015/04/gaza-winners-top-photo.jpggaza winners - top photoWinner of the Palestine Marathon Nader al-Masri (centre) with a time of 2:57, Bethlehem, Palestine (Occupied Territories), 27 March 2015. Photo credit MEE/Marco Bottellihttps://kelise72.com/wp-content/uploads/2015/04/rtm_map.jpgPalestine_Marathon_RTM_mapMap of the course, Palestine Marathon 2015, Bethlehem, Palestine (Occupied Territories). Image courtesy Palestine Marathon and Right to Movement.https://kelise72.com/wp-content/uploads/2015/04/img_0523.jpgPalestine_Marathon_IMG_0523Detailed view of graffiti on the apartheid wall on the course, Palestine Marathon 2015, Bethlehem, Palestine (Occupied Territories). Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/img_0506.jpgPalestine_Marathon_IMG_0506The Bethlehem Museum, Palestine Marathon 2015, Bethlehem, Palestine (Occupied Territories). Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/img_0489.jpgPalestine_Marathon_IMG_0489View of Star Bucks cafe, and the Church of the Nativity in the background, Palestine Marathon 2015, Bethlehem, Palestine (Occupied Territories). Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/img_0387.jpgPalestine_Marathon_IMG_0387View of Bethlehem and settlement, Palestine Marathon 2015, Bethlehem, Palestine (Occupied Territories). Photo credit Kelise Franclemont.2025-05-08T07:44:32+00:00monthlyhttps://kelise72.com/2015/09/15/two-books-palestinian-art-book-review/https://kelise72.com/wp-content/uploads/2015/09/palestinian_art_book_covers.pngpalestinian_art_book_covershttps://kelise72.com/wp-content/uploads/2016/02/sulemein_mansour_1981_camel.jpgSulemein_Mansour_1973_CamelSulemein Mansour, 'Camel of hardship', 1973, oil on canvas. Image courtesy middleeastrevised.comhttps://kelise72.com/wp-content/uploads/2016/02/rana_bishara_untitled_2006.jpgRana_Bishara_untitled_2006Rana Bishara, untitled, 2006, wooden window frame, dried cactus, multi-media, in Bank of Palestine collection. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/rana_bishara_as-sabr_2012.jpgRana_Bishara_as-sabr_2012Rana Bishara, 'As-sabr [two meanings: prickly pear or patience]', 2012, cactus and salt timer. Image courtesy RanaBishara.wordpress.com.https://kelise72.com/wp-content/uploads/2016/02/nicola_saig_husseini_surrender_1918.jpgNicola_Saig_Husseini_Surrender_1918Nicola Saig, 'Husseini Surrender', 1918, oil on canvas. Image courtesy Khalid Shoman Foundation, Amman, in 'Palestinian Art' by Kamal Boullata.https://kelise72.com/wp-content/uploads/2016/02/larissa_sansour_nation-state_poster.jpgLarissa_Sansour_NATION-STATE_posterLarissa Sansour, poster from 'Nation Estate' project. Image courtesy LarissaSansour.com.https://kelise72.com/wp-content/uploads/2016/02/juliana_seraphim_entrance_of_the_inner_self.jpgJuliana_Seraphim_entrance_of_the_inner_selfJuliana Seraphim, 'Entrance of the Inner Self', 1991, acrylic. Image courtesy onefineart.comhttps://kelise72.com/wp-content/uploads/2014/09/naji_al-ali_hanthala_02.gifnaji_al-ali_hanthala_02Naji al-'ali, an illustration of 'Hanzala', al-'ali's famous character, as the 'conscience of Palestine'. Image courtesy friends4palestine.blogspot.co.ukhttps://kelise72.com/wp-content/uploads/2014/09/abed_abedi_intifada.jpgAbed_Abedi_IntifadaAbed Abedi, 'Intifada', 1986. Image courtesy www.jadaliyya.comhttps://kelise72.com/wp-content/uploads/2014/09/khalil_rabah_philistine_1997.jpgKhalil_Rabah_Philistine_1997Khalil Rabah, 'Dictionary Work', 1997, Oxford dictionary and nails. Image courtesy contemporaryarabart.tumblr.com2025-05-08T07:43:49+00:00monthlyhttps://kelise72.com/2017/01/20/new-year-new-president-5-positive-things-artists-can-do/https://kelise72.com/wp-content/uploads/2017/01/firstthursdays_tour.pngfirstthursdays_tourImage courtesy Whitechapelgallery.orghttps://kelise72.com/wp-content/uploads/2017/01/samantha_davis_womens_work.pngsamantha_davis_womens_workSamantha Davis, 'Women's work', 2017. Image courtesy TheFader.com https://kelise72.com/wp-content/uploads/2017/01/nastywoman_letters_01.jpgnastywoman_letters_01Entrance to 'Nasty Women' exhibition in Knockdown Center, Queens, NYC. Image courtesy ARTnews.comhttps://kelise72.com/wp-content/uploads/2017/01/angela-pilgrim_afro-puff-ll_-2015_print.jpgProcessed with VSCOcam with c1 preset Processed with VSCOcam with c1 presetAngela Pilgrim, 'Afro Puff II', 2015, print, in 'Nasty Women' at Knockdown Center, Queens, NYC. Image courtesy Huffington Post.2025-05-08T07:42:25+00:00monthlyhttps://kelise72.com/2017/01/27/more-than-one-way-to-sketch-a-cat-royal-drawing-school-drink-and-draw/https://kelise72.com/wp-content/uploads/2017/01/sketch-a-cat-combined-featured-image.pngsketch-a-cat-combined-featured-imagehttps://kelise72.com/wp-content/uploads/2017/01/danwhiteson_drink-and-draw_logo.jpgdanwhiteson_drink-and-draw_logohttps://kelise72.com/wp-content/uploads/2017/01/royal_drawing_school_logo.pngroyal_drawing_school_logohttps://kelise72.com/wp-content/uploads/2017/01/royal_drawing_school_09img_4466.jpgroyal_drawing_school_09img_4466Kelise Franclemont, 2016, charcoal on paper, at Royal Drawing School. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/01/royal_drawing_school_08img_4465.jpgroyal_drawing_school_08img_4465Kelise Franclemont, 2016, charcoal, conte, and graphite on paper, at Royal Drawing School. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/01/royal_drawing_school_07img_2758.jpgroyal_drawing_school_07img_2758Kelise Franclemont, 2016, ink wash and graphite on paper, at Royal Drawing School. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/01/royal_drawing_school_06img_2750.jpgroyal_drawing_school_06img_2750Kelise Franclemont, 2016, ink and conte on paper, at Royal Drawing School. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/01/royal_drawing_school_05img_2734.jpgroyal_drawing_school_05img_2734Kelise Franclemont, 2016, ink on paper, at Royal Drawing School. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/01/royal_drawing_school_04img_2562.jpgroyal_drawing_school_04img_2562Kelise Franclemont, 2016, charcoal on paper, at Royal Drawing School. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/01/drink-and-draw_05img_4471.jpgdrink-and-draw_05img_4471Kelise Franclemont, 2016, ink on paper, at Drink-and-Draw at The Exhibit. Image courtesy the artist.2025-05-08T07:41:58+00:00monthlyhttps://kelise72.com/2017/01/13/what-they-didnt-teach-you-in-art-school-survival-guide-for-artists/https://kelise72.com/wp-content/uploads/2017/01/octopus_publishing_logo.pngoctopus_publishing_logohttps://kelise72.com/wp-content/uploads/2017/01/what-they-didnt-teach-book-cover.jpgwhat-they-didnt-teach-book-coverRosalind Davis and Annabelle Tilley, 'What they didn't teach you in art school', 2016, Ilex Press; 01 edition (3 Nov. 2016). Image courtesy Amazon.co.uk2025-05-08T07:41:58+00:00monthlyhttps://kelise72.com/2020/04/07/painting-masterclass-susie-hodge-book-review/https://kelise72.com/wp-content/uploads/2020/03/img_1037-50pct.jpgIMG_1037-50pctafter Gustav Klimt 'Danaë 1907', 2020, ink, watercolour, acrylic, aluminium foilhttps://kelise72.com/wp-content/uploads/2020/03/paintingmasterclass-cover.jpgPaintingMasterclass-coverhttps://kelise72.com/wp-content/uploads/2020/04/img_1046-50pct.jpgIMG_1046-50pcthttps://kelise72.com/wp-content/uploads/2020/04/img_1047a-50pct.jpgIMG_1047a-50pctafter Eugene Carrière 'Self Portrait 1933'. Graphite, ink, and watercolour.https://kelise72.com/wp-content/uploads/2020/04/img_1048a-50pct.jpgIMG_1048a-50pcthttps://kelise72.com/wp-content/uploads/2020/04/img_1049a-50pct.jpgIMG_1049a-50pctafter Edwardhttps://kelise72.com/wp-content/uploads/2020/04/img_1051b-50pct.jpgIMG_1051b-50pctafter Leonora Carrington 'Self Portrait'https://kelise72.com/wp-content/uploads/2020/04/img_1052-50pct.jpgIMG_1052-50pctafter Philip Guston 'The Street 1977' and Paula Rego 'The Dance https://kelise72.com/wp-content/uploads/2020/04/img_1056-50pct.jpgIMG_1056-50pctafter Gillian Ayres 'Sons of Seven Circles Shine 2014', 2025-05-08T07:41:57+00:00monthlyhttps://kelise72.com/2020/09/06/the-etchr-art-satchel-designed-for-art-makers-on-the-move-review/https://kelise72.com/wp-content/uploads/2020/09/etchr-standingeaselsketch_1024x1024.jpgEtchr-StandingEaselSketch_1024x1024Image courtesy https://etchrlab.com/blogs/news/how-the-etchr-art-satchel-makes-urban-sketching-a-breeze2025-05-08T07:41:56+00:00monthlyhttps://kelise72.com/make-your-story/https://kelise72.com/wp-content/uploads/2015/12/art_basel_logo_square.jpgart_Basel_logo_squarehttps://kelise72.com/wp-content/uploads/2015/12/bp_portrait_award_logo_square.jpgBP_portrait_award_logo_squarehttps://kelise72.com/wp-content/uploads/2015/12/royalacademy_ra_logo.jpgRoyalacademy_RA_logohttps://kelise72.com/wp-content/uploads/2015/12/sofa_chicago_logo.pngSOFA_chicago_logohttps://kelise72.com/wp-content/uploads/2015/12/art-basel_logo.pngart-Basel_logohttps://kelise72.com/wp-content/uploads/2015/12/affordable_art_fair_logo.jpgAffordable_Art_Fair_Logohttps://kelise72.com/wp-content/uploads/2015/12/sharjah_biennial.jpegsharjah_biennialhttps://kelise72.com/wp-content/uploads/2015/12/manifesta_logo.pngManifesta_logohttps://kelise72.com/wp-content/uploads/2015/12/documenta_logo.pngdocumenta_logohttps://kelise72.com/wp-content/uploads/2015/12/bp_portrait_award_logo.jpegBP_portrait_award_logo2025-01-08T11:09:40+00:00weekly0.6https://kelise72.com/2012/11/06/asias-contemporary-sculpture-parks-20-gardens-13-countries/https://kelise72.com/wp-content/uploads/2023/09/asia_sculpture_desertisrael_19.jpgasia_sculpture_desertisrael_19One of the approximately 40 works in Desert Sculpture Park, the Negev, Israel.2023-09-11T14:06:51+00:00monthlyhttps://kelise72.com/2012/07/04/building-cultural-bridges-animation-art-exhibition-connects-iran-kurdistan-video/https://kelise72.com/wp-content/uploads/2023/09/mohammadi_human_01.jpgmohammadi_human_01Mashaallah Mohammadi, 'Human Beings', 2009, animation. Part of 'Animation & Painting', at Merg Gallery, Erbil, Kurdistan, Iraq.2023-09-11T14:06:23+00:00monthlyhttps://kelise72.com/2012/08/21/rare-panoramic-view-of-north-korean-art-scene-asia-times-book-review/https://kelise72.com/wp-content/uploads/2023/09/risoknam_image02.jpgrisoknam_image02Ri Sok Nam,'Blauer Himmel: The Blue Sky Over My Country', 2005, in "Flowers for Kim Il Sung", at Austrian Museum of Applied Arts, Vienna, Austria.2023-09-11T14:05:57+00:00monthlyhttps://kelise72.com/2012/09/04/red-stools-central-in-first-javaarts-cambodian-artist-residency-picture-feast/https://kelise72.com/wp-content/uploads/2023/09/anida_yoeu_ali_05.jpganida_yoeu_ali_05Anida Yoeu Ali, 2012, 'Enter the Red Wind / Naga #1', digital colour print, 100 cm x 65 cm, in the exhibit "The Space Between Inside/Outside", at JavaArts Gallery, Phnom Penh, Cambodia. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2023/09/anida_yoeu_ali_07.jpganida_yoeu_ali_07Anida Yoeu Ali, 2012, installation view of 'Vertigo Dress', mixed media, dimensions variable, in exhibit "The Space Between Inside/Outside", at JavaArts Gallery, Phnom Penh, Cambodia. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2023/09/anida_yoeu_ali_10.jpganida_yoeu_ali_10Anida Yoeu Ali, 'Enter the Field#1 / Arch Pose', digital colour print, 310cm x 40cm, in exhibit "The Space Between Inside/Outside", at JavaArts Gallery, Phnom Penh, Cambodia. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2023/09/anida_yoeu_ali_04.jpganida_yoeu_ali_04Anida Yoeu Ali, 'I Want Coconut/She Needs Ice Coffee (Street 49)', 2012, digital colour print, 139cm x 50cm, in 'The Space between Inside/Outside', at JavaArts Gallery, Phnom Penh, Cambodia. Image courtesy the artist.2023-09-11T14:05:37+00:00monthlyhttps://kelise72.com/2012/10/24/rare-double-showing-of-sri-lankan-drawing-exhibitions-london-colombo/https://kelise72.com/wp-content/uploads/2023/09/drawings_thenuwara_05.jpgdrawings_thenuwara_05Chandraguptha Thenuwara, 2011, 'Dragon Heads', ink on paper, 21 cm x 29 cm. Image courtesy Breese Little Gallery.2023-09-11T14:04:48+00:00monthlyhttps://kelise72.com/2012/11/06/arts-journalist-art-radar-journal-hong-kong/2023-09-11T12:30:26+00:00monthlyhttps://kelise72.com/about/https://kelise72.com/wp-content/uploads/2023/04/london-sketch-15may2021-img_8464-1.pngLondon-Sketch-15May2021-IMG_84642023-04-29T18:33:19+00:00weekly0.6https://kelise72.com/2015/05/21/text2speech-reading-group-dor-guez-ica-london/2023-04-25T15:43:28+00:00monthlyhttps://kelise72.com/2016/07/08/sculpture-garden-musee-de-la-sculpture-en-plein-air-paris/https://kelise72.com/wp-content/uploads/2016/06/paris_info_logo.pngParis_info_logohttps://kelise72.com/wp-content/uploads/2016/06/img_8907.jpgMusee_Plein_Air_IMG_8907Marta Pan (Hungary), 'Sculpture', 1969, polyester and stainless steel, in Musée de la Sculpture en Plein Air, Paris. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8901.jpgMusee_Plein_Air_IMG_8901Micha Laury (Israel/France), 'Mind Accumulation', 1988, stainless steel, in Musée de la Sculpture en Plein Air, Paris. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8897.jpgMusee_Plein_Air_IMG_8897Marino di Teana (Italy/Argentina), 'Structure architecturale', 1973, steel, in Musée de la Sculpture en Plein Air, Paris. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8895.jpgMusee_Plein_Air_IMG_8895Étienne-Martin (France), 'Demeurre 1', 1954-1958, bronze, in Musée de la Sculpture en Plein Air, Paris. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8893.jpgMusee_Plein_Air_IMG_8893Augustin Cardenas (Cuba), 'La Grande Fenêtre', 1974, white Carrara marble, in Musée de la Sculpture en Plein Air, Paris. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8890.jpgMusee_Plein_Air_IMG_8890Marta Colvin (Chile), 'La Grand Signe', 1970, bronze, in Musée de la Sculpture en Plein Air, Paris. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8889.jpgMusee_Plein_Air_IMG_8889Jean Robert Ipoustéguy (France), 'Hydrophage', 1975, bronze, in Musée de la Sculpture en Plein Air, Paris. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8888.jpgMusee_Plein_Air_IMG_8888Jean Robert Ipoustéguy (France), 'Hydrophage', 1975, bronze, in Musée de la Sculpture en Plein Air, Paris. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/06/img_8886.jpgMusee_Plein_Air_IMG_8886Liuba Boyadjieva (Bulgaria), 'Stele', 1977, bronze, in Musée de la Sculpture en Plein Air, Paris. Photo credit Kelise Franclemont.2023-04-25T15:19:45+00:00monthlyhttps://kelise72.com/2017/02/24/walks-of-art-self-guided-public-art-tours-london-ochre-city-and-bankside/https://kelise72.com/wp-content/uploads/2017/02/img_4906.jpgWalksofArt_img_4906Thomas Heatherwick, 'Paternoster Vents', 2000, stainless steel, Paternoster Square, EC4, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4899.jpgWalksofArt_img_4899Elisabeth Frink, 'Paternoster', 1975, bronze, Paternoster Square, EC4, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4894.jpgWalksofArt_img_4894Sir Giles Gilbert Scott's telephone box, 1924, and St. Paul's Cathedral, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4870.jpgWalksofArt_img_4870Charles Wheeler, 'The Lady of the Bank' (top), 1929-30, 'Telamones and Caryatids', 1929-30 (middle), Portland Stone, at Bank of England, Threadneedle Street, EC2. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4866.jpgWalksofArt_img_4866Christopher le Brun, 'City Wing', 2009, painted bronze, 125 Old Broad Street, EC2, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4855.jpgWalksofArt_img_4855City of London dragons, Underground station at Monument. Photo credit Kelise Franclemont.2023-04-25T15:19:35+00:00monthlyhttps://kelise72.com/2012/09/28/street-art-israel-haifa-wadi-nisnas/https://kelise72.com/wp-content/uploads/2013/09/dsc004791.jpgDSC00479Public art installation by Simon Yahia, 2009, in Wadi Nisnas neighbourhood, Haifa, Israel. Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc00476.jpgDSC00476bronze/iron sculpture by Irit Segal, Israel (title, date unknown). Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc00509.jpgDSC00509Detail of installation by Gabi Stein and Dalia Malin, 2011, leading up and away from a small courtyard, in Wadi Nisnas, Haifa, Israel. Image courtesy Kelise Franclemont. https://kelise72.com/wp-content/uploads/2013/09/dsc00505.jpgDSC00505Installation by Salmon Molla, 1999, tucked away in a private courtyard in Wadi Nisnas, Haifa, Israel. Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc00495.jpgDSC00495Detail of wall installation by Axel Ewald, 2003, materials unknown. Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc00484.jpgDSC00484Detail of 'The Neighbourhood Children's Project', 2010, led by artist Abed Abdi, in Wadi Nisnas, Haifa, Israel. Image courtesy Kelise Franclemont.2023-04-22T10:30:41+00:00monthlyhttps://kelise72.com/2013/10/24/walk-like-a-venetian-venice-biennale-2013/https://kelise72.com/wp-content/uploads/2013/10/dsc03989.jpgDSC03989https://kelise72.com/wp-content/uploads/2013/10/dsc04001.jpgInterior of SS Giovanni e Paolo cathedral - ceiling frescoeshttps://kelise72.com/wp-content/uploads/2013/10/dsc04007.jpgDSC04007Interior of SS Giovanni e Paolo cathedral - this work is by Titian.https://kelise72.com/wp-content/uploads/2013/10/dsc03972.jpgDSC03972Tom having a rest in Arsenale.https://kelise72.com/wp-content/uploads/2013/10/dsc03966.jpgDSC03966Francesca Gillihttps://kelise72.com/wp-content/uploads/2013/10/dsc03890.jpgDSC03890Work by xxx in Cote d'Ivoire pavilion, participating for the first time in the 55th Venice Biennale.https://kelise72.com/wp-content/uploads/2013/10/dsc03941.jpgDSC03941Pawel Althamerhttps://kelise72.com/wp-content/uploads/2013/10/dsc03910.jpgDSC03910View of the canal outside our bedroom window.https://kelise72.com/wp-content/uploads/2013/10/dsc03926.jpgDSC03926View of Arsenale, Campo de Fixxxhttps://kelise72.com/wp-content/uploads/2013/10/dsc03881.jpgDSC03881View of San Marco square, from the Grand Canal, near Giardini.2021-08-22T11:29:28+00:00monthlyhttps://kelise72.com/2017/07/25/connect-katowice-and-london-launches-final-print-publication/https://kelise72.com/wp-content/uploads/2021/03/connect5b_tuba_front_page-e1501003206624.jpgFeatured Image -- 10190https://kelise72.com/wp-content/uploads/2021/03/tuba_cover_jpg.jpg2021-08-22T11:28:18+00:00monthlyhttps://kelise72.com/2014/10/28/qalandiya-international-disarming-design-show-by-palestinian-collective-offers-objects-with-alternative-narrative/https://kelise72.com/wp-content/uploads/2014/10/tessel_bruhl_lajali_rishmawi_goggles_02.pngTessel_Bruhl_Lajali_Rishmawi_goggles_02Designed by Tessel Bruhl, embroidered by Lajali Rishmawee, 'Awakening Goggles', 2014, textile and embroidery. Image courtesy DisarmingDesign.pshttps://kelise72.com/wp-content/uploads/2014/10/tommi_vaskel_tessel_bruhl_disengaged_observer_outfit.pngTommi_Vaskel_Tessel_Bruhl_Disengaged_observer_outfitTommi Vasko and Tessel Bruhl, 'Disengaged Observer outfit', 2014, Bedouin fabric, in the Disarming Design collection. Image courtesy the artist and Disarming Design.https://kelise72.com/wp-content/uploads/2014/10/disarming_design_header_arabic.pngDisarming_Design_header_arabichttps://kelise72.com/wp-content/uploads/2014/10/disarming_design_header_english.pngDisarming_Design_header_englishhttps://kelise72.com/wp-content/uploads/2014/10/majd_abdel_hamid_hourglass.pngMajd_Abdel_Hamid_HourglassMajd Abdel Hamid, 'Hourglass', glass and crushed cement scraped from The Wall, in partnership with Jaba Glass Factory, Hizma, Palestine. Image courtesy the artist and Disarming Design.https://kelise72.com/wp-content/uploads/2014/10/tessel_bruhl_fida_bannoura_made_in_china.pngTessel_Bruhl_Fida_Bannoura_Made_in_ChinaDesigned by Tessel Bruhl and embroidered by Fida Bannoura. 'Made in China' scarf, cotton, 130 cm x 130 cm. Image courtesy the artists and Disarming Design.https://kelise72.com/wp-content/uploads/2014/10/mark_jan_van_tellingen_watchtowers_game.jpgMark_Jan_van_Tellingen_Watchtowers_game'Watchtowers and Watertanks game', olive wood, size variable. Designed by Mark Jan Van Tellingen, carved by Majed Abu Farha and Nader Rishmawee. Image courtesy the artist and Disarming Design.https://kelise72.com/wp-content/uploads/2014/10/khaled_hourani_watchtower_ashtray.jpgKhaled_Hourani_Watchtower_ashtrayKhaled Hourani (designer) and Abu Muath (metalsmith), 'Watchtower ashtray', metal, 30 cm x 80 cm. Text reads: 'Security seriously harms you and others around you'. Image courtesy the artist and Disarming Design.https://kelise72.com/wp-content/uploads/2014/10/disarming_design_front_page.pngDisarming_Design_front_pageThe front page of Disarming Design's website with a contemporary Ramallah 'Arabaya [seller's cart] for kids', wood, paint, and wheels, by Maher Shaheen, Annelys De Vet and Ahmed M Uwaidat. Image courtesy DisarmingDesign.pshttps://kelise72.com/wp-content/uploads/2014/10/tariq_salsa_everywhere_palestine_scarf.jpgTariq_Salsa_everywhere_Palestine_scarfTariq Salsa, 'Everywhere Palestine', printed silk, 45 cm x 170 cm. Image courtesy the artist and Disarming Design.2021-03-09T11:18:30+00:00monthlyhttps://kelise72.com/2016/02/05/young-palestinian-artists-suspended-accounts-mosaic-rooms-london/https://kelise72.com/wp-content/uploads/2016/01/dsc02578.jpgQI_2014_Battir_DSC02578A view of Battir, a UNESCO World Heritage Site in Palestine/Occupied Territories, 11 November 2014. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/dsc02809.jpgYAYA2014_DSC02809Hanadi Azmi, 'Drafting history', 2014, installation and found ceramic pieces, in 'Suspended Accounts'', Qalandiya International 2014 biennial art fair in Ramallah Municipal Hall, Palestine. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/dsc02777.jpgYAYA2014_DSC02777Majdal Nateel, 'Without coffins', 2014, installation, in 'Suspended Accounts'', Qalandiya International 2014 biennial art fair in Ramallah Municipal Hall, Palestine. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/dsc02774.jpgYAYA2014_DSC02774Aya Abu Ghazaleh, 'Refugee Camp: A place under experiment', 2014, ink and charcoal sketches on paper, in 'Suspended Accounts'', Qalandiya International 2014 biennial art fair in Ramallah Municipal Hall, Palestine. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/dsc02791.jpgYAYA2014_DSC02791Farah Saleh, 'A Fidayee son in Moscow', 2014, video and installation, in 'Suspended Accounts', Qalandiya International 2014 biennial art fair in Ramallah Municipal Hall, Palestine. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/suspended_accounts_flyer.jpgSuspended_Accounts_flyerhttps://kelise72.com/wp-content/uploads/2016/01/dsc02816.jpgYAYA_2014_DSC02816Noor Abu Arafeh, 'Observational desire on a memory that remains', 2014, mixed media installation, in 'Suspended Accounts' in Qalandiya International 2014 biennial art fair in Ramallah Municipal Hall, Palestine. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/dsc02805.jpgYAYA_2014_DSC02805Bashar Khalaf, 'Shadow of the shadow', 2012, oil on canvas, in 'Suspended Accounts', Qalandiya International 2014 biennial art fair in Ramallah Municipal Hall, Palestine. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/dsc02796.jpgYAYA_2014_DSC02796Iman al-Sayed, 'Re-repeat', 2014, mixed media installation, in 'Suspended Accounts'', Qalandiya International 2014 biennial art fair in Ramallah Municipal Hall, Palestine. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/dsc02792.jpgYAYA_2014_DSC02792Hamody Gannam, 'Wadi Nisnas', 2014, mixed media installation and sound, in 'Suspended Accounts', Qalandiya International 2014 biennial art fair in Ramallah Municipal Hall, Palestine. Photo credit Kelise Franclemont.2021-03-09T11:13:34+00:00monthlyhttps://kelise72.com/2014/11/06/qalandiya-international-zuhair-abu-shayeb-poetry/https://kelise72.com/wp-content/uploads/2014/11/ramallah_municipality_logo.jpgRamallah_Municipality_logohttps://kelise72.com/wp-content/uploads/2014/11/zuhair_abu_shayeb_banipal.jpgZuhair_abu_Shayeb_BanipalAuthor and educator, Zuhair Abu Shayebhttps://kelise72.com/wp-content/uploads/2014/11/mamanila_logo.pngMamanila_logohttps://kelise72.com/wp-content/uploads/2014/11/mahmouddarwishfoundation_logo.pngMahmoudDarwishFoundation_logohttps://kelise72.com/wp-content/uploads/2014/11/zuhair_abu_shayeb_by_ibrahimabutouq-d5yaogz.jpgzuhair_abu_shayeb_by_ibrahimabutouq-d5yaogzIbrahim Abu Touq, 'Zuhair Abu Shayeb', 2013, ink/gouache. Image courtesy the artist and DeviantArt.comhttps://kelise72.com/wp-content/uploads/2014/11/abu_shayeb_book_signing.jpgAbu_Shayeb_book_signingAuthor and educator, Zuhair Abu Shayeb. Image courtesy interromania.maestru.frhttps://kelise72.com/wp-content/uploads/2014/11/bird_is_not_a_stone_bookcover.jpegBird_is_not_a_stone_bookcoverhttps://kelise72.com/wp-content/uploads/2014/11/zuhair_abu_shayeb_logo.jpgzuhair_abu_Shayeb_logohttps://kelise72.com/wp-content/uploads/2014/10/qalandiya_intl_logo.pngqalandiya_intl_logoQalandiya International2021-03-09T11:12:16+00:00monthlyhttps://kelise72.com/2015/03/12/dor-guez-recounts-unwritten-histories-in-the-sick-man-of-europe-at-the-ica-london/https://kelise72.com/wp-content/uploads/2015/03/dor_guez_snapshot_artis.pngDor_Guez_snapshot_ArtisDor Guez. Image courtesy 'Artis Video Series: Dor Guez' (YouTube, 4:51)https://kelise72.com/wp-content/uploads/2015/03/dorguezica2.jpgdorguezica2Dor Guez, installation view, 'The Painter', 2015, colour video and sound, 20:00, in 'The Sick Man of Europe' at the ICA, London. Image courtesy the artist and the ICA.https://kelise72.com/wp-content/uploads/2015/03/dorguezica1.jpgdorguezica1Dor Guez, installation view of 'The Sick Man of Europe', 2015, at the ICA, London. Image courtesy the artist and the ICA.https://kelise72.com/wp-content/uploads/2015/02/dor_guez_sick_man_europe_04.pngDor_Guez_Sick_Man_Europe_04Dor Guez, installation detail of 'The Sick Man of Europe', 2015, at the ICA, London. Image courtesy the artist and the ICA.https://kelise72.com/wp-content/uploads/2015/02/dor_guez_sick_man_europe_03.pngDor_Guez_Sick_Man_Europe_03Dor Guez, screenshot from 'The Painter', 2015, colour video and sound, 20:00, in 'The Sick Man of Europe' at the ICA, London. Image courtesy the artist and the ICA.https://kelise72.com/wp-content/uploads/2015/02/dor_guez_sick_man_europe_02.pngDor_Guez_Sick_Man_Europe_02Dor Guez, screenshot from 'The Painter', 2015, colour video and sound, 20:00, in 'The Sick Man of Europe' at the ICA, London. Image courtesy the artist and the ICA.https://kelise72.com/wp-content/uploads/2015/02/dor_guez_sick_man_europe_01.pngDor_Guez_Sick_Man_Europe_01Dor Guez, installation detail of 'The Sick Man of Europe', 2015, at the ICA, London. Image courtesy the artist and the ICA.2021-03-09T11:05:34+00:00monthlyhttps://kelise72.com/2018/04/06/inside-job-tate-modern-volunteer/https://kelise72.com/wp-content/uploads/2018/04/pfr_photo-credit-caitlin_mavroleon.jpgPFR_photo-credit-Caitlin_MavroleonKelise Franclemont, 'Prayer for Rain', 2017, hologram, copper, and sound, in 'Stations of Water' at St Paul's Cathedral, London. Image credit Caitlin Mavroleon.2021-03-09T10:55:02+00:00monthlyhttps://kelise72.com/2013/09/04/yba-michael-landy-offers-robo-holy-rollers-in-saints-alive-at-national-gallery-london/https://kelise72.com/wp-content/uploads/2013/09/img_4310.jpgIMG_4310Entrance to the National Gallery, Trafalgar Square, London. Photo courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/michael_landy_drawing_multi-saint_national_gallery.jpgMichael_Landy_drawing_Multi-Saint_national_GalleryPreparatory drawing by Michael Landy for 'Multi-Saint', 2013, in 'Saints Alive' at National Gallery, London. Photo courtesy the artist and www.newstatesman.comhttps://kelise72.com/wp-content/uploads/2013/09/appollonia_newstatesman_nationalgallery.jpgAppollonia_NewStatesman_NationalGalleryMichael Landy, 'Appollonia', 2013, resin and mechanism, in 'Saints Alive' at The National Gallery, London. Photo courtesy The National Gallery and the artist.https://kelise72.com/wp-content/uploads/2013/09/landy_2567879b_andrew_crowley_telegraph.jpglandy_2567879b_Andrew_Crowley_TelegraphArtist Michael Landy preparing his exihibition 'Saints Alive' at National Gallery, London. Photo credit Andrew Crowley and The Telegraph, www.telegraph.co.ukhttps://kelise72.com/wp-content/uploads/2013/09/screen-shot-2013-09-09-at-15-37-05.pngScreen Shot 2013-09-09 at 15.37.05Image courtesy of www.nationalgallery.org.uk2021-03-09T10:48:08+00:00monthlyhttps://kelise72.com/2013/12/19/nativity-trail-national-gallery/https://kelise72.com/wp-content/uploads/2013/12/monopoly_ng.pngMonopoly_NGNational Gallery Monolopy board game. Image courtesy National Gallery shop.https://kelise72.com/wp-content/uploads/2013/12/anbetung_der_kc3b6nige_bruegel_1564.jpgAnbetung_der_Könige_(Bruegel,_1564)Pieter Breugel, 'Adoration of the Kings', 1564, oil on panel. Image courtesy Commons Wikimedia.org.https://kelise72.com/wp-content/uploads/2013/12/ercole_de_roberti_-_the_adoration_of_the_shepherds_national_gallery_london.jpgErcole_de_Roberti_about 1490Ercole de Roberti, 'The Adoration of the Shepherds', about 1490, tempera on panel. Image courtesy Commons Wikimedia.orghttps://kelise72.com/wp-content/uploads/2013/12/dreaming_joseph1.pngDreaming_JosephPhilippe de Champaigne, 'The Dream of Saint Joseph', 1642-3, oil painting. Image courtesy National Gallery website.https://kelise72.com/wp-content/uploads/2013/12/geertgen_tot_sint_jans_nativity_night.jpgGeertgen_tot_Sint_Jans_nativity_nightGeertgen tot Sint Jans, 'The Nativity at Night', about 1490, oil painting. Image courtesy Commons Wikimedia.orghttps://kelise72.com/wp-content/uploads/2013/12/fra_lippi_annunciation.pngFra_Lippi_annunciationFra Filippo Lippi, 'The Annunciation', 1450-3, oil painting on wood. Image courtesy National Gallery website.https://kelise72.com/wp-content/uploads/2013/12/flight_to_egypt.pngflight_to_egyptWorkshop of the Master of 1518, 'Flight to Egypt', one of two panels of an alterpiece. Image courtesy National Galleryhttps://kelise72.com/wp-content/uploads/2013/12/birth_of_jesus.pngBirth_of_JesusGuido Reni, 'Adoration of the shepherds', about 1640. Image courtesy National Gallery.https://kelise72.com/wp-content/uploads/2013/12/national_gallery_logo.pngNational_Gallery_logo2021-03-09T10:48:04+00:00monthlyhttps://kelise72.com/2014/09/25/open-bethlehem-documentary-leila-sansour/https://kelise72.com/wp-content/uploads/2014/09/woman_drawing_water_bethlehem_palestine-_1938_september_2.jpgwoman_drawing_water_bethlehem_palestine._1938_september_2Bethlehem from south with woman figure, Sofie at the well, clad in richly embroidered costume and drawing water. Bethlehem, Palestine, 1938. Photographer unknown. Image courtesy http://www.photographium.com/https://kelise72.com/wp-content/uploads/2014/09/bethlehem-75214_palestine_remembered.jpgBethlehem-75214_palestine_rememberedBethlehem in the snow, 1930s. Image courtesy PalestineRemembered.com.https://kelise72.com/wp-content/uploads/2014/09/mandela_quote_impossible_done.jpgmandela_quote_impossible_donehttps://kelise72.com/wp-content/uploads/2014/09/open_bethlehem_leila_sansour_01.jpgOpen_Bethlehem_Leila_Sansour_01Leila Sansour in 'Open Bethlehem', 2014, documentary film, preview showing at Royal Geographic Society, London. Image courtesy OpenBethlehem.orghttps://kelise72.com/wp-content/uploads/2014/09/sunrise-bethlehem-munir-alawi.jpgsunrise-bethlehem-munir-alawiMunir Alawi, 'Sunrise Bethlehem', 2009, metal print. Image courtesy the artist and FineArtAmerica.comhttps://kelise72.com/wp-content/uploads/2014/09/the-wall-in-bethlehem-palestine_campaign.jpgThe-wall-in-Bethlehem-Palestine_CampaignView of the Wall that surrounds Bethlehem, West Bank, Palestine. Image courtesy PalestineCampaign.orghttps://kelise72.com/wp-content/uploads/2014/09/bethlehem_wall_australians_for-palestine-merry_christmas.jpgBethlehem_wall_Australians_for-palestine-Merry_ChristmasA view of The Wall in and around Bethlehem, West Bank, Palestine, 24 December 2014. Image courtesy AustraliansforPalestine.nethttps://kelise72.com/wp-content/uploads/2014/09/openbethlehem_become_a_citizen.pngOpenBethlehem_become_a_citizenLeila Sansour (left), founder of the 'Open Bethlehem Campaign' and director of film 'Open Bethlehem' with one of the first Bethlehem Passport holders, a native and citizen of Bethlehem.https://kelise72.com/wp-content/uploads/2014/09/bethlehem_passport.pngBethlehem_Passporthttps://kelise72.com/wp-content/uploads/2014/09/openbethlehem_logo.pngOpenBethlehem_logo2021-03-09T10:48:00+00:00monthlyhttps://kelise72.com/2015/12/24/national-gallery-angel-trail-london/https://kelise72.com/wp-content/uploads/2015/12/n-6553-00-000029-wpu.jpgN-6553-00-000029-wpuBartolomao Bermejo, about 1440 - after 1495 Saint Michael triumphant over the Devil with the Donor Antonio Juan 1468 Oil and gold on wood, 179.7 x 81.9 cm Bought by Private Treaty Sale with a grant from the American Friends of the National Gallery, London, made possible by Mr J. Paul Getty Jnr’s Endowment Fund, 1995 NG6553 http://www.nationalgallery.org.uk/paintings/NG6553https://kelise72.com/wp-content/uploads/2015/12/n-6499-00-000033-wpu.jpgN-6499-00-000033-wpuMaster of the Saint Bartholomew Altarpiece, active about 1470 to about 1510 The Virgin and Child with Musical Angels about 1485-1500 Oil on oak, 52 x 38 cm Bought, 1985 NG6499 http://www.nationalgallery.org.uk/paintings/NG6499https://kelise72.com/wp-content/uploads/2015/12/n-6275-01-000039-wpu.jpgN-6275-01-000039-wpuHans Memling, active 1465; died 1494 The Virgin and Child with Saints and Donors (The Donne Triptych) about 1478 Oil on oak, 71 x 70.3 cm Acquired under the terms of the Finance Act from the Duke of Devonshire's Collection, 1957 NG6275.1 This painting is part of the group: 'The Donne Triptych' (NG6275.1-NG6275.3) http://www.nationalgallery.org.uk/paintings/NG6275.1https://kelise72.com/wp-content/uploads/2015/12/n-4451-00-000140-wpu.jpgN-4451-00-000140-wpuEnglish or French (?), Richard II presented to the Virgin and Child by his Patron Saint John the Baptist and Saints Edward and Edmund ('The Wilton Diptych'), about 1395-9, Egg on oak, NG4451. Image courtesy http://www.nationalgallery.org.uk/paintings/NG4451https://kelise72.com/wp-content/uploads/2015/12/n-4081-00-000019-wpu.jpgN-4081-00-000019-wpuGeertgen tot Sint Jans, about 1455/65; died about 1485/95 The Nativity at Night possibly about 1490 Oil on oak, 34 x 25.3 cm Bought, 1925 NG4081 http://www.nationalgallery.org.uk/paintings/NG4081https://kelise72.com/wp-content/uploads/2015/12/n-1897-00-000104-wpu.jpgN-1897-00-000104-wpuLorenzo Monaco, active 1399; died 1423 or 1424 The Coronation of the Virgin: Central Main Tier Panel 1407-9 Egg tempera on wood, 220.5 x 115.2 cm Bought, 1902 NG1897 This painting is part of the group: 'San Benedetto Altarpiece' (L2; NG215-NG216; NG1897; NG2862; NG4062) http://www.nationalgallery.org.uk/paintings/NG1897https://kelise72.com/wp-content/uploads/2015/12/n-1303-00-000041-wpu.jpgN-1303-00-000041-wpuSimon Marmion, active 1449; died 1489, A Choir of Angels: From Left Hand Shutter, about 1459, Oil on oak, 57.6 x 20.9 cm. This painting is part of the group: 'Fragments of Shutters from the St Bertin Altarpiece',(NG1302-NG1303). http://www.nationalgallery.org.uk/paintings/NG1303https://kelise72.com/wp-content/uploads/2015/12/n-1155-00-000146-wpu.jpgN-1155-00-000146-wpuMatteo di Giovanni, active 1452; died 1495, The Assumption of the Virgin probably 1474, Tempera and gold on wood, 331.5 x 174 cm. http://www.nationalgallery.org.uk/paintings/NG1155https://kelise72.com/wp-content/uploads/2015/12/n-0908-00-000085-wpu.jpgN-0908-00-000085-wpuPiero della Francesca, about 1415/20 - 1492, The Nativity, 1470-5, Oil on poplar, 124.4 x 122.6 cm. http://www.nationalgallery.org.uk/paintings/NG908https://kelise72.com/wp-content/uploads/2015/12/n-0666-00-000030-wpu.jpgN-0666-00-000030-wpuFra Filippo Lippi, born about 1406; died 1469, The Annunciation, about 1450-3, Egg tempera on wood, 68.6 x 152.7 cm. http://www.nationalgallery.org.uk/paintings/NG6662021-03-09T10:47:56+00:00monthlyhttps://kelise72.com/2016/03/31/southeastern-indians-funk-heritage-center-at-reinhardt-university-waleska-ga/https://kelise72.com/wp-content/uploads/2016/03/funk_heritage_center1.jpgFunk_heritage_center1Image courtesy http://www.cityofwaleska.com/https://kelise72.com/wp-content/uploads/2016/03/img_7189.jpgIMG_7189Installation view 'Home at Last' gallery, Funk Heritage Center at Reinhardt University, Waleska, Georgia. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/img_7178.jpgIMG_7178Main entrance to Funk Heritage Center at Reinhardt University, Waleska, Georgia. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/img_7170.jpgIMG_7170Installation view, 'Tools of the Trade', a portion of the tool collection of Joseph Alan Sellars, at Funk Heritage Center at Reinhardt University, Waleska, Georgia. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/img_7160.jpgIMG_7160Funk Heritage Center at Reinhardt University, Waleska, Georgia. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/dsc06444.jpgDSC06444https://kelise72.com/wp-content/uploads/2016/03/dsc06420.jpgDSC06420'Art in Stone', a fine example of 'petroglyphs' (rock carvings) likely from the Mississippian tribes from AD900-AD1500, at Funk Heritage Center at Reinhardt University, Waleska, Georgia. Photo credit Kelise Franclemont.2021-01-19T23:14:14+00:00monthlyhttps://kelise72.com/2014/09/18/raja-shahadeh-palestinian-walks-notes-on-a-vanishing-landscape/https://kelise72.com/wp-content/uploads/2014/09/raja-shehadeh-palestine_wow247.jpgRaja-Shehadeh-palestine_wow247Raja Shehadeh, reads from his book, 'Palestinian Walks', 2008, to artists at the 2014 Palestine Festival of Literature outside Ramallah in June. Photo credit: Rob Stothard/Getty Images. Image courtesy www.wow274.co.ukhttps://kelise72.com/wp-content/uploads/2014/09/081028-shehadeh-hills_electronicintifada-net.jpg081028-shehadeh-hills_electronicintifada-netA Palestinian boy from Bilin outside Ramallah sits over an Israeli settlement being constructed next to the village, December 2005. Image courtesy www.electronicintifada.net. Photo credit: Charlotte de Bellabre/MaanImages.https://kelise72.com/wp-content/uploads/2014/09/palestine-aug-nov-2007-087_ghth-wordpress.jpgpalestine-aug-nov-2007-087_ghth-wordpressSettlements overlooking a Palestinian village near Ramallah. Image courtesy http://ghth.wordpress.com/https://kelise72.com/wp-content/uploads/2014/09/palestine-aug-nov-2007-005.jpgpalestine-aug-nov-2007-005Ramblers in the early spring morning, Palestine, 6 October 2007. Image courtesy http://ghth.wordpress.com/https://kelise72.com/wp-content/uploads/2014/09/raja_shehadeh_left_nytimes.jpgRaja_Shehadeh_left_NYTimesAuthor Reja Shehadeh (left) with a friend on a 'sarhha' in West Bank, Palestine. Image courtesy NY Times.https://kelise72.com/wp-content/uploads/2014/08/raja_shehadeh_palestinian_walks_bookcover.jpgRaja_Shehadeh_Palestinian_Walks_bookcover2020-12-23T09:57:19+00:00monthlyhttps://kelise72.com/2015/04/30/18-cows-defy-occupation-in-the-wanted-18-film/https://kelise72.com/wp-content/uploads/2015/04/the-wanted-18_cow_mugshot.pngThe-wanted-18_cow_mugshotScreenshot from 'The Wanted 18', 2014, directed by Amer Shomali and Paul Cowan. Image courtesy http://www.wanted18.com/https://kelise72.com/wp-content/uploads/2015/04/the_wanted18_amer_shomali.jpgthe_Wanted18_amer_ShomaliAmer Shomali, film maker and director of 'The Wanted 18'. Image courtesy http://www.wanted18.com/https://kelise72.com/wp-content/uploads/2015/04/the_wanted_18_wanted_poster.jpgThe_wanted_18_wanted_posterScreenshot from 'The Wanted 18', 2014, directed by Amer Shomali and Paul Cowan. Image courtesy http://www.wanted18.com/https://kelise72.com/wp-content/uploads/2015/04/the_wanted_18_screencapture_04.pngThe_Wanted_18_screencapture_04Screenshot from 'The Wanted 18', 2014, directed by Amer Shomali and Paul Cowan. Image courtesy http://www.wanted18.com/https://kelise72.com/wp-content/uploads/2015/04/the_wanted_18_screencapture_03.pngThe_Wanted_18_screencapture_03Screenshot from 'The Wanted 18', 2014, directed by Amer Shomali and Paul Cowan. Image courtesy http://www.wanted18.com/ and TIFF.https://kelise72.com/wp-content/uploads/2015/04/the_wanted_18_screencapture_01.pngThe_Wanted_18_screencapture_01Screenshot from 'The Wanted 18', 2014, directed by Amer Shomali and Paul Cowan. Image courtesy http://www.wanted18.com/https://kelise72.com/wp-content/uploads/2015/04/the_wanted_18_banner_02.pngThe_Wanted_18_banner_022020-12-23T09:57:15+00:00monthlyhttps://kelise72.com/contact/2020-10-25T18:12:40+00:00weekly0.6https://kelise72.com/2014/04/11/artist-block-4-blind-and-touchy-feely/https://kelise72.com/wp-content/uploads/2014/04/05021401.jpg05021401Drawing texture exercise. Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/03/touchy_feely_box_contents.jpegtouchy_feely_box_contentsSome of the items in my 'touchy-feely' box. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/03/touchy_feely_marbles_the_brain_store_500x345.pngtouchy_feely_marbles_the_brain_store_500x345'Touchy Feely' the game offered by Marbles the Brain Store. Image courtesy marblesthebrainstore.comhttps://kelise72.com/wp-content/uploads/2014/03/glen_swart_logo.pngGlen_Swart_logohttps://kelise72.com/wp-content/uploads/2014/03/ian_sklarsky_logo.pngIan_Sklarsky_logohttps://kelise72.com/wp-content/uploads/2014/03/marbles_brain_blog_logo.pngmarbles_brain_blog_logohttps://kelise72.com/wp-content/uploads/2014/03/04021403.jpg04021403Kelise Franclemont, 'driftwood/man (1)', 2014, ink on paper. Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/03/04021402.jpg04021402Kelise Franclemont, 'driftwood/man (2)', 2014, graphite and ink on paper. Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/03/04021401.jpg04021401Blind contour drawing. Image courtesy Kelise Franclemonthttps://kelise72.com/wp-content/uploads/2014/03/touchy_feely_whats_inthe_box.jpgtouchy_feely_whats_inthe_boxImage courtesy elderlyactivities.co.uk2019-02-25T18:16:51+00:00monthlyhttps://kelise72.com/2017/09/24/9-artists-stations-of-water-st-pauls-london/https://kelise72.com/wp-content/uploads/2017/09/paulabbott_creditgrahamlacdao_p9220360.jpgPaulAbbott_byGrahamLacdaoPaul Abbott, 'Monument', 2017, video, in 'Stations of Water' at St Paul's Cathedral, London. Image credit Graham Lacdao.https://kelise72.com/wp-content/uploads/2017/09/marcelamontoya-turnill_creditgrahamlacdao_p9220349.jpgOLYMPUS DIGITAL CAMERAMarcela Montoya-Turnill, 'I Thirst', 2017, wood, fibreglass, marble, and cloth, in 'Stations of Water' at St Paul's Cathedral, London. Image credit Graham Lacdao.https://kelise72.com/wp-content/uploads/2017/09/jonathanslaughter_creditgrahamlacdao_p9220336.jpgOLYMPUS DIGITAL CAMERAJonathan Slaughter, 'Safe Harbour', 2017, rope installation, in 'Stations of Water' at St Paul's Cathedral, London. Image credit Graham Lacdao.https://kelise72.com/wp-content/uploads/2017/09/reganocallaghan_credit_grahamlacdao_img_2956.jpgReganOCallaghan_credit_GrahamLacdao_IMG_2956Regan O'Callaghan, 'The Slippery Longfin Eel of New Zealand', 2017, plastic clerical collars and acrylic rods, in 'Stations of Water' at St Paul's Cathedral, London. Image credit Graham Lacdao.https://kelise72.com/wp-content/uploads/2017/09/marilyncollins_credit_grahamlacdao_img_2930.jpgMarilynCollins_credit_GrahamLacdao_IMG_2930Marilyn Collins, 'Inter-Sect', 2017, steel, digital film, sound, and Thames driftwood, in 'Stations of Water' at St Paul's Cathedral, London. Image credit Graham Lacdao.https://kelise72.com/wp-content/uploads/2017/09/michelangeloarteaga_credit_grahamlacdaoimg_2924.jpgMichelangeloArteaga_credit_GrahamLacdaoIMG_2924Michelangelo Arteaga, 'Spiral of Life', 2017, polyester resin, fibreglass, light, and sound, in 'Stations of Water' at St Paul's Cathedral, London. Image credit Graham Lacdao.https://kelise72.com/wp-content/uploads/2017/09/kelisefranclemont_pfr_credit_graham_lacdao_img3024.jpgKeliseFranclemont_PFR_credit_Graham_Lacdao_IMG3024Kelise Franclemont, 'Prayer for Rain', 2017, hologram, copper, and sound, in 'Stations of Water' at St Paul's Cathedral, London. Image credit Graham Lacdao.https://kelise72.com/wp-content/uploads/2017/09/jamespimperton_credit_grahamlacdao_p9220354.jpgJamesPimperton_by_GrahamLacdaoJames Pimperton, 'The Three States [triptych', 2017, oil on panel and wooden lectern, in 'Stations of Water' at St Paul's Cathedral, London. Image credit Graham Lacdao.https://kelise72.com/wp-content/uploads/2017/09/alexroberts_grahamlacdao_img_2899.jpgAlexRoberts_GrahamLacdao_IMG_2899Alex Roberts, 'Overlooked' [triptych], 2017, oil on silk, in 'Stations of Water' at St Paul's Cathedral, London. Image credit Graham Lacdao.https://kelise72.com/wp-content/uploads/2017/09/2017_stations_of_water_e-flyer_v053.jpg2017_Stations_of_Water_e-flyer_v052018-04-06T15:48:25+00:00monthlyhttps://kelise72.com/2013/10/10/outsider-artists-on-the-inside-southbank/https://kelise72.com/wp-content/uploads/2013/10/self-portrait_peter_cameron.jpgself portrait_Peter_CameronPeter Cameron, 'Self-Portrait'. Image courtesy the artist and www.pcameron.co.ukhttps://kelise72.com/wp-content/uploads/2013/10/svb_southbank_love_hope_apple-cropped-png.jpgSVB_Southbank_Love_hope_apple cropped.pngDalrymple Bronze Award for sculpture for 'Garden of Eden, from HM Prison and Young Offender Institution Styal, Cheshire (women). Photo courtesy www. southbankcentre.co.ukhttps://kelise72.com/wp-content/uploads/2013/09/screen-shot-2013-09-28-at-15-31-49.pngScreen Shot 2013-09-28 at 15.31.49https://kelise72.com/wp-content/uploads/2013/09/img_4428.jpgIMG_4428https://kelise72.com/wp-content/uploads/2013/09/img_4426.jpgIMG_4426'Walk in My Shoes' (detail) by Daycare group of 10, HM Prison Pentonville, London, craft, in 'The Strength & Vulnerability Bunker' at Southbank Centre, Bankside, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/img_4424.jpgIMG_4424'Walk in My Shoes' by Daycare group of 10, HM Prison Pentonville, London, craft, in 'The Strength and Vulnerability Bunker' at Southbank Centre, Bankside, London. Photo credit Kelise Franclemont. The card reads, 'Before you criticize someone, walk a mile in their shoes'.https://kelise72.com/wp-content/uploads/2013/09/img_4422.jpgIMG_4422'Then I'll huff and I'll puff' by Dena, HM Prison Send, Surrey (women), David Wentworth Platinum Award for Textile Art, 'Strength & Vulnerability Bunker' at Southbank Centre, Bankside, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/img_4420.jpgIMG_4420'You Never Really Grow Up', Red Bank Community Home, John Drew Under 18s Special Award for Mixed Media, in 'Strength and Vulnerability Bunker' at Southbank Centre, Bankside, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/img_4416.jpgIMG_4416'First Hour' by Dean, HM Prison Littleby Cambridgeshire, Gold Award for Recycling or Paper Mache, 4535, 'Strength & Vulnerability Bunker' at Southbank Centre, Bankside, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/img_4415.jpgIMG_44152018-04-06T15:47:59+00:00monthlyhttps://kelise72.com/2017/12/18/life-drawing-lsw-london/https://kelise72.com/wp-content/uploads/2017/12/lsw-logo.pngLSW-logohttps://kelise72.com/wp-content/uploads/2017/12/view-of-pentonville-prison.jpgView-of-pentonville-prisonView of Pentonville prison, 1840s. Illustrator unknown.https://kelise72.com/wp-content/uploads/2017/12/convicts_exercising_in_pentonville_prison.jpgconvicts_exercising_in_pentonville_prisonConvicts exercising in Pentonville prison, 1840s. Illustrator noted lower left, Behrett.https://kelise72.com/wp-content/uploads/2017/12/pentonville_prison_1843_01.gifpentonville_prison_1843_01Model prison, Pentonville, from The Illustrated London News, 1843. Illustrator unknown.https://kelise72.com/wp-content/uploads/2017/12/20171215_lsw_pentonville_prison.jpgPentonville Prison stockGeneral view of the centre of Pentonville Prison, London. Credit: PAhttps://kelise72.com/wp-content/uploads/2017/12/lup2-logo.jpglup2-logo2018-04-06T15:47:25+00:00monthlyhttps://kelise72.com/2012/05/19/ppd-presentation-construction-gallery/https://kelise72.com/wp-content/uploads/2012/05/cg01.jpgConstructionGallery_2012The team at Construction Gallery, Tooting, London. 2012. Image courtesy Construction Gallery.2017-08-03T15:12:42+00:00monthlyhttps://kelise72.com/2013/10/03/what-makes-us-care-photo-exhibit/https://kelise72.com/wp-content/uploads/2013/10/image_francois_arnaud1.jpgimage_Francois_Arnaudactor Francois Arnaud depicted sleeping rough, in 'What Makes Us Care?' at The Crypts gallery, St Martins-in-the-Fields, London. Photography by Kathryn Prescott.https://kelise72.com/wp-content/uploads/2013/10/centrepointlogo.pngCentrePointLogohttps://kelise72.com/wp-content/uploads/2013/10/bigissuelogo.pngBigIssueLogohttps://kelise72.com/wp-content/uploads/2013/10/smitf_logo.pngSMITF_logohttps://kelise72.com/wp-content/uploads/2013/10/img_4515.jpgIMG_4515https://kelise72.com/wp-content/uploads/2013/10/img_4512.jpgIMG_4512https://kelise72.com/wp-content/uploads/2013/10/img_4511.jpgIMG_4511https://kelise72.com/wp-content/uploads/2013/10/img_4510.jpgIMG_4510https://kelise72.com/wp-content/uploads/2013/10/img_4509.jpgIMG_45092017-08-03T14:59:31+00:00monthlyhttps://kelise72.com/2017/03/15/preview-of-water-stations-exhibition-in-honour-of-world-water-day-emmanuel-church-west-hampstead/https://kelise72.com/wp-content/uploads/2017/03/img_5539.jpgIMG_5539Kelise Franclemont, 'Salat ul-istisqa'a [Prayer for Rain]', 2017, acrylic, copper, and sound, in 'Water Stations' at Emmanuel Church, West Hampstead, London. Image courtesy the artist. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/03/virgin_marys_well_nazareth_border.jpgVirgin_Marys_Well_Nazareth_borderKelise Franclemont, 'Virgin Mary's Well, Nazareth' from 'Postcard from the Land of No People (wish you were here)' series, 2015, printed postcards. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/03/annalouise_oakland_01jumoke.jpgAnnalouise_Oakland_01JUmokeAnnalouise Oakland, 'JUmoke', date and materials unknown. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/03/jamespimperton_01.jpgJamesPimperton_01James Pimperton, 2015, oil on board. Image courtesy www.slmpickings.comhttps://kelise72.com/wp-content/uploads/2017/03/marcella_turnill_01.pngMarcella_Montoya-Turnill_01Marcella Montoya-Turnill, 2014, 'Ius Soli'. Photo by Cayetano H. Ríoshttps://kelise72.com/wp-content/uploads/2017/03/marilyncollins_riverfleet.jpgMarilynCollins_RiverFleetMarilyn Collins, 'Untide', 2016, sound sculpture. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/03/nsp-02-michelangelo-arteaga.jpgNSP-02-Michelangelo-ArteagaMichelangelo Arteaga, 'Space to Embrace', 2016, resin and fibreglass, in National Sculpture Prize 2016, North Devon Sculpture Park, Broomhill, UK. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/03/ma_salt_image004_cropped.jpgma_salt_image004_croppedImage courtesy Michelangelo Arteaga.https://kelise72.com/wp-content/uploads/2017/03/waterstations-emmanual_eflyer_02.jpgwaterstations-emmanual_eflyer_02Flyer design Kelise Franclemont and Marilyn Collins. Background image courtesy Michelangelo Arteaga.https://kelise72.com/wp-content/uploads/2017/03/emmanual_church_logo.pngemmanual_church_logo2017-03-22T15:53:16+00:00monthlyhttps://kelise72.com/2011/06/23/love-is-what-you-want/https://kelise72.com/wp-content/uploads/2011/06/tracey-emin-my-bed.jpgtracey-emin-my-bedhttps://kelise72.com/wp-content/uploads/2011/06/tracey_emin_independent.pngtracey_emin_independenthttps://kelise72.com/wp-content/uploads/2011/06/tracey_emin_cruel_world.jpgtracey_emin_cruel_worldhttps://kelise72.com/wp-content/uploads/2011/06/te4023-439x350.jpgte4023-439x350https://kelise72.com/wp-content/uploads/2011/06/exhibitions-1993-tracey-emin-wall-of-memorabilia-1963-93-a3-2.jpgexhibitions-1993-tracey-emin-wall-of-memorabilia-1963-93-a3-2https://kelise72.com/wp-content/uploads/2011/06/tracey-emin-love-is-what-you-want-show-3.jpgtracey-emin-love-is-what-you-want-show-3https://kelise72.com/wp-content/uploads/2011/06/emin-2_londonist.jpgTracey Emin exhibitionHayward GalleryLondonBy David Levene15/5/11Tracey Emin exhibition Hayward Gallery London By David Levene 15/5/112017-03-08T13:03:47+00:00monthlyhttps://kelise72.com/2011/06/23/monoprinting/https://kelise72.com/wp-content/uploads/2011/06/kfranclemont_monotypes_02.jpgKFranclemont_monotypes_02Kelise Franclemont, untitled from sketchbook, 2015, monotype. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2011/06/kfranclemont_monotypes_01.jpgKfranclemont_monotypes_01Kelise Franclemont, untitled from sketchbook, 2015, monotype. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2011/06/atlantis_art_materials_logo.jpegatlantis_art_materials_logohttps://kelise72.com/wp-content/uploads/2011/06/essdee_lino_set.jpgessdee_lino_setEssdee lino print set includes ink tray, brayer, baren, cutting tools, and a couple pieces of lino.https://kelise72.com/wp-content/uploads/2011/06/tracey-emin-untitled-2008_b.jpgtracey-emin-untitled-2008_bTracey Emin, untitled, 2008, monoprint. Image courtesy www.studiointernational.com2017-03-08T13:03:43+00:00monthlyhttps://kelise72.com/2012/02/20/10-tips-for-successful-collaboration/https://kelise72.com/wp-content/uploads/2012/02/creative_bloq_logo.pngcreative_bloq_logohttps://kelise72.com/wp-content/uploads/2012/02/creativebloq_collaboration_01.jpgcreativebloq_collaboration_012017-03-08T13:03:15+00:00monthlyhttps://kelise72.com/2012/09/29/wonderland-israeli-and-palestinian-artists-political-conflict-in-art-chagall-artists-house-in-haifa-israel/https://kelise72.com/wp-content/uploads/2012/09/130_tour_banner_2.jpg130_tour_banner_2Exterior view of Chagall Artist's House, Haifa, Israel. Image courtesy visit-haifa.orghttps://kelise72.com/wp-content/uploads/2013/04/hadas-reshef-celebrations-in-st-anthony.jpgHadas-Reshef-Celebrations-in-St-AnthonyHadas Reshef, 'Celebrations', xxxx, in Wonderland exhibition, Haifa Chagall Artists House, Haifa, Israel. Image courtesy Hadas Reshef - www.hadasreshef.comhttps://kelise72.com/wp-content/uploads/2013/04/dsc00570.jpgJamal KhalaileScreenshot from 'Sho Q'ostak? (what's your story) 2012, documentary, 55 mins, in Wonderland, at Haifa Chagall Artists House, Haifa, Israel. Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/04/dsc00569.jpgDSC00569Artist unknown. Installation view of 'Wonderland' at Chagall Artists House, Haifa, Israel. Image courtesy Kelise Franclemonthttps://kelise72.com/wp-content/uploads/2013/04/dsc00544.jpgDSC00544Abir Athalh, untitled, 2012, photograph, 75 x 105 cm, in 'Wonderland' at Chagall Artists House, Haifa, Israel. Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/04/dsc00530.jpgYoav GershonScreenshot from Yoav Gershon's 'Eight Hour Shift', mock-umentary, 17 minutes. Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/04/dsc00524.jpgNasrin Abu Bakir WallNasrin Abu Bakir, 'Wall', 2012, installation in Wonderland exhibition, Haifa Chagall Artists House, Haifa, Israel. Image courtesy Kelise Franclemonthttps://kelise72.com/wp-content/uploads/2013/04/1wonderland_header.jpg1Wonderland_headerAn exhibition of Palestinian and Israeli artists, at Chagall Artists House, Haifa, Israel from Sept 2012 through November 2012. Image courtesy of www.rosalux.co.il2017-03-08T13:02:42+00:00monthlyhttps://kelise72.com/2012/10/06/between-sorrow-and-beauty-fatma-abu-rumi-at-museum-of-islamic-art-jerusalem/https://kelise72.com/wp-content/uploads/2013/04/exhibition_fatma_3.jpgexhibition_fatma_3https://kelise72.com/wp-content/uploads/2013/04/exhibition_fatma_2.jpgexhibition_fatma_2https://kelise72.com/wp-content/uploads/2013/04/exhibition_fatma_4.jpgexhibition_fatma_42017-03-08T13:02:32+00:00monthlyhttps://kelise72.com/2012/10/06/jerusalem-artists-house-gallery-jerusalem/https://kelise72.com/wp-content/uploads/2012/10/img_3011.jpgIMG_3011Exhibition in Jerusalem Artists House, Jerusalem. Artist unknown, ink on paper. Image courtesy Kelise Franclemonthttps://kelise72.com/wp-content/uploads/2012/10/dsc01828.jpgDSC01828Exhibition in Jerusalem Artists House, Jerusalem. Artist unknown (Hebrew writing). Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2012/10/outside_view_of_jah.jpgOutside_view_of_JAHView of Jerusalem Artists House, West Jerusalemhttps://kelise72.com/wp-content/uploads/2012/10/dsc01822.jpgDSC01822A work by Maya Muchawsky Parnas, at Jerusalem Artists House, West Jerusalem, 6 Oct 2012. Image courtesy Kelise Franclemont.2017-03-08T13:02:22+00:00monthlyhttps://kelise72.com/2012/12/21/light-from-the-middle-east-at-the-v-and-a/https://kelise72.com/wp-content/uploads/2013/04/light_middle_east_06.jpgLight_middle_east_06Shadi Ghadirian, From the series 'Qajar' 1998, Gelatin silver print, in 'Light from the Middle East' at Victoria and Albert Museum, London. Image courtesy www.vam.ac.ukhttps://kelise72.com/wp-content/uploads/2013/04/light_middle_east_05.jpgLight_middle_east_05Jowhara AlSaud, Born Jeddah, Saudi Arabia, 1978. Lives Jeddah and New York, USA, 'Airmail', from the series 'Out of Line', 2008, C-print, in 'Light from the Middle East' at Victoria and Albert Museum, London. Image courtesy www.vam.ac.ukhttps://kelise72.com/wp-content/uploads/2013/04/light_middle_east_promo.jpgLight_middle_east_promohttps://kelise72.com/wp-content/uploads/2013/04/light_middle_east_04.jpgLight_middle_east_04https://kelise72.com/wp-content/uploads/2013/04/light_middle_east_03.jpgLight_middle_east_03https://kelise72.com/wp-content/uploads/2013/04/light_middle_east_02.jpgLight_middle_east_02https://kelise72.com/wp-content/uploads/2013/04/light_middle_east_01.jpgLight_middle_east_01Abbas Kowsari, Born Tehran, Iran, 1970. Lives Tehran. Halabche', 2003, Digital c-print, in 'Light from the Middle East' at Victoria and Albert museum, London. Image courtesy www.vam.ac.uk2017-03-08T13:02:10+00:00monthlyhttps://kelise72.com/2013/04/29/lse-host-talk-art-in-conflict/https://kelise72.com/wp-content/uploads/2013/05/lse_logo.jpgLSE_logohttps://kelise72.com/wp-content/uploads/2013/05/photo-5.jpgphoto (5)Ruth Goddard, 'A persistent history', 2011-12, graphite on paper, in 'Conflicted Memory' at Alan Cristea gallery. Image courtesy Kelise Franclemont and Alan Cristea gallery.https://kelise72.com/wp-content/uploads/2013/05/jusic_father_exh.jpgJusic_Father_exhAdela Jusic, 'The Sniper', 2007, film/animation. Photograph of Jusic's father in uniform holding his sniper's rifle. Image courtesy the artist and www.alancristea.comhttps://kelise72.com/wp-content/uploads/2013/05/kaabi_linke_stigmata_the_medina_of_tunis_alger_installation_2_exh.jpgKaabi_Linke_Stigmata_The_Medina_of_Tunis_Alger_installation_2_exhNadia Kaabi-Linke, 'The Stigmata of the Medina of Tunis', 2008, installation of collage, prints, and ink, in 'Conflicted Memory' at Alan Cristea gallery, London. Image courtesy www.alancristea.comhttps://kelise72.com/wp-content/uploads/2013/05/donagh_shadow_of_six_counties_1980_2_exh.jpgDonagh_Shadow_of_Six_Counties_1980_2_exhRita Donagh, 'Shadow of Six Counties', 1980, collage. Image courtesy www.alancristea.comhttps://kelise72.com/wp-content/uploads/2013/05/de_burca_sod_of_crom_exh.jpgDe_Burca_Sod_of_Crom_exhMiriam de Burca, 'Sod of Crom', 2011, ink on vellum, in 'Conflicted Memory' at Alan Cristea gallery. Image courtesy www.alancristea.com2017-03-08T13:01:38+00:00monthlyhttps://kelise72.com/2013/05/06/unorthobox-at-the-wandsworth-arts-festival-2013/https://kelise72.com/wp-content/uploads/2013/05/britta_johnson_screenshot_waterway2011.jpgBritta_Johnson_screenshot_Waterway2011screenshot from 'Waterway', 2011, by Britta Johnson. Image courtesy Britta Johnson/Vimeohttps://kelise72.com/wp-content/uploads/2013/05/dsc02526.jpgDSC02526Boris and Boris performing on the bank of the Wandle River, at Unorthobox, 4th May 2013. Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/05/dsc02498.jpgDSC02498Eleanor Barrett, a co-director of The Brick Box, in front of 'The Cabinet of Curiosities', at Wandsworth Arts Festival Hub. Image courtesy Kelise Franclemonthttps://kelise72.com/wp-content/uploads/2013/05/dsc02497.jpgDSC02497https://kelise72.com/wp-content/uploads/2013/05/dsc02489.jpgDSC02489The guys at the Unorthobox bar serving up Junkyard Juice, 4th May 2013. Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/05/dsc02478.jpgDSC02478'Cabinet of Curiosities' showing items taken from the Wandle River during their monthly Community Clean-up events. Image courtesy Kristin Franclemont.https://kelise72.com/wp-content/uploads/2013/05/dsc02504.jpgDSC02504B is for The Brick Box, the producers of 'Unorthobox' at the Wandsworth Arts Festival, 2013. Image courtesy Kelise Franclemont.2017-03-08T13:01:29+00:00monthlyhttps://kelise72.com/2013/05/09/conflicted-memory-exhibition-at-alan-cristea-gallery/https://kelise72.com/wp-content/uploads/2013/05/photo-6.jpgphoto (6)Installation view of 'Conflicted Memory' at Alan Cristea gallery, May 2013. (l-r) work by Miriam de Burca, Ninar Esber and xx. Image courtesy Kelise Franclemont and Alan Cristea gallery.https://kelise72.com/wp-content/uploads/2013/05/photo-4.jpgphoto (4)Installation view of Christiane Baumgartner's work, 'Klassenkamerdan', 1999, in 'Conflicted Memory' at Alan Cristea gallery. Image courtesy Kelise Franclemont and Alan Cristea gallery.https://kelise72.com/wp-content/uploads/2013/05/photo-1.jpgphoto (1)Installation view of K. Yoland's work, 'X-Steps Removed', 2008-9, in 'Conflicted Memory' at Alan Cristea gallery. Image courtesy Kelise Franclemont and Alan Cristea gallery.https://kelise72.com/wp-content/uploads/2013/05/alan_cristea_gallery_screenshot.jpgAlan_cristea_gallery_screenshot2017-03-08T13:01:24+00:00monthlyhttps://kelise72.com/2013/05/09/lebanese-artist-saloua-raouda-choucair-has-major-retrospective-at-tate-modern/https://kelise72.com/wp-content/uploads/2013/05/saloua_raouda_choucaircomposition_in_blue_module_1947-51.jpgsaloua_raouda_choucaircomposition_in_blue_module_1947-51Saloua Raouda Choucair, 'Composition in Blue Module', 1947-51, at Tate Modern, London. Image courtesy www.tate.org.uk/modernhttps://kelise72.com/wp-content/uploads/2013/05/choucair_small_sculpture.jpgChoucair_small_sculpturehttps://kelise72.com/wp-content/uploads/2013/05/sculpture_with_one_thousand_pieces_1.jpgsculpture_with_one_thousand_pieces_1Saloua Raouda Choucair, 'Sculpture with One Thousand Pieces', in 'Saloua Raouda Choucair - exhibition' at Tate Modern, London. Image courtesy www.tate.org.uk/modernhttps://kelise72.com/wp-content/uploads/2013/05/img_3612.jpgIMG_3612Installation view of work by Saloua Raouda Choucair, in 'Saloua Raouda Choucair - Exhibition' at Tate Modern, London. Image courtesy www.tate.org.uk/modernhttps://kelise72.com/wp-content/uploads/2013/05/exm-main-0018_web-banner_v1_0.jpgexm-main-0018_web-banner_v1_0Image courtesy tate.org.uk/tatemodernhttps://kelise72.com/wp-content/uploads/2013/05/choucair_les_peintres_celebres_0.jpgchoucair_les_peintres_celebres_02017-03-08T13:01:09+00:00monthlyhttps://kelise72.com/2013/05/19/i-was-elisabeth-de-valois-for-a-night-at-buckingham-palace/https://kelise72.com/wp-content/uploads/2013/05/prev39.jpgprev39(l-r) Henry the 7th, An Eccentric Old Woman, Earl of Wessex, and Elisabeth de Valois at 'In Fine Style: The Art of Tudor and Stuart Fashion' at Queen's Gallery, Buckingham Palace.https://kelise72.com/wp-content/uploads/2013/05/prev15.jpgprev15The Earl of Wessex offers a courtesy to Elisabeth de Valois, Queen of Spainhttps://kelise72.com/wp-content/uploads/2013/05/prev4.jpgprev4Elisabeth de Valois, as styled by Alexander Connatty for 'In Fine Style' costume show at Queen's Gallery, Buckingham Palace.https://kelise72.com/wp-content/uploads/2013/05/dsc02621.jpgDSC02621model Kelise (right) as Elisabeth de Valois (1545-1568), costume maker Alexander Connatty, at 'In Fine Style' at Queen's Gallery, Buckingham Palace, 18 May 2013. Image courtesy Thomas Butler.https://kelise72.com/wp-content/uploads/2013/05/dsc02608.jpgDSC02608Showing extensive hand-pleating in the skirt. Gown made by Alexander Connatty. Image courtesy Thomas Butler.https://kelise72.com/wp-content/uploads/2013/05/dsc02606.jpgDSC02606Elisabeth de Valois, made by Alexander Connatty, model - Kelise Franclemont. Image courtesy Thomas Butler.https://kelise72.com/wp-content/uploads/2013/05/dsc02586.jpgDSC02586https://kelise72.com/wp-content/uploads/2013/05/dsc02538.jpgDSC02538(l-r) Tanju and Kelise, at 'In Fine Style' exhibition at Queen's Gallery, Buckingham Palace, 18 May 2013. Image courtesy Thomas Butler.https://kelise72.com/wp-content/uploads/2013/05/elisabeth_de_valois.jpgElisabeth_de_valoisportrait of Elisabeth de Valois. Image courtesy onyxchateau.blogspot.comhttps://kelise72.com/wp-content/uploads/2013/05/dsc02631.jpgDSC02631(l-r) model Kelise Franclemont and Alexander Connatty, who is wearing a coat of his own design. Image courtesy of Kelise Franclemont and Thomas Butler.2017-03-08T13:01:03+00:00monthlyhttps://kelise72.com/2013/06/14/drawing-is-highlighted-at-wimbledon-ba-degree-show-2013/https://kelise72.com/wp-content/uploads/2013/09/dsc02706-001.jpgDSC02706-001Design by Alexander Connatty, 'Rich scene, arrested - Jeanne de la Motte Valois', 2013, ink and photocopy print (2 pages), in '2013 Drawing Show', at Wimbledon College of Art. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/michael_barnes_archive73.pngMICHAEL_BARNES_ARCHIVE73Michael Barnes, 'Archive 73', 2013, machine drawing with ink on cartridge paper, in '2013 Drawing Show' at Wimbledon College of Art. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2013/09/img_4871.jpgIMG_4871Kelise Franclemont, 'broken window', 2013, charcoal animation, 21s (looped) in '2013 Drawing Show' at Wimbledon College of Art, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2013/09/dsc02724.jpgDSC02724Installation view of '2013 Drawing Show' at Wimbledon College of Art. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc02723.jpgDSC02723Installation view of '2013 Drawing Show' at Wimbledon College of Art. Photo credit Kelise Franclemont2017-03-08T13:00:53+00:00monthlyhttps://kelise72.com/2013/09/04/contemporary-inuit-art-premieres-at-canada-house-london/https://kelise72.com/wp-content/uploads/2013/09/img_4317.jpgIMG_4317View of 'Inuit Ullumi - Inuit Today' at Canada House, Trafalgar Square, London. Center drawing -by Shivunai Ashoona, 'The World in her eyes', 2011, pencil, crayon and ink, 119 cm x 241 cm.https://kelise72.com/wp-content/uploads/2013/09/img_4322.jpgIMG_4322(foreground) Isaci Etidloie, 'Curlers', 2011, stone and antler, (middle) Samonie Toonoo, 'Hip Hop Dancer', 2007, stone and antler, 22.9 cm, (background) Tim Pitsiulak, 'Whale Hunt', 2011, pen and oil stick, 243.8 x 124.9 cm, all seen in 'Inuit Ullumi - Inuit Today' at Canada House, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/img_4316.jpgIMG_4316Shuvinai Ashoona and John Noestheden, 'Collaboration no. 2', 2008, Swarovski crystals, glue and ink, 96.5 x 154.9 cm, in 'Inuit Ullumi - Inuit Today', at Canada House, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/img_4335.jpgIMG_4335View of the front entrance to Canada House, Trafalgar Square, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/inuit_ullumi_2013-04-15-420x656.jpgInuit_Ullumi_2013-04-15-420x656Pitseolak Qirmpik, 2011, title unknown, stone. Photo courtesy www.ottowamagazine.comhttps://kelise72.com/wp-content/uploads/2013/09/img_4324.jpgIMG_4324Tim Pitsiulak, 'Ancient Aqviqs', 2011, coloured pencil and ink, 124.5cm x 246.5cm, in 'Inuit Ullumi' at Canada House, London. Photo credot Kelise Franclemont.2017-03-08T13:00:43+00:00monthlyhttps://kelise72.com/2013/09/04/whats-big-blue-weighs-almost-a-ton-and-lives-in-trafalgar-square/https://kelise72.com/wp-content/uploads/2013/09/img_4309.jpgIMG_4309Katharina Fritsch, 'Hahn/Cock', 2013, glass fibre reinforced polyester resin fixed on stainless steel supporting structure, 4.72 m high, on 4th Plinth, Trafalgar Square, London. Photo credit Kelise Franclemont.2017-03-08T13:00:27+00:00monthlyhttps://kelise72.com/2013/09/22/hype-exhibition-opens-ual-freshers-week-at-chelsea-college-of-art-and-design/https://kelise72.com/wp-content/uploads/2013/09/dsc03767.jpgDSC03767Work by Elena Gumeniuk, in 'Hype' at Chelsea College of Art and Design, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc03765.jpgDSC03765Work by Nancy Allen, in 'Hype', at Chelsea College of Art and Design, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc03764.jpgDSC03764Installation view of 'Hype', at Chelsea College of Art and Design, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc03763.jpgDSC03763Work by Jack Wilkinson in 'Hype', at Chelsea College of Art and Design, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc03759.jpgDSC03759Installation view of 'Hype', at Chelsea College of Art and Design, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc03758.jpgDSC03758Installation view of 'Hype', at Chelsea College of Art and Design, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc03757.jpgDSC03757Work by Jon Baker, in 'Hype', at Chelsea College of Art and Design, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc03755.jpgDSC03755Installation view of 'Hype', at Chelsea College of Art and Design, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc03754.jpgDSC03754Installation view of 'Hype', at Chelsea College of Art and Design, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/09/dsc03753.jpgDSC03753Installation view of 'Hype', at Chelsea College of Art and Design, London. Photo credit Kelise Franclemont.2017-03-08T13:00:14+00:00monthlyhttps://kelise72.com/2013/09/25/jerwood-drawing-prize-2013/https://kelise72.com/wp-content/uploads/2013/09/jdp_logo01.jpegJDP_logo01https://kelise72.com/wp-content/uploads/2013/09/shaw_jonny_jdp2013.jpgShaw_Jonny_JDP2013Jonny Shaw, 'drawing', 2013, pencil on paper, in 'Jerwood Drawing Prize 2013' at Jerwood Space, Bankside, London. Photo courtesy www.jonnydshaw.co.ukhttps://kelise72.com/wp-content/uploads/2013/09/liminalspace22_sue_williams_a-court_jdp2013.jpgLiminalSpace22_Sue_Williams_A-court_JDP2013Sue Williams A'Court, 'Liminal Space 22', 2013, in 'Jerwood Drawing Prize 2013', at Jerwood Space, Bankside, London. Photo courtesy www.suewilliamsacourt.co.ukhttps://kelise72.com/wp-content/uploads/2013/09/lanugo_jdp2013.jpgLanugo_JDP2013https://kelise72.com/wp-content/uploads/2013/09/gabie_neville-web.jpgGabie_Neville-webNeville Gabie, 'Experiments in black and white VII', 2013, video and chalk, in 'Jerwood Drawing Prize 2013' at Jerwood Space, Bankside, London. Photo courtesy the artist and www.artfund.orghttps://kelise72.com/wp-content/uploads/2013/09/enclave_jdp2013.jpgEnclave_JDP2013Tamsen Nagel, 'enclave (ii)', 2013, in 'Jerwood Drawing Prize 2013' at Jerwood Space, Bankside, London. Photo courtesy the artist and www.artfund.orghttps://kelise72.com/wp-content/uploads/2013/09/69767702_lawrence_gary464.jpg_69767702_lawrence_gary464Gary Lawrence, 'Saint Stansted (and other stuff), 2013, in 'Jerwood Drawing Prize 2013' at Jerwood Space, Bankside, London. Photo courtesy the artist and www.bbc.co.ukhttps://kelise72.com/wp-content/uploads/2013/09/800x442_jdp1536ls4_kristian_fletcher.jpg800x442_JDP1536LS4_Kristian_FletcherKristian Fletcher, 'The Wrench', 2013, charcoal and pencil on paper, in 'Jerwood Drawing Prize 2013', at Jerwood Space, Bankside, London. Image courtesy the artist and www.artfund.org.https://kelise72.com/wp-content/uploads/2013/09/vonheyl_marie_utopia.jpgvonHeyl_Marie_utopiaMaria Von Heyl, 'Utopia', 2013, video in 'Jerwood Drawing Prize 2013', at Jerwood Space, Bankside, London. Photo courtesy the artist and www.artupdate.comhttps://kelise72.com/wp-content/uploads/2013/09/soldier_justar_misdemeanor.jpgsoldier_Justar_MisdemeanorJustar Misdemeanor, 'Soldier', 2013, charcoal on paper, in 'Jerwood Drawing Prize 2013' at Jerwood Space, Bankside, London. Photo courtesy www.degreeshow.mmu.ac.uk and the artist.2017-03-08T12:59:56+00:00monthlyhttps://kelise72.com/2013/10/17/sloupe-southwest-londons-coffee-and-art-salon/https://kelise72.com/wp-content/uploads/2013/10/img_4532.jpgIMG_4532Jasmine Leonard, 'Terrarium', 2013, oil, spraypaint and acrylic on board, at Sloupe in London. Image courtesy the artist and Sloupe.https://kelise72.com/wp-content/uploads/2013/10/img_4526.jpgIMG_4526Installation view of work by Jasmine Leonard at Sloupe in London. Image courtesy the artist and Sloupe. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/10/img_4525.jpgIMG_4525Installation view of work by Jasmine Leonard at Sloupe in London. Image courtesy the artist and Sloupe. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/10/jasmine-leonard-1236-30x30500.jpgjasmine leonard 1236 30x30500Jasmine Leonard, 'xxx', 2013, oil, spray paint and bleach on board, at Sloupe in London. Image courtesy www.jasmineleonardart.com and www.surfaceica.comhttps://kelise72.com/wp-content/uploads/2013/10/screen-shot-2013-10-05-at-18-26-03.pngScreen Shot 2013-10-05 at 18.26.03https://kelise72.com/wp-content/uploads/2013/10/screen-shot-2013-10-05-at-18-25-16.pngScreen Shot 2013-10-05 at 18.25.162017-03-08T12:59:23+00:00monthlyhttps://kelise72.com/2013/10/31/campaign-for-drawing-houses-of-parliament/https://kelise72.com/wp-content/uploads/2013/10/bigdraw_rachelgasden_detail-png.jpgBigDraw_RachelGasden_detail.pngDetail of work by Rachel Gasden. Image courtesy www.parliament.ukhttps://kelise72.com/wp-content/uploads/2013/10/lords_chamber_landscape.jpgLords_Chamber_(landscape)Lords Chamber in Houses of Parliament, London. Photo courtesy en.wikipedia.orghttps://kelise72.com/wp-content/uploads/2013/10/kfranclemont_bigdraw_housesofparliament19-10-2013.jpgKFranclemont_BigDraw_HousesofParliament19-10-2013Kelise Franclemont, 'one of the unicorns in Houses of Parliament (the fairy tales are all true)', 2013, ink on paper from 'Big Draw at Houses of Parliament', London. Photo courtesy the artist.https://kelise72.com/wp-content/uploads/2013/10/img_4618.jpgIMG_4618Kelise Franclemont, 'the Speaker's Chair (House of Commons)', 2013, ink on paper, from the public tour of the Houses of Parliament. Photo courtesy the artist.https://kelise72.com/wp-content/uploads/2013/10/img_4616.jpgIMG_4616Kelise Franclemont, 'Maggie Thatcher (Members Lobby)', 2013, ink on paper, from the public tour of the Houses of Parliament. Photo courtesy the artist.https://kelise72.com/wp-content/uploads/2013/10/img_4615.jpgIMG_4615Kelise Franclemont, 'Queen Victoria (The Prince's Gallery)', 2013, ink on paper, from the public tour of the Houses of Parliament. Photo courtesy the artist.https://kelise72.com/wp-content/uploads/2013/10/img_4614.jpgIMG_4614Kelise Franclemont, 'King William I (Lords Chamber)', 2013, ink on paper, from the public tour of the Houses of Parliament. Photo courtesy the artist.https://kelise72.com/wp-content/uploads/2013/10/img_4609.jpgIMG_4609View of the Big Draw area in Westminster Hall, from the public tour of the Houses of Parliament. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/10/img_4605.jpgIMG_4605Artist-in-residence Rachel Gasden, working in the Big Draw area in Westminster Hall, from the public tour of the Houses of Parliament. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/10/img_4601.jpgIMG_4601St Stephen's Entrance adjacent to the public/visitor's entrance to Houses of Parliament, guarded by a lion and a unicorn.2017-03-08T12:59:11+00:00monthlyhttps://kelise72.com/2013/11/07/week-long-london-art-festival-revels-in-passion-for-freedom/https://kelise72.com/wp-content/uploads/2013/11/maria-strzelecka_mr-mr-a-oil-on-canvas-150wx120h-courtesy-of-passion-for-freedom.jpgMaria-Strzelecka_Mr-Mr-A-Oil-on-Canvas-150Wx120H-Courtesy-of-Passion-for-FreedomMaria Strzelecka, 'Mr and Mr A', oil on canvas, in 'Passion for Freedom', at Embassy Tea Gallery, London. Image courtesy MongoosMagazine.comhttps://kelise72.com/wp-content/uploads/2013/11/passion_logo_invitatio-woman-221x300.jpgPassion_logo_invitatio-woman-221x300https://kelise72.com/wp-content/uploads/2013/11/img_46961.jpgIMG_4696Maria Strzelecka, 'Mr and Mr A', oil on canvas, in 'Passion for Freedom', at Embassy Tea Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/img_4728.jpgIMG_4728Sam Shendi, 'The Toy', 2013, wood, resin and horse hair, in 'Passion for Freedom', at Embassy Tea Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/img_4726.jpgIMG_4726Paul Howdon, 'Ambiguous situation', 2013, etching, in 'Passion for Freedom', at Embassy Tea Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/img_4724.jpgIMG_4724Jack Mulele, 'Martyr of Syria', oil on canvas, in 'Passion for Freedom', at Embassy Tea Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/img_4723.jpgIMG_4723Laura Jean-Healey, 'The Siren', 2013, video, in 'Passion for Freedom', at Embassy Tea Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/img_4722.jpgIMG_4722Laura Jean-Healey, 'The Siren', 2013, video, in 'Passion for Freedom', at Embassy Tea Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/img_4721.jpgIMG_4721Laura Jean-Healey, 'The Siren', 2013, video, in 'Passion for Freedom', at Embassy Tea Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/img_4720.jpgIMG_4720Laura Jean-Healey, 'The Siren', 2013, video, in 'Passion for Freedom', at Embassy Tea Gallery, London. Photo credit Kelise Franclemont.2017-03-08T12:59:02+00:00monthlyhttps://kelise72.com/2013/11/07/nour-festival-lights-up-contemporary-arab-culture-in-london/https://kelise72.com/wp-content/uploads/2013/11/thewall_bookcover.jpgTheWall_bookcoverhttps://kelise72.com/wp-content/uploads/2013/11/conversation_sutcliffe_dabbagh_mosaic_rooms.jpgconversation_Sutcliffe_Dabbagh_mosaic_rooms(l-r) Selma Dabbagh and William Sutcliffe in conversation at Mosaic Rooms, London. Image courtesy Mosaic Rooms.https://kelise72.com/wp-content/uploads/2013/11/samia_halaby_ag_07.pngSamia_Halaby_AG_07https://kelise72.com/wp-content/uploads/2013/11/samia_halaby_ag_04.pngSamia_Halaby_AG_04Installation view of 'Samia Halaby - New Paintings' at Ayyam Gallery, London. Image courtesy Ayyam Gallery.https://kelise72.com/wp-content/uploads/2013/11/samia_halaby_ag_02.pngSamia_Halaby_AG_02Samia Halaby, 'Pink Clouds', 2013, Acrylic on Linen Canvas, 183 x 152.5 cm. Image courtesy Ayyam Galleryhttps://kelise72.com/wp-content/uploads/2013/11/ayyam_gallery_logo.pngAyyam_Gallery_logohttps://kelise72.com/wp-content/uploads/2013/11/nour_festival_logo.pngNour_festival_logohttps://kelise72.com/wp-content/uploads/2013/11/mosaic_rooms_logo.pngMosaic_Rooms_logohttps://kelise72.com/wp-content/uploads/2013/11/img_4574.jpgIMG_4574https://kelise72.com/wp-content/uploads/2013/11/img_4571.jpgIMG_45712017-03-08T12:58:56+00:00monthlyhttps://kelise72.com/2013/12/27/five-artists-are-the-focus-of-painting-now-at-tate-britain/https://kelise72.com/wp-content/uploads/2014/02/tate_teaching_books_catbanner.jpgTate_teaching_books_catbannerTate teaching books. Image courtesy shop.tate.org.ukhttps://kelise72.com/wp-content/uploads/2014/02/dexter_dalwood_saatchi_online.jpgDexter_Dalwood_saatchi_onlineDexter Dalwood. Image courtesy saatchionline.comhttps://kelise72.com/wp-content/uploads/2014/02/dexter_dalwood_1998-the-liberace-museum-oil-on-canvas-152-x-183cm.jpgDexter_Dalwood_1998 The Liberace Museum oil on canvas 152 x 183cmDexter Dalwood, 'The liberace museum', 1998, oil on canvas. Image courtesy kaleidoscope-press.comhttps://kelise72.com/wp-content/uploads/2014/02/ian-kiaer_rca.jpgIAN-kiaer_RCAIan Kiaer, RCA, 'Endless House Projects', British School of Rome, 2007. Image courtesy rca.ac.ukhttps://kelise72.com/wp-content/uploads/2014/02/paulmellon_centre_library.jpgpaulmellon_centre_libraryPaul Mellon Centre library. Image courtesy Paul Mellon Centre for Studies of British Arthttps://kelise72.com/wp-content/uploads/2014/02/paul_mellon_centre_logo.pngPaul_Mellon_Centre_logohttps://kelise72.com/wp-content/uploads/2014/01/painting_now_header1.pngPainting_Now_headerhttps://kelise72.com/wp-content/uploads/2014/01/tomma_abts_v0_master.jpgTomma_Abts_v0_masterTomma Abts, 'Zebe', 2010, oil on canvas, in 'Painting Now' at Tate Britain, London. Image courtesy www.culture24.org.uk https://kelise72.com/wp-content/uploads/2014/01/tomma_abts_jeels_1536p_artfund-org.jpgTomma_Abts_Jeels_1536P_artfund-orgTomma Abts, 'Jeels', 2012, oil on canvas, in 'Painting Now' at Tate Britain, London. Image courtesy artfund.orghttps://kelise72.com/wp-content/uploads/2014/01/simon_ling_v0_master.jpgSimon_ling_v0_masterSimon Ling, untitled, 2012, oil on canvas, in 'Painting Now' at Tate Britain, London. Image courtesy www.culture24.org.uk 2017-03-08T12:58:33+00:00monthlyhttps://kelise72.com/2014/01/16/monika-baer-at-chicago-art-institute/https://kelise72.com/wp-content/uploads/2014/01/monika_baer_untitled_breasts.pngMonika_Baer_untitled_breastsMonika Baer, untitled (breasts), 2009, watercolour, acrylic and oil on canvas, in 'Focus: Monika Baer' at Chicago Art Institute. Image courtesy Chicago Art Institute.https://kelise72.com/wp-content/uploads/2014/01/monika_baer_head_hole.pngMonika_Baer_head_holeMonika Baer, untitled (head and hole), 1998, oil on canvas, in 'Focus: Monika Baer' at Chicago Art Institute. Image courtesy Chicago Art Institute.https://kelise72.com/wp-content/uploads/2014/01/monika-baer-wand_360.jpgMonika-Baer-Wand_360Monika Baer, 'rote Wand (4)', 2012, oil on canvas, in 'Focus: Monika Baer', at Chicago Art Institute. Image courtesy Chicago Art Institute.https://kelise72.com/wp-content/uploads/2014/01/monika_baer_saltz7-22-5.jpgMonika_Baer_saltz7-22-5Monika Baer, untitled, 1998, oil on canvas, in 'Focus', at Chicago Art Institute, Illinois. Image courtesy Artnet.comhttps://kelise72.com/wp-content/uploads/2014/01/monika_baer_pink.jpegMonika_Baer_pinkMonika Baer, 'monochrome', 2009, oil on canvas, in 'Focus: Monika Baer' at Chicago Art Institute. Image courtesy Chicago Art Institute.https://kelise72.com/wp-content/uploads/2014/01/monika_baer_aic_install_view.jpgMonika_Baer_AIC_install_viewMonika Baer, installation view, 2013, of 'Focus: Monika Baer' at Chicago Art Institute. Image courtesy Chicago Art Institute.https://kelise72.com/wp-content/uploads/2014/01/chicago_art_institute_logo.pngChicago_Art_Institute_logohttps://kelise72.com/wp-content/uploads/2014/01/baer_3badhabits.jpgMonika_Baer_3BadHabitsMonika Baer, '3 bad habits (3a)', 2013, ash and oil on canvas, with whisky bottle, in 'Focus: Monika Baer' at Chicago Art Institute. Image courtesy Chicago Art Institute.2017-03-08T12:58:25+00:00monthlyhttps://kelise72.com/2014/02/18/live-your-dreams-crypt-euston/https://kelise72.com/wp-content/uploads/2014/02/the-interpretation-of-dreams-detail.jpgThe-Interpretation-of-Dreams detailSigmund Freud. Image courtesy learnodo-newtonic.com.https://kelise72.com/wp-content/uploads/2014/02/st-pancras-somers-town-euston-sq-new-church-1880-80772-p.jpgst-pancras-somers-town-euston-sq-new-church-1880-80772-pSt Pancras Church, Somers Town, Euston Square, 1880. Image courtesy antiquaprintgallery.comhttps://kelise72.com/wp-content/uploads/2014/02/vera-bohl.jpgvera-bohlVera Bohl. https://kelise72.com/wp-content/uploads/2014/02/valentin_dommanget_66-enameled-tiles-2011.jpgValentin_Dommanget_66-enameled-tiles-2011Valentin Dommenget, '66 Enamaled Tiles', 2011. https://kelise72.com/wp-content/uploads/2014/02/teresa_braula_reis-a-house-to-live-in-2013.pngTeresa_Braula_Reis-a-house-to-live-in-2013Teresa Braula Reis, 'A house to live in', 2013. https://kelise72.com/wp-content/uploads/2014/02/susie_calvert_microcosm-2013.jpgSusie_Calvert_Microcosm-2013Susie Calvert, 'Microcosm', 2013. https://kelise72.com/wp-content/uploads/2014/02/susan_beattie-loop-carpet.jpgSusan_Beattie-Loop-CarpetSusan Beattie, 'Loop carpet', 2013. https://kelise72.com/wp-content/uploads/2014/02/mona_choo_loop-2013.pngMona_Choo_Loop-2013Mona Choo, 'Loop', 2013. https://kelise72.com/wp-content/uploads/2014/02/mehmet_ulusahin_lost_it_in_the_movies_series_2013.pngMehmet_Ulusahin_Lost_it_in_the_movies_series_2013Mehmet Ulusahin, 'Lost it in the movies series', 2013. https://kelise72.com/wp-content/uploads/2014/02/mary_mcferran_she-sleeps-2013.jpgMary_McFerran_she-sleeps-2013Mary McFerran, 'She sleeps', 2013. 2017-03-08T12:58:16+00:00monthlyhttps://kelise72.com/2014/02/21/open-wall-exhibit-facade/https://kelise72.com/wp-content/uploads/2014/02/gemma_seddon_installed.jpgGemma_Seddon_installedGemma Seddonhttps://kelise72.com/wp-content/uploads/2014/02/rosie_mae_hearne.jpgRosie_Mae_HearneRosie Hearnehttps://kelise72.com/wp-content/uploads/2014/02/laura_anderson_painting.jpgLaura_Anderson_paintingLaura Andersonhttps://kelise72.com/wp-content/uploads/2014/02/susie-summer-henderson.pngSusie Summer HendersonSusie Summer Hendersonhttps://kelise72.com/wp-content/uploads/2014/02/open_wall_banner_final.pngOpen_Wall_banner_finalFacade, 59 London Wall, City of London, EC2M 5TRhttps://kelise72.com/wp-content/uploads/2014/02/samantha_payne_dave_2008.pngSamantha_Payne_Dave_2008Samantha Paynehttps://kelise72.com/wp-content/uploads/2014/02/violetta_liscza_rise_your_head_detail.pngVioletta_Liscza_Rise_your_head_detailVioletta Liszkahttps://kelise72.com/wp-content/uploads/2014/02/sarah_fosse_stpaul_reflections.pngSarah_Fosse_StPaul_ReflectionsSarah Fosse, view of St Paul's Cathedral and Millennium footbridge. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2014/02/rosie_hearn_twisted_drawing.pngRosie_Hearn_twisted_drawingRosie Hearnhttps://kelise72.com/wp-content/uploads/2014/02/robert_ford_red-hot-11276.jpgRobert_Ford_red-hot-11276Robert Ford2017-03-08T12:58:11+00:00monthlyhttps://kelise72.com/2014/03/27/excavations-jananne-al-ani-hayward/https://kelise72.com/wp-content/uploads/2014/03/jananne_al-ani_excavators_2010.jpegJananne_al-Ani_Excavators_2010Jananne al-Ani, film still from 'Excavators', 2010, digitised super 16mm film, in 'Excavations' at Hayward Project Space, London. Photo credit Noski Deville. Image courtesy Ikono.orghttps://kelise72.com/wp-content/uploads/2014/03/jananne_al-ani_groundworks_circle.jpegJananne_al-Ani_Groundworks_circleJananne al-Ani, film still from 'Groundworks', 2013, multi-channel video installation, in 'Excavations' at Hayward Project Space, London. Photo credit Jananne al-Ani. Image courtesy Ikono.orghttps://kelise72.com/wp-content/uploads/2014/03/al-ani_jananne_shadow_sites_i_02.jpgAl-Ani_Jananne_Shadow_Sites_I_02Jananne al-Ani, screenshot from 'Shadow Sites I', 2010, in 'Excavations' at Hayward Project Space, London. Cinematography Noski Deville. Image courtesy artscouncilcollection.org.ukhttps://kelise72.com/wp-content/uploads/2014/03/janannealani_install_view_shadow_sites_eoa.jpgJananneAlAni_install_view_shadow_sites_EOAJananne al-Ani, installation view of 'Shadow Sites II', 2011 (at Edge of Arabia), also shown in 'Excavations' at Hayward Project Space, London. Cinematography Noski Deville. Image courtesy EdgeofArabia.comhttps://kelise72.com/wp-content/uploads/2014/03/jananne-al-ani-aerial-v.jpgjananne-al-ani-aerial-vJananne al-Ani, 'Aerial IV', 2011, production stills from the film 'Shadow Sites II', in 'Excavations' at Hayward Project Space, London. Photo credit: Adrian Warren. Image courtesy Ibraaz.orghttps://kelise72.com/wp-content/uploads/2014/03/southbank_centre_logo.pngSouthbank_Centre_logohttps://kelise72.com/wp-content/uploads/2014/03/jananne-2al-ani_headshot.jpgjananne-2al ani_headshothttps://kelise72.com/wp-content/uploads/2014/03/jananne_al-ani_excavations_01.pngJananne_Al-Ani_excavations_01Jananne al-Ani, 'Shadow Sites', 2010, film stills from digitised super 16mm film, 14:20 mins, at 'Excavations' exhibition at Hayward Project Space, Southbank Centre, London. Images courtesy the artist.2017-03-08T12:58:01+00:00monthlyhttps://kelise72.com/2014/04/03/jameel-prize-3-v-and-a/https://kelise72.com/wp-content/uploads/2014/04/jameel_prize_installation_view.jpg2013GV2472Installation view of Jameel Prize 3, 2013-14, at V&A, South Kensington, London.https://kelise72.com/wp-content/uploads/2014/04/faig_ahmed_24.jpegFaig_Ahmed_24Faig Ahmed, 'Ledge', 2011, woollen hand-woven carpet.https://kelise72.com/wp-content/uploads/2014/04/victoria_albert_pink_logo.jpgVictoria_Albert_Pink_logohttps://kelise72.com/wp-content/uploads/2014/04/jameel_prize_3_banner.pngJameel_Prize_3_bannerhttps://kelise72.com/wp-content/uploads/2014/04/waqas_khan_forming-spaces-iv.jpgWaqas_Khan_forming-spaces-ivWaqas Khan, 'Forming Spaces IV', 2012, archival white ink on black wasli paper. Image courtesy drawingroom.org.ukhttps://kelise72.com/wp-content/uploads/2014/04/rahul-jain-snow-leopard.jpgrahul-jain-snow-leopardRahul Jainhttps://kelise72.com/wp-content/uploads/2014/04/pascal_zoghbi_installation.jpgPascal_Zoghbi_installationPascal Zoghbi, '29LT Fonts Collection', 2013, prints on paper in 'Jameel Prize 3' at V&A, London. Image courtesy Sara Marks on Flickr.comhttps://kelise72.com/wp-content/uploads/2014/04/nasser_al-salem_kul_2012.jpgNasser_al-Salem_Kul_2012Nasser al-Salem, 'Kul', 2012, hand-painted on paper. Image courtesy TheCultureTrip.comhttps://kelise72.com/wp-content/uploads/2014/04/nada_debs_concrete_carpet.jpgNada_Debs_Concrete_CarpetNada Debshttps://kelise72.com/wp-content/uploads/2014/04/mounir_fatmi_untold-retold.jpgMounir_Fatmi_told-untold-retoldMounir Fatmi2017-03-08T12:57:52+00:00monthlyhttps://kelise72.com/2014/04/17/mouthfeel-maryam-jafri-gasworks-london/https://kelise72.com/wp-content/uploads/2014/04/mouthfeel_billboard.jpgMouthfeel_billboardMouthfeel billboard on the exterior of Gasworks, Vauxhall, London. Image courtesy gasworks.org.ukhttps://kelise72.com/wp-content/uploads/2014/04/max_fairness_for_men.pngMax_Fairness_for_menScreenshot from commercial advert for 'Max Fairness for Men' by Fair & Lovely.https://kelise72.com/wp-content/uploads/2014/04/img_5260.jpgIMG_5260Maryam Jafri, 'Product Recall: An Index of Innovation', installation accompanied by text, 2014, in 'Mouthfeel', at Gasworks, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/04/img_5259.jpgIMG_5259Maryam Jafri, 'Product Recall: An Index of Innovation', installation accompanied by text, 2014, in 'Mouthfeel', at Gasworks, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/04/img_5257.jpgIMG_5257Maryam Jafri, 'Product Recall: An Index of Innovation', installation accompanied by text, 2014, in 'Mouthfeel', at Gasworks, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/04/img_5255.jpgIMG_5255Maryam Jafri, 'Product Recall: An Index of Innovation', installation accompanied by text, 2014, in 'Mouthfeel', at Gasworks, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/04/let_the_real_sweeter_thing_rejoice.jpglet_the_real_sweeter_thing_rejoice"Let the real thing [sweeter] rejoice" - Coca-Cola advertising slogan in the Emirateshttps://kelise72.com/wp-content/uploads/2014/04/jaffrey-1_page_image.jpgjaffrey-1_page_imageMaryam Jafri, 'Mouthfeel' (screenshot), 2014, HD video with sound, 21:30 mins, in 'Mouthfeel', at Gasworks, London. Image courtesy Gasworks.org.ukhttps://kelise72.com/wp-content/uploads/2014/04/mouthfeel_gasworks_collage.pngMouthfeel_Gasworks_collageMaryam Jafri, 'Mouthfeel' (screenshot), 2014, HD video with sound, 21:30 mins, in 'Mouthfeel', at Gasworks, London. Image courtesy Gasworks.org.ukhttps://kelise72.com/wp-content/uploads/2014/04/gasworks_logo-png.jpgGasworks_logo.png2017-03-08T12:57:25+00:00monthlyhttps://kelise72.com/2014/04/24/libby-heaney-de-coherence-chelsea/https://kelise72.com/wp-content/uploads/2014/04/dsc01044-001.jpgDSC01044-001Libby Heaney, 'De-Coherence', 2014, installation view, at SU Gallery, Chelsea College of Art, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/04/dsc01041.jpgDSC01041Libby Heaney, 'De-Coherence', 2014, installation view, at SU Gallery, Chelsea College of Art, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/04/dsc01040.jpgDSC01040Artist Libby Heaney talks about her work in 'De-Coherence', 2014, at SU Gallery, Chelsea College of Art, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/04/libby_heany_decoherence_flyer.jpgLibby_Heaney_decoherence_Flyer2017-03-08T12:57:20+00:00monthlyhttps://kelise72.com/2014/04/24/welcome-to-iraq-at-south-london-gallery/https://kelise72.com/wp-content/uploads/2014/04/img_5281.jpgIMG_5281Furat al Jamil, 'Honey pot', 2005/13, ceramic pot, honey comb frames and cotton twine, in 'Welcome to Iraq' at South London Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/04/img_5277.jpgIMG_5277Installation view of 'Welcome to Iraq' at South London Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/04/abdul-raheem-yassir-interview.jpgabdul-raheem-yassir-interviewAbdul Raheem Yassir, miscellaneous cartoons (untitled), 2003-13, ink on paper, in 'Welcome to Iraq' at South London Gallery, London. Image courtesy cwbibliotheek.wordpress.comhttps://kelise72.com/wp-content/uploads/2014/04/jamal_penjwany_saddam_is_here.jpgJamal_Penjwany_Saddam_is_hereJamal Penjweny, 'Saddam is Here', 2010, series of 8 photographs, in 'Welcome to Iraq' at South London Gallery, London. Image courtesy bbc.co.ukhttps://kelise72.com/wp-content/uploads/2014/04/south-london-gallery-welcome-to-iraq-5.jpgSouth-London-Gallery-Welcome-to-Iraq-5WAMI (Yaseen Wami, Hashim Taeeh), untitled (various works), 2013, cardboard and mixed media, in 'Welcome to Iraq' at South London Gallery, London. Image courtesy South London Gallery.https://kelise72.com/wp-content/uploads/2014/04/abdul_raheem_yassir_cartoon.jpgAbdul_Raheem_Yassir_cartoonAbdul Raheem Yassir, miscellaneous cartoons (untitled), 2003-13, ink on paper, in 'Welcome to Iraq' at South London Gallery, London. Image courtesy Independent.co.ukhttps://kelise72.com/wp-content/uploads/2014/04/img_5288.jpgIMG_5288South London Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/04/img_5286.jpgIMG_5286WAMI (Yaseen Wami, Hashim Taeeh), untitled (various works), 2013, cardboard and mixed media, in 'Welcome to Iraq' at South London Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/04/img_5285.jpgIMG_5285WAMI (Yaseen Wami, Hashim Taeeh), untitled (various works), 2013, cardboard and mixed media, in 'Welcome to Iraq' at South London Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/04/img_5284.jpgIMG_5284in 'Welcome to Iraq' at South London Gallery, London. Photo credit Kelise Franclemont.2017-03-08T12:57:13+00:00monthlyhttps://kelise72.com/2014/05/08/three-exhibitions-in-soho/https://kelise72.com/wp-content/uploads/2014/05/img_5433.jpgZhang_Huan_IMG_5433Zhang Huan, detail, oil on linen, in 'Spring Poppy Fields', 2011-2014 at Pace Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/05/img_5429.jpgZhang_Huan_IMG_5429Zhang Huan, detail, oil on linen, in 'Spring Poppy Fields', 2011-2014 at Pace Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/05/img_5426.jpgZhang_Huan_IMG_5426Zhang Huan, installation view, 'Spring Poppy Fields', 2011-2014, at Pace Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/05/img_5407.jpgIMG_5407Grenville Davey, installation view, 'Interalia 2014', at Chelsea Space, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/05/img_5405.jpgIMG_5405Grenville Davey, installation view, 'Interalia 2014', at Chelsea Space, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/05/img_5403.jpgIMG_5403Grenville Davey, installation view, 'Interalia 2014', at Chelsea Space, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/05/img_5396.jpgIMG_5396Grenville Davey, installation view, 'Interalia 2014', at Chelsea Space, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/05/img_5420.jpgIMG_5420Andrea Zittel, installation view, 'Physical Matter Reality' at Sadie Coles, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/05/img_5414.jpgIMG_5414Andrea Zittel, installation view, 'Physical Matter Reality' at Sadie Coles, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/05/sadie_coles_logo.pngSadie_Coles_logo2017-03-08T12:56:45+00:00monthlyhttps://kelise72.com/2014/06/19/at-southwestfest-collaborationem-st-saviours-pimlico/https://kelise72.com/wp-content/uploads/2014/06/asmaa_alanbari_img_5225.jpgAsmaa_Alanbari_IMG_5225Asmaa Alanbarihttps://kelise72.com/wp-content/uploads/2014/06/collaborationem_general_poster_031.jpgCollaborationem_general_poster_03https://kelise72.com/wp-content/uploads/2014/06/jonathan_slaughter_02.jpgJonathan_Slaughter_02Jonathan Slaughterhttps://kelise72.com/wp-content/uploads/2014/06/michelangelo_arteaga_iris6.jpgMichelangelo_Arteaga_Iris6Michelangelo Arteagahttps://kelise72.com/wp-content/uploads/2014/06/regan_ocallaghan_04.jpgRegan_OCallaghan_04Regan O'Callaghanhttps://kelise72.com/wp-content/uploads/2014/06/marta-soares_arqueology_wax_02.jpgMarta Soares_Arqueology_wax_02Marta Soareshttps://kelise72.com/wp-content/uploads/2014/06/paul_abbott_01.jpgPaul_Abbott_01Paul Abbotthttps://kelise72.com/wp-content/uploads/2014/06/kelise_franclemont_011.jpgKelise_Franclemont_coffeeKelise Franclemonthttps://kelise72.com/wp-content/uploads/2014/06/marilyn_collins_01.jpgmarilyn_collins_01Marilyn Collinshttps://kelise72.com/wp-content/uploads/2014/06/louise_wheeler_02.jpgLouise_Wheeler_02Louise Wheeler2017-03-08T12:56:18+00:00monthlyhttps://kelise72.com/2014/07/10/keep-your-eye-on-the-wall-palestinian-landscapes-book-review/https://kelise72.com/wp-content/uploads/2014/07/saqi_publishing_logo.pngSAQI_publishing_logohttps://kelise72.com/wp-content/uploads/2014/07/keep_your_eye_wall_olivia_snaije_cover1.jpgKeep_your_eye_Wall_Olivia_Snaije_cover'Keep your Eye on the Wall', 2013, edited by Olivia Snaije and Mitchell Albert, published by SAQI books, London.https://kelise72.com/wp-content/uploads/2014/07/steve_sabella_metamorphosis-v1.jpgSteve_Sabella_metamorphosis-VSteve Sabella, 'Metamorphosis V', 2012, lambda print + diasec mount + 5 cm aluminum edge, in 'Keep your Eye on the Wall', 2013, edited by Olivia Snaije and Mitchell Albert, published by SAQI books, London. Image courtesy stevesabella.comhttps://kelise72.com/wp-content/uploads/2014/07/keep-your-eye-on-the-wall-inside-pages-accordeon.jpgKeep Your Eye on the Wall - inside pages accordeonKai Wiedenhofer, showing the 'protection wall' of the Kibbuz Netiv ha-Asara against small arms fire from the Gaza Strip, November 2010, in 'Keep your Eye on the Wall', 2013, edited by Olivia Snaije and Mitchell Albert, published by SAQI books, London.https://kelise72.com/wp-content/uploads/2014/07/rula-halawani_-les-portes-du-paradis_2012.jpgRula Halawani_ Les portes du paradis_2012Rula Halawani, 'The Gates of Paradise, Jerusalem', 2012, in 'Keep your Eye on the Wall', 2013, edited by Olivia Snaije and Mitchell Albert, published by SAQI books, London. Image courtesy https://kelise72.com/wp-content/uploads/2014/07/raed_bawayah_vers-le-ciel-2012.jpgRaed_Bawayah_Vers le ciel 2012Raed Bawayah, 'Towards the sky', 2012, photography, in 'Keep your Eye on the Wall', 2013, edited by Olivia Snaije and Mitchell Albert, published by SAQI books, London.https://kelise72.com/wp-content/uploads/2014/07/noel_jabbour_nous-sommes-des-amis-pas-des-ennemis-2012.jpgNoel_Jabbour_We_are_FriendsNoel Jabbour, 'We are not enemies but friends', 2012, in 'Keep your Eye on the Wall', 2013, edited by Olivia Snaije and Mitchell Albert, published by SAQI books, London.https://kelise72.com/wp-content/uploads/2014/07/kai_wiedenhofer_frontier_c3a7re-de-la-bande-de-gaza1.jpgKai_Wiedenhofer_Frontier_Çre de la bande de Gaza#1Kai Wiedenhofer, 'Bi'lin Occupied Territories', 2010, in 'Keep your Eye on the Wall', 2013, edited by Olivia Snaije and Mitchell Albert, published by SAQI books, London.https://kelise72.com/wp-content/uploads/2014/07/taysir_batniji_wall_342.jpgTaysir_Batniji_wall_342Taysir Batniji, untitled (Gaza series), 2012, in 'Keep your Eye on the Wall', 2013, edited by Olivia Snaije and Mitchell Albert, published by SAQI books, London.https://kelise72.com/wp-content/uploads/2014/07/keep-your-eye-on-the-wall_book_cover.jpgKeep-your-eye-on-the-wall_book_coverKeep your Eye on the Wall, 2013, edited by Olivia Snaije and Mitchell Albert, published by SAQI Books, London.2017-03-08T12:56:14+00:00monthlyhttps://kelise72.com/2014/07/31/my-sister-who-travels-at-mosaic-rooms-london/https://kelise72.com/wp-content/uploads/2014/07/my_sister_who_travels_header.pngMy_Sister_Who_Travels_headerImage courtesy The Mosaic Rooms, London.https://kelise72.com/wp-content/uploads/2014/07/esther_boise_van_deman_83feba_c.jpgEsther_Boise_Van_Deman_83feba_cEsther Boise Van Deman, 'Path up to Pithecusa (Ischia, Italy), 1912, photography, in 'My Sister Who Travels' at Mosaic Rooms, London. Image courtesy Rooms Magazine. https://kelise72.com/wp-content/uploads/2014/07/van-deman-excavations-of-the-atrium-vestae-in-the-forum.jpgEsther Van deman Excavations of the Atrium Vestae in the ForumEsther Boise Van Deman, 'Roman Forum: excavations at the Atrium Vestae', 1909, photography, in 'My Sister Who Travels' at Mosaic Rooms, London. Image courtesy imagoromae.comhttps://kelise72.com/wp-content/uploads/2014/07/ursula_schulz-dornburg_palmyra-01.jpgUrsula_Schulz-Dornburg_Palmyra-01Ursula Schulz-Dornburg, from 'Palmyra. Necropolis.' series, 2010, gelatin-silver print, in 'My Sister Who Travels' at Mosaic Rooms, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2014/07/ursula_schulz-dornburg_neocropolis_palmyra_syria.jpgUrsula_Schulz-Dornburg_Neocropolis_Palmyra_SyriaUrsula Schulz-Dornburg, installation view 'Palmyra. Necropolis.' series, 2010, gelatin-silver print, in 'My Sister Who Travels' at Mosaic Rooms, London. Image courtesy The Mosaic Rooms. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/07/corinne_silva_imported_landscapes_04.jpgcorinne_silva_imported_landscapes_04Corinne Silva, from 'Imported Landscapes' series, 2010, photography, in 'My Sister Who Travels' at Mosaic Rooms, London. Image courtesy EuropeanProspects.orghttps://kelise72.com/wp-content/uploads/2014/07/paola_yacoub_elegiac_landscape_20140723_mysisterwhotravels-4.jpgPaola_Yacoub_Elegiac_Landscape_20140723_MySisterWhoTravels-4Paola Yacoub, detail of 'Elegiac Landscapes', 2001, diptych, chromogenic handprint, in 'My Sister Who Travels' at Mosaic Rooms, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2014/07/noor_abed_we_both_know_screenshot.pngNoor_Abed_we_both_know_screenshotNoor Abed, still from 'We Both Know', 2013, HD video duration 09:15, in 'My Sister Who Travels' at Mosaic Rooms, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2014/07/jananne_al-ani_excavations.jpgJananne_al-Ani_Shadow_SitesJananne al-Ani, top l-r: 'Aerial II, VI, II', bottom l-r: Aerial I, IV, V', production stills from the film 'Shadow Sites II', 2011, digital pigment prints, photography by Adrian Warren, in 'My Sister Who Travels', at Mosaic Rooms, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/07/halida_boughriet_transit_mr-mswt-05.jpgHalida_Boughriet_Transit_MR-MSWT-05Halida Boughriet, installation view, 'Transit', 2011, HD video duration 07:50, in 'My Sister Who Travels' at Mosaic Rooms, London. Image courtesy the artist.2017-03-08T12:56:05+00:00monthlyhttps://kelise72.com/2014/08/14/phyllida-barlow-commission-2014-tate-britain/https://kelise72.com/wp-content/uploads/2014/07/img_5665.jpgPhyllida_Barlow_Tate_Commission_2014_01Phyllida Barlow, 'dock', 2014, installation, wood, acrylic and other items, in 'Tate Commission 2014' at Tate Britain, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/07/img_5658.jpgPhyllida_Barlow_Tate_Commission_2014_02Phyllida Barlow, 'dock', 2014, installation, wood, acrylic and other items, in 'Tate Commission 2014' at Tate Britain, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/07/img_5654.jpgPhyllida_Barlow_Tate_Commission_2014_03Phyllida Barlow, detail of 'dock', 2014, installation, wood, acrylic and other items, in 'Tate Commission 2014' at Tate Britain, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/07/img_5651.jpgPhyllida_Barlow_Tate_Commission_2014_04Phyllida Barlow, 'dock: crushed tower', 2014, installation, wood, acrylic and other items, in 'Tate Commission 2014' at Tate Britain, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/07/img_5644.jpgPhyllida_Barlow_Tate_Commission_2014_05Phyllida Barlow, 'dock: crushed tower', 2014, installation, wood, acrylic and other items, in 'Tate Commission 2014' at Tate Britain, London. Photo credit Kelise Franclemont.2017-03-08T12:55:55+00:00monthlyhttps://kelise72.com/2014/08/21/everson-museum-of-art-sarah-mccoubrey-syracuse-ny/https://kelise72.com/wp-content/uploads/2014/08/adelaide-alsop1.jpgAdelaide-Alsop1Adelaide Alsop Robineau (1865-1929), American potter, painter and ceramicist, in her studio with 'Scarab Vase (The Apotheosis of the Toiler)', 1910, porcelain, in Everson Museum of Art, Syracuse, NY. Image courtesy www.veniceclayartists.comhttps://kelise72.com/wp-content/uploads/2014/08/sarah_mccoubrey_potato_w_propeller.jpgSarah_McCoubrey_potato_w_propellerSarah McCoubrey, 'Escape Vehicle: Potato with propeller', 2012, ink and gouache on digital print, in 'Works on Paper' at Everson Museum of Art, Syracuse. NY. Image courtesy phillyartgalleries.com. Photo credit unknown.https://kelise72.com/wp-content/uploads/2014/08/edward_hicks_-_peaceable_kingdom.jpgEdward_Hicks_-_Peaceable_KingdomEdward Hicks, 'The Peaceable Kingdom', 1840-44, oil on wood panel, at Everson Museum of Art, Syracuse, NY. Image courtesy Wikimediahttps://kelise72.com/wp-content/uploads/2014/08/dsc01818.jpgFrederic_Remington_eversonFrederic Remington, 'Bronco Buster', 1920, bronze, cast #241, at Everson Museum of Art, Syracuse, NY. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/08/dsc01827.jpgEverson_museum_spiral_staircaseI.M. Pei (architect), interior staircase of Everson Museum of Art, Syracuse, NY. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/08/dsc01826.jpgEverson_museum_02M. Palaniappan, 'Aiyanar Horse', 1990, terra cotta, at Everson Museum of Art, Syracuse, NY. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/08/dsc01823.jpgEverson_museum_03(detail) Aldo Falchi, 'Declaration of Independence', 1976, edition 156/200, porcelain, at Everson Museum of Art, Syracuse, NY. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/08/dsc01822.jpgEverson_museum_04(foreground) Aldo Falchi, 'Declaration of Independence', 1976, edition 156/200, porcelain, at Everson Museum of Art, Syracuse, NY. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/08/dsc01813.jpgEverson_museum_06(l-r) William Ongley, 'Early Autumn, Adirondacks', 1880, oil on canvas; Eric Serritella, 'Birch Bark Vase', 2008, stoneware; and George Inness, 'A Nook Near Our Village', 1849, oil on canvas, at Everson Museum of Art, Syracuse, NY. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/08/dsc01811.jpgsarah_mccoubrey_everson_01Sarah McCoubrey, 'Woman with a Bucket on Her Head', 2008, gouache and ink, in 'Works on Paper' at Everson Museum of Art, Syracuse. NY. Photo credit Kelise Franclemont.2017-03-08T12:55:42+00:00monthlyhttps://kelise72.com/2014/09/05/horse-art-at-mall-galleries/https://kelise72.com/wp-content/uploads/2014/09/dido_crosby_he_taller_she_turning-png.jpgDido_Crosby_He_taller_She_Turning.pngDido Crosby, 'He taller' and 'She turning', bronze, in 'The Horse in Art' at Mall Galleries, London. Image courtesy the artist and http://www.equestrianartists.co.ukhttps://kelise72.com/wp-content/uploads/2014/09/warren_heaton_ricky_charcoal.jpegWarren_Heaton_ricky_charcoalWarren Heaton, 'Ricky', charcoal study for oil on canvas, in 'The Horse in Art' at Mall Galleries, London. Image courtesy the artist and http://www.equestrianartists.co.ukhttps://kelise72.com/wp-content/uploads/2014/09/princess_anne_at_horse_in_art.jpgPrincess_Anne_at_Horse_in_ArtHRH Princess Anne attends the Private View of 'The Horse in Art' at Mall Galleries, London. Image courtesy http://www.equestrianartists.co.ukhttps://kelise72.com/wp-content/uploads/2014/09/martyna_sikora_conceptiii_2014-png.jpgMartyna_Sikora_ConceptIII_2014.pngMartyna Sikora, 'Concept III', watercolour pencil, in 'The Horse in Art' at Mall Galleries, London. Image courtesy the artist and http://www.equestrianartists.co.ukhttps://kelise72.com/wp-content/uploads/2014/09/mark_adlington_plateau_sun_2014-png.jpgMark_Adlington_Plateau_Sun_2014.pngMark Adlington, 'Plateau Sun (Przewalski)', watercolour, in 'The Horse in Art' at Mall Galleries, London. Image courtesy the artist and http://www.equestrianartists.co.ukhttps://kelise72.com/wp-content/uploads/2014/09/sarah_clegg_duty_bound_1914_2014.pngSarah_Clegg_Duty_Bound_1914_2014Sarah Clegg, 'Duty Bound - 1914', oil on canvas in 'The Horse in Art' at Mall Galleries, London. Image courtesy the artist and http://www.equestrianartists.co.ukhttps://kelise72.com/wp-content/uploads/2014/09/maybe_shes_barn_with_it.jpgMaybe_shes_barn_with_it'Maybe she's barn with it..' Image courtesy Reddit. Designer unknown.https://kelise72.com/wp-content/uploads/2014/09/equestrian_artists_logo.pngEquestrian_Artists_logo2017-03-08T12:55:11+00:00monthlyhttps://kelise72.com/2014/10/03/encouraging-creativity-and-self-expression-in-painting-workshops-at-saatchi-gallery-london/https://kelise72.com/wp-content/uploads/2014/10/babylon_art_logo.pngBabylon_Art_logohttps://kelise72.com/wp-content/uploads/2014/10/asmaa_alanbari_workshop_flyer.pngAsmaa_Alanbari_workshop_flyerhttps://kelise72.com/wp-content/uploads/2014/10/asmaa_alanbari_05.pngAsmaa_Alanbari_05Asmaa Alanbari, 'Reverie', 2014, acrylic. Image courtesy the artist.2017-03-08T12:54:48+00:00monthlyhttps://kelise72.com/2014/10/22/young-artist-of-the-year-award-yaya-2014-premieres-at-qalandiya-international-am-qattan-foundation/https://kelise72.com/wp-content/uploads/2014/10/hassan_everywhere_01.jpegHassan_Everywhere_01From 'Hassan Everywhere', a book of illustrations that Hassan Hourani was working on when he died unexpectedly in 2003, published after his death AM Qattan Foundation, Ramallah. Image courtesy http://virtualgallery.birzeit.edu/https://kelise72.com/wp-content/uploads/2014/10/farah_saleh_ordinary_madness_screenshot.pngFarah_Saleh_Ordinary_Madness_screenshotFarah Saleh, screenshot from 'Ordinary Madness' (excerpt), 2013, video documentation of performance. Image courtesy the artist and Vimeo.https://kelise72.com/wp-content/uploads/2014/10/majdal_nateel_gaza.jpgMajdal_nateel_gazaMajdal Nateel, 'Gaza', date unknown, acrylic on canvas. Image courtesy the artist and ArtWanted.comhttps://kelise72.com/wp-content/uploads/2014/10/bashar_khalef_tasamuh2012_bashar_khalef_pppa.jpgBashar_Khalef_tasamuh2012_bashar_khalef_pppaBashar Khalef, 'Tasamuh [Tolerance]', 2012, poster print on paper for Ramallah Centre for Human Rights Studies, in the collection of Palestine Poster Project Archives.https://kelise72.com/wp-content/uploads/2014/10/hamody_gannam_untitled_photo_fb.jpgHamody_Gannam_untitled_photo_FBHamody Gannam, untitled, 2014, photograph. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2014/10/aya_abu_ghazalah_mr_ahmad.jpgAya_Abu_Ghazalah_mr_ahmadAya Abu Ghazaleh, 'Mr Ahmed', 2012, graphite on paper.https://kelise72.com/wp-content/uploads/2014/10/iman_al-sayed_re-peat.pngIman_al-sayed_re-peatIman_al-Sayed, screenshot from 'Re-Peat', 2014, digital video, duration 5:09 mins. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2014/10/yaya_banner_withvchecchia.jpgYAYA_banner_withVChecchia(l-r) Curator Viviana Checchia with Young Artists of the Year 2014: Hanadi Azmi Abu Jamal, Noor Abuarafeh, Bashar Khalef, Iman Al Sayed, Majdal Nateel, Hamody Gannam, Noor Abed, Farah Saleh, Aya Abu Ghazalehhttps://kelise72.com/wp-content/uploads/2014/10/yaya2014_amqattan_facebook_banner.jpgYAYA2014_AMQattan_Facebook_bannerImage courtesy AM Qattan Foundation.https://kelise72.com/wp-content/uploads/2014/10/am_qattan_foundation_logo.pngAM_Qattan_Foundation_logo2017-03-08T12:54:34+00:00monthlyhttps://kelise72.com/2014/11/25/office-sessions-iii-office-party-london/https://kelise72.com/wp-content/uploads/2014/11/2014-12-05-office-party-invite_finalpv.jpg2014-12-05 Office Party invite_finalPVClick to enlarge view/download Office Party Invite for 5 December 2014.https://kelise72.com/wp-content/uploads/2014/11/caitlin_mavroleon_linkedin_lg.pngcaitlin_mavroleon_LinkedIn_lgCaitlin Mavroelon, Creative Consultant/Creative Director. Image courtesy www.linkedin.comhttps://kelise72.com/wp-content/uploads/2014/11/office_party_2nd_invite.jpgOffice_Party_2nd_InviteClick to enlarge view/download Office Party Invite for 27 November 2014.https://kelise72.com/wp-content/uploads/2014/11/office_party_1st_invite1.jpgOffice_Party_1st_invitehttps://kelise72.com/wp-content/uploads/2014/11/web-vanja-karas-c2a9-web_mg_57001.jpgweb-Vanja-Karas-©-web_MG_57001Vanja Karas (ed.) with Foreword by Stuart Franklin, Magnum, 'Transience', 2012, Hardback: 220 pages, Printed by: ubyu bespoke books (online), Language: English.https://kelise72.com/wp-content/uploads/2014/11/book-83_eye-for-an-ear.jpgBook-83_eye-for-an-earVanja Karas (ed.), 'An Eye for an Ear', 2013, Hardback: 245 pages, Printed by: ubyu bespoke books (online), Language: English. Book also includes installation images from Arles and South East Asia.https://kelise72.com/wp-content/uploads/2014/11/office_party_tower_hamlets_logo1.jpgOffice_Party_Tower_hamlets_logoTower Hamlets logo. 'Office Party' in 'Office Sessions III' at Anchorage House, East India docks, London. Photo credit Rebecca Malloy.https://kelise72.com/wp-content/uploads/2014/11/office_party_install_view_19_hg1.jpgOffice_Party_install_view_19_HGWork by Henry Gardiner. Installation view of 'Office Party' in 'Office Sessions III' at Anchorage House, East India docks, London. Photo credit Henry Gardiner.https://kelise72.com/wp-content/uploads/2014/11/office_party_install_view_18_az1.jpgOffice_Party_install_view_18_AZWork by Josephy Lichy (left) with Installation view of 'Office Party' in 'Office Sessions III' at Anchorage House, East India docks, London. Photo credit Adam Zoltowski.https://kelise72.com/wp-content/uploads/2014/11/office_party_install_view_16_az1.jpgOffice_Party_install_view_16_AZInstallation view of 'Office Party' in 'Office Sessions III' at Anchorage House, East India docks, London. Photo credit Adam Zoltowski.2017-03-08T12:54:04+00:00monthlyhttps://kelise72.com/2015/01/02/2015-ma-fine-art-interim-show-chelsea/https://kelise72.com/wp-content/uploads/2015/01/adam_zoltwowski_office_party_01.jpgAdam_Zoltwowski_office_Party_01The 'after party' of 'Office Party' residency and exhibition, in 'Office Sessions III', Tower Hamlets, London. Image courtesy Adam Zoltowski.https://kelise72.com/wp-content/uploads/2015/01/thank_you_collage_06.jpgThank_you_Collage_0612 artists in 'Collaborationem', 2014, St Saviour's Church, Pimlico. Image courtesy the artists and Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/01/ma_interim_show_flyer_lw_updated.jpgMA_Interim_Show_Flyer_lw_updatedPoster designed by Sarah Faulkner.2017-03-08T12:53:44+00:00monthlyhttps://kelise72.com/2015/01/12/light-matter-exhibition-explores-the-lines-between-painting-and-film-in-rca-and-chelsea-college-of-arts-collaboration/https://kelise72.com/wp-content/uploads/2015/01/verity-birt.jpgVerity BirtVerity Birt, 'Backward Looking Future', 2014, mixed media installation, digital and analogue looped excerpt 'The Land Before Time 1988', audio 'One herd had only a single baby, the last hope for the Future'. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/01/rowan-still5-2.jpgrowan-still5-2https://kelise72.com/wp-content/uploads/2015/01/light_matter_flyer.jpgLight_Matter_flyerhttps://kelise72.com/wp-content/uploads/2015/01/julian_mcsweeney_img_9814.jpgJulian_McSweeney_IMG_9814Julian McSweeney, documentation of painting and performance, 2013, at Chelsea College of Arts, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/01/jinjoo_kim-2.jpgjinjoo_kim-2Jinjoo Kim, 'Yellow Spheres and Trees', 2014, video and installation in MA Fine Art Summer Show, Chelsea College of Arts, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/01/billy-ward-watching-a-rothko-2014.jpgBilly Ward Watching A Rothko 2014Billy Ward, 'Watching a Rothko', 2014, digital video. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/01/bmc_logo_black.jpgBMc_logo_black2017-03-08T12:53:24+00:00monthlyhttps://kelise72.com/2015/01/17/anti-gallery-gallery-show-is-a-laboratory-of-ideas-at-espacio-gallery-london/https://kelise72.com/wp-content/uploads/2015/01/img_6292.jpgIMG_6292in 'The Anti-Gallery Gallery Show' at Espacio Gallery, Bethnal Green, London. https://kelise72.com/wp-content/uploads/2015/01/img_6291.jpgIMG_6291Naya Eleftheriou serves Greek coffee and reads the drinker's fortune in the cup, in 'The Anti-Gallery Gallery Show' at Espacio Gallery, Bethnal Green, London. https://kelise72.com/wp-content/uploads/2015/01/img_6287.jpgIMG_6287Jeannette Abi Khalil & Monika Tobelin draw 'Hopscotch' in 'The Anti-Gallery Gallery Show' at Espacio Gallery, Bethnal Green, London. https://kelise72.com/wp-content/uploads/2015/01/img_6285.jpgIMG_6285Installation view in 'The Anti-Gallery Gallery Show' at Espacio Gallery, Bethnal Green, London. https://kelise72.com/wp-content/uploads/2015/01/img_6279.jpgIMG_6279in 'The Anti-Gallery Gallery Show' at Espacio Gallery, Bethnal Green, London. https://kelise72.com/wp-content/uploads/2015/01/img_6272.jpgIMG_6272Art is exchanged for poetry or other written words, in 'The Anti-Gallery Gallery Show' at Espacio Gallery, Bethnal Green, London. https://kelise72.com/wp-content/uploads/2015/01/img_6270.jpgIMG_6270Consuelo, 'Hat Dream', 2014, paint, glue, ink in which the visitor paints or draws their dreams on sections of the hat, to leave or take home, in 'The Anti-Gallery Gallery Show' at Espacio Gallery, Bethnal Green, London. https://kelise72.com/wp-content/uploads/2015/01/img_6257.jpgIMG_6257in 'The Anti-Gallery Gallery Show' at Espacio Gallery, Bethnal Green, London. https://kelise72.com/wp-content/uploads/2015/01/espacio_gallery_logo_white.pngEspacio_gallery_logo_whitehttps://kelise72.com/wp-content/uploads/2015/01/degrees_of_freedom_logo.pngDegrees_of_freedom_logo2017-03-08T12:53:12+00:00monthlyhttps://kelise72.com/2015/03/26/housed-exhibition-at-chelsea-college-of-arts-london/https://kelise72.com/wp-content/uploads/2015/03/housed_einvite.jpgHoused_einviteDesigned by Joseph Lichy.https://kelise72.com/wp-content/uploads/2015/03/housed_banner_plain.pnghoused_banner_plainBackground image courtesy loomio.org and Amy McDonnell.2022-10-27T00:47:10+00:00monthlyhttps://kelise72.com/2015/06/21/ba-mfa-graduate-art-shows-london-june-2015/https://kelise72.com/wp-content/uploads/2015/06/dsc04765.jpgBA_Wimbledon_Sculpture_2015_DSC04765Milo Creese. BA Fine Art - Sculpture, at Wimbledon College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/dsc04761.jpgBA_Wimbledon_Sculpture_2015_DSC04761Yibei Zhang. BA Fine Art - Sculpture, at Wimbledon College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/dsc04760.jpgBA_Wimbledon_Sculpture_2015_DSC04760Installation view. BA Fine Art - Sculpture, at Wimbledon College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/dsc04759.jpgBA_Wimbledon_Sculpture_2015_DSC04759Jessica Carter. BA Fine Art - Sculpture, at Wimbledon College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/dsc04758.jpgBA_Wimbledon_Sculpture_2015_DSC04758Installation view, Sculpture. BA Fine Art - Sculpture, at Wimbledon College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/dsc04757.jpgBA_Wimbledon_Sculpture_2015_DSC04757Samuel Keelan. BA Fine Art - Sculpture, at Wimbledon College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/dsc04756.jpgBA_Wimbledon_Sculpture_2015_DSC04756BA Fine Art - Sculpture, at Wimbledon College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/dsc04754.jpgBA_Wimbledon_Sculpture_2015_DSC04754Installation view, Sculpture. BA Fine Art - Sculpture, at Wimbledon College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/dsc04753.jpgBA_Wimbledon_Sculpture_2015_DSC04753Installation view, Sculpture. BA Fine Art - Sculpture, at Wimbledon College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/dsc04752.jpgBA_Wimbledon_Sculpture_2015_DSC04752Ava Watson. BA Fine Art - Sculpture, at Wimbledon College of Arts, London. Photo credit Kelise Franclemont.2017-03-08T12:52:45+00:00monthlyhttps://kelise72.com/2015/07/23/shubbak-festival-2015-london/https://kelise72.com/wp-content/uploads/2015/07/dsc05018.jpganas_al-shaikhAnas al-Shaikh, 'My land, 2', 2009, video installation in 'Echoes and Reverberations' at Hayward Gallery Project Space, Southbank Centre London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/07/shubbak_festival_banner_website.pngShubbak_festival_banner_websitehttps://kelise72.com/wp-content/uploads/2015/07/dsc05033.jpgBasma_Alsharif_measuring_distanceBasma Alsharif, 'We Began by Measuring Distance', 2009, single channel SD video, 19 minutes, in 'Echoes and Reverberations' at Hayward Gallery Project Space, Southbank Centre London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/07/dsc05031.jpgJumana_emil_abboudJumana Emil Abboud, installation view of 'A Happy Ending part II' series, 2015, drawings, olive wood, clay in 'Echoes and Reverberations' at Hayward Gallery Project Space, Southbank Centre London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/07/dsc05030.jpgJoe_Namy_EchoesJoe Namy, 'space, breath, time', 2015, deconstructed portable harmonium, photographs, plastic bottle, rock, light bulb, tuning fork, velvet, headphones, audio, in 'Echoes and Reverberations' at Hayward Gallery Project Space, Southbank Centre London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/07/dsc05027.jpgsamah_hijawi_paradise_02Samah Hijawi, 'Paradise Series' (detail), 2013, collage and audio with headphones, in 'Echoes and Reverberations' at Hayward Gallery Project Space, Southbank Centre London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/07/dsc05025.jpgsamah_hijawi_paradise_01Samah Hijawi, 'Paradise Series', 2013, collage and audio with headphones, in 'Echoes and Reverberations' at Hayward Gallery Project Space, Southbank Centre London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/07/dsc05015.jpgMagdi_Mostafa_wisdom_towerMagdi Mostafa, 'Wisdom Tower: from the series, Sound Cells (Fridays)', 2009-2012, 84x5 watt speakers, cables, audio amp, and monitor, in 'Echoes and Reverberations' at Hayward Gallery Project Space, Southbank Centre London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/07/shubbak-festival_logo.pngshubbak-festival_logohttps://kelise72.com/wp-content/uploads/2015/07/badke_kvsc2a9dannywillems-7020-1200x760.jpgBadke_KVS©DannyWillems-7020-1200x760Performance of 'Badke' at Queen Elizabeth Hall, Southbank Centre, London. Photo credit Danny Wiliems. Image courtesy Shubbak Festival website.2017-03-08T12:52:35+00:00monthlyhttps://kelise72.com/2015/07/26/preview-of-latest-edition-office-sessions-iv-beak-street-exhibition-in-soho-london/https://kelise72.com/wp-content/uploads/2015/07/dsc05043.jpgDSC05043Afshin Naghouni. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/07/adam_zoltowski_eldorado.jpgAdam_Zoltowski_EldoradoAdam Zoltowski. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/07/office_sessions_iv_banner1.jpgOffice_Sessions_IV_bannerImage courtesy Office Sessions.2017-03-08T12:52:29+00:00monthlyhttps://kelise72.com/2015/08/06/ma-fine-art-postgraduate-summer-show-chelsea-college-of-arts-london/https://kelise72.com/wp-content/uploads/2015/08/ma_fine_art_fb_banner_01.jpgMA_Fine_Art_FB_Banner_01Image detail courtesy UAL/Chelsea College of Arts.https://kelise72.com/wp-content/uploads/2015/08/mafa_pre-show_17.jpgMAFA_pre-show_17Scarli Bow. Photo credit Ana Carolina Rodrigues.https://kelise72.com/wp-content/uploads/2015/08/mafa_pre-show_15.jpgMAFA_pre-show_15Lili Ma. Photo credit Ana Carolina Rodrigues.https://kelise72.com/wp-content/uploads/2015/08/mafa_pre-show_13.jpgMAFA_pre-show_13Weijen Lai. Photo credit Peihang Huang.https://kelise72.com/wp-content/uploads/2015/08/mafa_pre-show_16.jpgMAFA_pre-show_16Georgie. Photo credit Peihang Huang.https://kelise72.com/wp-content/uploads/2015/08/mafa_pre-show_14.jpgMAFA_pre-show_14Chris Bagnall. Photo credit Peihang Huang.https://kelise72.com/wp-content/uploads/2015/08/mafa_pre-show_09.jpgMAFA_pre-show_09Christopher Ward at Chelsea College of Arts, London. Photo credit Peihang Huang.2017-03-08T12:52:12+00:00monthlyhttps://kelise72.com/2015/08/20/office-sessions-iv-interview-caitlin-mavroleon/https://kelise72.com/wp-content/uploads/2015/08/dsc02425.jpgOffice_Sessions_DSC02425Interior of Anchorage House, Tower Hamlets, London, the site of Office Sessions I, II, and III. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/dsc05198.jpgDSC05198Jheni Arboine, installation view, at 'Office Sessions IV: Beak Street', 40 Beak Street, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/dsc05051.jpgDSC05051Alice Shirley and Guy Haddon-Grant working on their installation, at 'Office Sessions IV: Beak Street', 40 Beak Street, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/dsc05345.jpgOS_IV_DSC05345Performance/spoken word by Aidan Dun (right) at 'Office Sessions IV: Beak Street', 40 Beak Street, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/dsc053081.jpgOS_IV_DSC05308Installation view of lower ground floor at 'Office Sessions IV: Beak Street', 40 Beak Street, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/dsc05254.jpgOffice_Sessions_IV_DSC05254Installation view of the 'The Salon' at 'Office Sessions IV: Beak Street', 40 Beak Street, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/vanja_karas_osii_img_8011.jpgVanja_Karas_OSII_IMG_8011Vanja Karas, installation view of ‘ENSō The Lightness of Impermanence’ in Office Sessions II, Anchorage House, East India Docks, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/08/vanja_karas_osii_img_1845.jpgVanja_Karas_OSII_IMG_1845Vanja Karas, from ‘ENSō The Lightness of Impermanence’ in Office Sessions II, Anchorage House, East India Docks, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/08/robin_rutherford_flight_i.pngRobin_Rutherford_flight_IRobin Rutherford, 'Flight I', 2014. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/08/houserules_02.jpgHouseRules_02Image courtesy Houserules.co.uk2017-03-08T12:52:02+00:00monthlyhttps://kelise72.com/2015/08/27/ma-fine-art-summer-show-2015-chelsea-college-of-arts-london/https://kelise72.com/wp-content/uploads/2015/08/ambika_subramaniam_books.jpgAmbika_Subramaniam_booksAmbika Subramaniam, 'Return of the Super Maria Sisters', 2015, book , in the MA Fine Art 2015 Summer Show at Chelsea College of Arts, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/08/dsc05530.jpgMAFA2015_01Jonathan Slaughter (detail) in the MA Fine Art 2015 Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/dsc05512.jpgMAFA2015_02Stephen Hennessey (detail) in the MA Fine Art 2015 Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/img_6712.jpgMAFA2015_03_IMG_6712Maria Jose Carvallo (detail) in the MA Fine Art 2015 Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/img_6788.jpgMAFA2015_06_IMG_6788Installation view in D-Block, in the MA Fine Art 2015 Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/img_6735.jpgMAFA2015_10-IMG_6735Christopher Bagnell (detail), in the MA Fine Art 2015 Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/08/img_3367.jpgMAFA2015_11-IMG_3367Kelise Franclemont (detail), in the MA Fine Art 2015 Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.2023-11-01T17:28:41+00:00monthlyhttps://kelise72.com/2015/09/09/review-of-chelseas-ma-post-graduate-summer-shows-enjoyable-entertaining-high-quality-chelsea-college-of-arts-london/https://kelise72.com/wp-content/uploads/2015/09/candid_magazine_logo.jpgCandid_Magazine_logohttps://kelise72.com/wp-content/uploads/2015/09/kelise_franclemont_palestine_01.jpgKelise_Franclemont_Palestine_01Kelise Franclemont, ‘A Walk through Palestine (collectable, artefact, relic, souvenir)’, 2015, installation of printed posters, found objects, and sound. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/09/seulgi-kang-relational-aestehtics.jpgSeulgi-Kang-Relational-AestehticsSeulgi Kang, Relational Aesthetics, 2015, mixed media. Image courtesy of the artist.https://kelise72.com/wp-content/uploads/2015/09/david-icko-overwhelm-detector.jpgDavid-Icko-Overwhelm-DetectorDavid Icko, Overwhelm Detector, 2015, mixed media. Image courtesy of the artist.2017-03-08T12:51:45+00:00monthlyhttps://kelise72.com/2015/09/17/art-for-youth-mall-galleries-london/https://kelise72.com/wp-content/uploads/2015/09/dee_stanford_03.jpgDee_Stanford_03'Friendship' by Dee Stanford, 2015. Image courtesy the artist and Art for Youth.https://kelise72.com/wp-content/uploads/2015/09/louise_mcnaught_01.jpgLouise_McNaught_01Work by Louise McNaught, 2015. Image courtesy the artist and Art for Youth.https://kelise72.com/wp-content/uploads/2015/09/kate_morgan_01.jpgKate_Morgan_01Work by Kate Morgan, 2015. Image courtesy the artist and Art for Youth.https://kelise72.com/wp-content/uploads/2015/09/kate_morgan_01_cropped.jpgKate_Morgan_01_croppedDetail of work by Kate Morgan, 2015. Image courtesy the artist and Art for Youth.https://kelise72.com/wp-content/uploads/2015/09/guy_haddon-grant_01.jpgGuy_Haddon-Grant_01Work by Guy Haddon-Grant, 2015. Image courtesy the artist and Art for Youth.https://kelise72.com/wp-content/uploads/2015/09/dee_stanford_02.jpgDee_Stanford_02Work by Dee Stanford, 2015. Image courtesy the artist and Art for Youth.https://kelise72.com/wp-content/uploads/2015/09/alice_shirley_01.jpgAlice_Shirley_01Work by Alice Shirley, 2015. Image courtesy the artist and Art for Youth.https://kelise72.com/wp-content/uploads/2015/09/uk_youth_afy-logo.jpgUK_youth_AFY-logohttps://kelise72.com/wp-content/uploads/2015/09/amlin_logo.jpgamlin_logo2017-03-08T12:51:29+00:00monthlyhttps://kelise72.com/2015/10/02/padsjgams-a-vehicle-for-revolution-old-police-station-deptford-london/https://kelise72.com/wp-content/uploads/2015/10/dsc05986.jpgDSC05986'A Vehicle for Revolution' by Rosemary Cronin in The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/dsc05993.jpgDSC05993Installation view of 'Padsjgams' in The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/dsc05992.jpgDSC05992'A Vehicle for Revolution' by Rosemary Cronin in The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/dsc05983.jpgDSC05983Work by David Icko and Gerard Carson in 'Padsjgams' in The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/dsc05979.jpgDSC05979View of the ceiling in one of the cells, 'Padsjgams' in The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/dsc05977.jpgDSC05977Work by James Pimperton, 'Padsjgams' in The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/dsc05976.jpgDSC05976Work by Gerard Carson and David Icko, 'Padsjgams' in The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/dsc05973.jpgDSC05973James Pimperton, Andrew Rickett, David Icko, 'Padsjgams' in The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/dsc05972.jpgDSC05972Work by Andrew Rickett in 'Padsjgams' at The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/deptfordx_logo.pngDeptfordX_logo2017-03-08T12:51:15+00:00monthlyhttps://kelise72.com/2015/10/22/lesley-foxcroft-corners-uses-mdf-to-illuminate-beauty-of-the-straight-edge-chelsea-space-millbank-london/https://kelise72.com/wp-content/uploads/2015/10/img_4545.jpgIMG_4545Lesley Foxcroft, installation view in 'Corners' at Chelsea Space, Millbank, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/img_4544.jpgIMG_4544Lesley Foxcroft, installation view in 'Corners' at Chelsea Space, Millbank, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/img_4542.jpgIMG_4542Lesley Foxcroft, installation view in 'Corners' at Chelsea Space, Millbank, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/img_4540.jpgIMG_4540Lesley Foxcroft, installation view in 'Corners' at Chelsea Space, Millbank, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/img_4538.jpgIMG_4538Lesley Foxcroft, installation view in 'Corners' at Chelsea Space, Millbank, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/10/img_4537.jpgIMG_4537Lesley Foxcroft, installation view in 'Corners' at Chelsea Space, Millbank, London. Photo credit Kelise Franclemont.2017-03-08T12:50:53+00:00monthlyhttps://kelise72.com/2015/10/25/this-is-not-an-error-msg-spirit-stick-collective-online-exhibition/https://kelise72.com/wp-content/uploads/2015/10/rebecca_molloy_donut.jpgRebecca_Molloy_donutRebecca Molloy, 'Diet Coke Break', 2015, from painting, video and sculpture installation. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/10/spirit_stick_logo.pngSpirit_Stick_logohttps://kelise72.com/wp-content/uploads/2015/10/lucilla_bellini_w-for-wedding.jpgLucilla_Bellini_w-for-weddingLucilla Bellini, from 'W is for Wedding' tryptych, 2015, printed photography. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/10/yan_petris_hard6.jpgYan_Petris_hard6Yan Petris, 'Hard 6', 2015, digital photography collage. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/10/faggettes_dancing-fanny.gifFaggettes_dancing-fannyFaggettes, 'Dancing Fanny', 2015, digital collage gif. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/10/andie_macario_got_milk.pngAndie_Macario_got_milkAndie Macario, 'Got Milk?', 2015, digital GIF. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/10/dalia_anime_dream-boy-1.jpgDalia_Anime_dream-boy-1Dalia Anime, 'Dream Boy 1', 2015, digital collage. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/10/spirit_stick_non_error_msg_banner.pngSpirit_stick_non_error_msg_bannerImage courtesy Spirit Stick Collective.https://kelise72.com/wp-content/uploads/2015/10/not_error_msg_box.gifnot_error_Msg_box2017-03-08T12:50:46+00:00monthlyhttps://kelise72.com/2015/11/05/ruins-of-time-crypt-gallery-st-pancras-london/https://kelise72.com/wp-content/uploads/2015/11/cat_pg02_cropped_quote.jpgcat_pg02_cropped_quoteImage courtesy London-Munich Exchange.https://kelise72.com/wp-content/uploads/2015/11/crypt_rot_kfranclemont_alchemy_01.pngCrypt_ROT_KFranclemont_alchemy_01Kelise Franclemont, 'alchemy of a perfect fragrance', 2015, scents preserved in glass jars. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/11/dsc03843.jpgCrypt_Gallery_interiorInterior view of The Crypt Gallery, St Pancras, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/11/crypt_rot_sbowles.pngCrypt_ROT_SBowlesSasha Bowles, 'Inquisitors' from 'Interventions' series, 2015, oil on found image. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/11/crypt_rot_rquint_reisealtaere.jpgCrypt_ROT_RQuint_ReisealtaereRosa Quint, 'Reisealtaere', 2004, mixed media. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/11/crypt_rot_rhentsch-e1445867175711.jpgCrypt_ROT_RHentschRuth Hentsch, 'Head', date unknown, watercolour, salt, pigment on paper. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/11/crypt_rot_ncheeseman_osiv.jpgCrypt_ROT_NCheeseman_OSIVNicholas Cheeseman, untitled, 2015, wood, paint, corrugated card. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/11/crypt_rot_mmichalski1.jpgCrypt_ROT_MMichalskiMilena Michalski, 'Two Towers Talk', date unknown, installation detail. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/11/crypt_rot_mkita_memory.jpgCrypt_ROT_MKita_MEMORYMonika Kita, 'Memory' , 2013, still image from HD digital film. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/11/crypt_rot_kfranclemont_postcard.jpgCrypt_ROT_KFranclemont_postcardKelise Franclemont, 'Mt Scopus overlooking Jerusalem', from 'Postcards from the Land of No People', 2015, printed postcard. Image courtesy the artist.2017-03-08T12:50:34+00:00monthlyhttps://kelise72.com/2015/11/26/ruins-of-time-crypt-gallery-st-pancras-london-photo-tour/https://kelise72.com/wp-content/uploads/2015/11/dsc06156.jpgROT_PV_DSC06156Despina Olbrich-Marianou, 'Farewell', installation and performance, in 'Ruins of Time' at The Crypt Gallery, London. Photo credit Thomas Butler.https://kelise72.com/wp-content/uploads/2015/11/dsc06153.jpgROT_PV_DSC06153Eleonora Bourmistrov, 'Passage', site-specific mixed media installation, in 'Ruins of Time' at The Crypt Gallery, London. Photo credit Thomas Butler.https://kelise72.com/wp-content/uploads/2015/11/dsc06148.jpgROT_PV_DSC06148(foreground) Despina Olbrich-Marianou, 'Transient', installation and (background) Nicholas Cheeseman, untitled, wood, cardboard, plaster, acrylic, gold leaf, in 'Ruins of Time' at The Crypt Gallery, London. Photo credit Thomas Butler.https://kelise72.com/wp-content/uploads/2015/11/dsc06142.jpgROT_PV_DSC06142Rosa Quint, 'Strata', installation, in 'Ruins of Time' at The Crypt Gallery, London. Photo credit Thomas Butler.https://kelise72.com/wp-content/uploads/2015/11/dsc06137.jpgROT_PV_DSC06137Anna Levy, 'Room with the view', video, in 'Ruins of Time' at The Crypt Gallery, London. Photo credit Thomas Butler.https://kelise72.com/wp-content/uploads/2015/11/dsc06134.jpgROT_PV_DSC06134Jonathan Slaughter, 'Restricted', light reflective PVC, in 'Ruins of Time' at The Crypt Gallery, London. Photo credit Thomas Butler.https://kelise72.com/wp-content/uploads/2015/11/dsc06124.jpgROT_PV_DSC06124Ruth Hentsch, 'Heads', paintings and drawings, in 'Ruins of Time' at The Crypt Gallery, London. Photo credit Thomas Butler.https://kelise72.com/wp-content/uploads/2015/11/dsc06120.jpgROT_PV_DSC06120Milena Michalski, 'Lipa', mixed media, in 'Ruins of Time' at The Crypt Gallery, London. Photo credit Thomas Butler.https://kelise72.com/wp-content/uploads/2015/11/dsc06117.jpgROT_PV_DSC06117Carin E. Stoller, untitled, paintings, in 'Ruins of Time' at The Crypt Gallery, London. Photo credit Thomas Butler.https://kelise72.com/wp-content/uploads/2015/11/dsc06116.jpgROT_PV_DSC06116Anna Levy, 'Empty Wall', video, in 'Ruins of Time' at The Crypt Gallery, London. Photo credit Thomas Butler.2017-03-08T12:49:53+00:00monthlyhttps://kelise72.com/2016/01/21/graduate-artists-young-gods-griffin-and-charlie-smith/https://kelise72.com/wp-content/uploads/2016/01/img_5882.jpgIMG_5882Kirsty Andrew, untitled (Tights II), 2015, fabric and resin, in 'Young Gods' 2016 at Griffin Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5880.jpgIMG_5880Lorraine Fossi, 'Panopticon', 2016, mixed media on canvas, tape, plastic mirror, magnets, screws, in 'Young Gods' 2016 at Griffin Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5879.jpgIMG_5879(background) Tess Williams, 'T.L.A.', ink, acrylic, oil stick, chalk on canvas, and (foreground) Kirsty Andrew, 'Behind Closed Doors', 2015, fabric and resin, in 'Young Gods' 2016 at Griffin Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5873.jpgIMG_5873J Price, 'adeclarationandamanifsto/butyoujustsawsex', 2015, hand-carved letters printed onto curtain liner, in 'Young Gods' 2016 at Griffin Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5872.jpgIMG_5872Asmaa Alanbari, 'Shooting the moon, Bubblebath, Suntan, Under the Bed, Fantasy Mother, Angel Watching', 2015, in 'Young Gods' 2016 at Griffin Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5871.jpgAlexander_de_Cunha_London_img5871Alexander de Cunha outside of Griffin Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/young_gods_logo.jpgYoung_Gods_logohttps://kelise72.com/wp-content/uploads/2016/01/griffin_gallery_logo.pngGriffin_Gallery_logohttps://kelise72.com/wp-content/uploads/2016/01/charlie_smith_london_logo.pngCharlie_Smith_London_logo2017-03-08T12:49:37+00:00monthlyhttps://kelise72.com/2016/01/29/identity-art-with-a-heart-awah-altrincham-manchester/https://kelise72.com/wp-content/uploads/2016/01/img_5536.jpgXilesia_Dwyer_Henry_IMG_5536Xilesia Dwyer Henry talks about her work, untitled, in 'Identity' at AWAH, Altrincham, Manchester. Photo credit Rebecca Wild.https://kelise72.com/wp-content/uploads/2016/01/img_5524.jpgIdentity_AWAH_IMG_5524Karen Wroe (centre) with visitors at preview evening of 'Identity', at AWAH, Altrincham. Photo credit Rebecca Wild.https://kelise72.com/wp-content/uploads/2016/01/img_5515_cropped.jpgKaren_Wroe_IMG_5515_cropped(l-r) Karen Wroe and Rebecca (Bex) Wild at the preview evening for 'Identity' at AWAH, Altrincham, Manchester. Image courtesy AWAH.https://kelise72.com/wp-content/uploads/2016/01/karen_wroe_bex_wild_trafford_open.jpgKaren_Wroe_Bex_Wild_Trafford_Open(l-r) Karen Wroe (Director/Founder of AWAH), Dylan Butt (Mayor of Trafford), and Rebecca Wild (Curator, AWAH), in Trafford Open exhibition at AWAH, Altrincham. Image courtesy AWAH.https://kelise72.com/wp-content/uploads/2016/01/charlie_dorsey_102_2029.jpgCharlie_Dorsey_102_2029Charlie Dorsey, 'Goal posts in the wind', 2015, in 'Identity' at AWAH, Altrincham, Greater Manchester. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/01/ala_hmedy_03.jpgala_hmedy_03Ala Hmedy, untitled, 2015, in 'Identity' at AWAH, Altrincham, Greater Manchester. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/01/identity_installation_view_img_5333.jpgIdentity_Installation_view_IMG_5333(foreground) Sean Synnuck. Installation view of 'Identity' at AWAH, Altrincham (Greater Manchester). Image courtesy AWAH.https://kelise72.com/wp-content/uploads/2016/01/identity_installation_view_img_5320.jpgIdentity_installation_view_IMG_5320Installation view of 'Identity' at AWAH, Altrincham (Greater Manchester). Image courtesy AWAH.https://kelise72.com/wp-content/uploads/2016/01/ala_hmedy_02.jpgala_hmedy_02Ala Hmedy, 'Universe', 2014. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/01/ewa_habdas_01.jpgEwa_Habdas_01Work by Ewa Habdas (detail), in 'Identity' at AWAH, Altrincham, Greater Manchester. Image courtesy the artist.2017-03-08T12:49:10+00:00monthlyhttps://kelise72.com/2016/02/12/jerusalem-home-p21-gallery-london/https://kelise72.com/wp-content/uploads/2016/02/manal_deeb_02.pngManal_Deeb_02Manal Deeb, 'Dome of the Soul', 2015, digital composition, in 'Jerusalem/Home' at P21 Gallery, London. Image courtesy ManalDeeb.com and P21 Gallery.https://kelise72.com/wp-content/uploads/2016/02/img_6090.jpgKhaled_Salem_IMG_6090Khaled Salem, 'Old City' (detail), 2015, photographic prints, in 'Jerusalem/Home' at P21 Gallery, London. Image courtesy the artist and P21 Gallery. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/mohamad_abeen_stars_like_dust_ill_rise.jpgMohamad_Abeen_Stars_like_Dust_Ill_riseMohamad Abdeen, 'Stars like dust I'll rise', 2015, photographic prints, in 'Jerusalem/Home' at P21 Gallery, London. Image courtesy the artist and P21 Gallery. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6164.jpgManal_Deeb_IMG_6164Manal Deeb, 'Refugees' Souls', 2015, digital composition, in 'Jerusalem/Home' at P21 Gallery, London. Image courtesy the artist and P21 Gallery. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6096.jpgMarcella_Mameli-Badi_IMG_6096Marcella Mameli-Badi, 'Broken Journeys', 2015, porcelain paper clay, in 'Jerusalem/Home' at P21 Gallery, London. Image courtesy the artist and P21 Gallery. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6091.jpgMohamad_Abdeen_IMG_6091(l-r, top) Mohamad Abdeen, Obayda Jamal, Mohamad Abdeen. (l-r bottom) Abdallah Hawash, Khaled Salem, Abdallah Hawash, all 2015, photographic prints, in 'Jerusalem/Home' at P21 Gallery, London. Image courtesy the artist and P21 Gallery. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6088.jpgMarcella_Mameli-Badi_IMG_6088Marcella Mameli-Badi and Khaled al Hammadi, 'Innocent Game', 2015, white clay and sound loop (8 mins), in 'Jerusalem/Home' at P21 Gallery, London. Image courtesy the artist and P21 Gallery. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6086.jpgRanjana_Gohil_IMG_6086Ranjena Gohil, 'Muhabbat Karna', 2015, ceramics, in 'Jerusalem/Home' at P21 Gallery, London. Image courtesy the artist and P21 Gallery. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6074.jpgRanjena_Gohil_IMG_6074Ranjena Gohil, 'Ghar', 2015, ceramics, in 'Jerusalem/Home' at P21 Gallery, London. Image courtesy the artist and P21 Gallery. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6066.jpgMarcella_Mameli-Badi_IMG_6066Marcella Mameli-Badi, 'Salaam', 2015, terracotta clay, in 'Jerusalem/Home' at P21 Gallery, London. Image courtesy the artist and P21 Gallery. Photo credit Kelise Franclemont.2017-03-08T12:48:38+00:00monthlyhttps://kelise72.com/2016/02/18/revelations-by-aidan-saatchi-gallery-london/https://kelise72.com/wp-content/uploads/2016/02/aidan_salakhova_h300_x_x_img_5593.jpgAidan_Salakhova_h300_x_x_img_5593Aidan Salakhova, screenshot of video work, n 'Revelations' at Saatchi Gallery, London. Image courtesy aidansalakhova.ruhttps://kelise72.com/wp-content/uploads/2016/02/img_6162.jpgAidan_IMG_6162Installation view of work by Aidan Salakhova, in 'Revelations' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6160.jpgAidan_IMG_6160Detail of work by Aidan Salakhova, in 'Revelations' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6158.jpgAidan_IMG_6158Installation view, work by Aidan Salakhova, in 'Revelations' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6156.jpgAidan_IMG_6156Aidan Salakhova, 'Stability', 2013-2015, Bordiglio Imperial marble, in 'Revelations' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6151.jpgAidan_IMG_6151Detail of work by Aidan Salakhova, in 'Revelations' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6150.jpgAidan_IMG_6150Detail of work by Aidan Salakhova, in 'Revelations' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6149.jpgAidan_IMG_6149Installation view of work by Aidan Salakhova, in 'Revelations' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6148.jpgAidan_IMG_6148Detail of work by Aidan Salakhova, in 'Revelations' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6145.jpgAidan_IMG_6145Work by Aidan Salakhova, in 'Revelations' at Saatchi Gallery, London. Photo credit Kelise Franclemont.2017-03-08T12:48:14+00:00monthlyhttps://kelise72.com/2016/02/24/champagne-life-saatchi-gallery-london/https://kelise72.com/wp-content/uploads/2016/02/img_6165.jpgChampagne_Life_IMG_6165Julia Dault, Untitled 19, 10:27 AM–1:13 PM, January 5, and 5:08–6:48 PM, January 6, 2016, installed by Simon Bird, 2012, Plexiglas, Tambour, Everlast boxing wraps, string, in 'Champagne Life' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6135.jpgChampagne_Life_IMG_6135Alice Anderson, '181 Kilometers', 2015, Sculpture made after performances, copper thread, in 'Champagne Life' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6130.jpgChampagne_Life_IMG_6130Seung Ah Paik, 'Autolandscape', 2012-13, Pigment, charcoal & rabbit skin glue on canvas, in 'Champagne Life' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6127.jpgChampagne_Life_IMG_6127Stephanie Quayle, 'Two Cows', 2013, Air-hardening clay, chicken wire, steel, in 'Champagne Life' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6124.jpgChampagne_Life_IMG_6124Mequitta Ahuja, 'Autocartography I', 2012, Acrylic, colored pencil, oil, watercolor and waxy chalk on vellu, in 'Champagne Life' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6118.jpgChampagne_Life_IMG_6118Jelena Bulajic, 'Ljubica', 2012, Mixed media on canvas, in 'Champagne Life' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6114.jpgChampagne_Life_IMG_6114Jelena Bulajic, 'Alise Lange', 2012, Mixed media on canvas, in 'Champagne Life' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6112.jpgChampagne_Life_IMG_6112Jelena Bulajic, 'Grozda', 2012, Mixed media on canvas, in 'Champagne Life' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6110.jpgChampagne_Life_IMG_6110Mia Feuer, 'Jerusalem Donkey', 2015, Papier-mâché, pigments, rope, in 'Champagne Life' at Saatchi Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/02/img_6106.jpgChampagne_Life_IMG_6106Maha Malluh, 'Food for Thought “Almuallaqat 4”', 2016, 478 burnt pots, in 'Champagne Life' at Saatchi Gallery, London. Photo credit Kelise Franclemont.2017-03-08T12:48:05+00:00monthlyhttps://kelise72.com/2016/03/10/skin-blister-photofusion-brixton-london/https://kelise72.com/wp-content/uploads/2016/02/skinandblister_12.jpgskinandblister_12Marta Gut and Dafne Salis, installation view (detail), photography assemblage, 2016, in 'Skin&Blister' at Photofusion, Brixton, London. Image courtesy the Skin&Blister Facebook page.https://kelise72.com/wp-content/uploads/2016/02/skinandblister_11.jpgskinandblister_11Sophie Davis, installation view, 2016, photography, in 'Skin&Blister' at Photofusion, Brixton, London. Photo credit Laura Solomons.https://kelise72.com/wp-content/uploads/2016/02/skinandblister_10.jpgskinandblister_10.jpgAlex Wheeler, from series 'Seven Years', 2016, photography, in 'Skin&Blister' at Photofusion, Brixton, London. Photo credit Laura Solomons.https://kelise72.com/wp-content/uploads/2016/02/skinandblister_09.jpgskinandblister_logohttps://kelise72.com/wp-content/uploads/2016/02/skinandblister_08.jpgskinandblister_08From exhibition talk/event 'Establishing and sustaining your practice: the benefits of working collectively', 2016, in 'Skin&Blister' at Photofusion, Brixton, London. Image courtesy the Skin&Blister Facebook page.https://kelise72.com/wp-content/uploads/2016/02/skinandblister_07.jpgskinandblister_07Alex Wheeler, from series 'Seven Years', 2016, in 'Skin&Blister' at Photofusion, Brixton, London. Image courtesy the Skin&Blister Facebook page.https://kelise72.com/wp-content/uploads/2016/02/skinandblister_05.jpgskinandblister_05Louise Oates, installation view, 2016, photography, in 'Skin&Blister' at Photofusion, Brixton, London. Image courtesy the Skin&Blister Facebook page.https://kelise72.com/wp-content/uploads/2016/02/skinandblister_04.jpgskinandblister_04Francesca Oldfield, installation view, 2016, photography, in 'Skin&Blister' at Photofusion, Brixton, London. Image courtesy the Skin&Blister Facebook page.https://kelise72.com/wp-content/uploads/2016/02/skinandblister_02.jpgskinandblister_02Laura Solomons, from series 'Blue', 2016, photography, in 'Skin&Blister' at Photofusion, Brixton, London. Image courtesy the Skin&Blister Facebook page.https://kelise72.com/wp-content/uploads/2016/02/skinandblister_01.jpgskinandblister_01Installation view, 'Skin&Blister' at Photofusion, Brixton, London. Image courtesy the Skin&Blister Facebook page.2017-03-08T12:47:41+00:00monthlyhttps://kelise72.com/2016/04/21/platform-1-gallery-wandsworth-arts-fringe-london/https://kelise72.com/wp-content/uploads/2016/04/farmers_esdraelon_jezreel_border2.jpgFarmers_Esdraelon_Jezreel_borderKelise Franclemont, from 'Postcards from the Land of No People', 2015. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/04/l1008743.jpgL1008743Antonia Jackson, 'The mythical Nile (Egypt late 1970s)', 2015. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/04/l1008750.jpgL1008750Antonia Jackson, 'By the roadside (Egypt late 1970s)', 2015. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/04/camel_riders_giza_border.jpgCamel_riders_Giza_borderKelise Franclemont, from 'Postcards from the Land of No People', 2015. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/04/dsc06518.jpgDSC06518Make-one/Take-one postcard memory exchange. Image courtesy the artists.https://kelise72.com/wp-content/uploads/2016/04/5fragment_kitschy_2015_120cm_x_55cm_x_55cm_-_modroc_wire_shells_fabric_wood_500_738_s.jpg5fragment_kitschy_(2015)_120cm_x_55cm_x_55cm_-_modroc,_wire,_shells,_fabric,_wood_500_738_sAnna Flemming, 'Kitschy', 2015, modroc, wire, shells, fabric, wood. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/04/wandsworth_common_railway_station_-_geograph-org-uk_-_1564480.jpgWandsworth_Common_Railway_Station_-_geograph.org.uk_-_1564480Wandsworth Common Station, Platform 1 in London, UK. Image courtesy Wikimedia Commons.https://kelise72.com/wp-content/uploads/2016/04/raphael-tuck-oilette-london-brighton-and-south-coast-railway-gladstone-class-0-4-2.jpgraphael-tuck-oilette-london-brighton-and-south-coast-railway-gladstone-class-0-4-2Illustration of London, Brighton and South Coast Railway B1 Class of locomotive. Image courtesy robpashcroft.wordpress.comhttps://kelise72.com/wp-content/uploads/2016/04/lbscr_poster.jpgLBSCR_posterLondon, Brighton and South Coast Railway poster, 1906. Image courtesy Wikimedia Commons.https://kelise72.com/wp-content/uploads/2016/04/wandsworth_common_station-_-_geograph-org-uk_-_20218.jpgWandsworth_Common_Station._-_geograph.org.uk_-_20218Wandsworth Common Station, Platform 1 in London, UK. Image courtesy Wikimedia Commons.2017-03-08T12:47:30+00:00monthlyhttps://kelise72.com/2016/05/06/journey-of-memories-in-linvitation-au-voyage-at-platform-1-gallery-on-wandsworth-common-station-london/https://kelise72.com/wp-content/uploads/2016/05/img_7820.jpgIMG_7820'Fragments and Traces: l'invitation au voyage' at Platform 1 Gallery, Wandsworth Common Station, London. Image credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/05/img_7815.jpgIMG_7815Kelise Franclemont and Antonia Jackson, 'Make-one/take-one (an interactive artwork), 'Fragments and Traces: l'invitation au voyage' at Platform 1 Gallery, Wandsworth Common Station, London. Image credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/05/dsc06540.jpgDSC06540'Fragments and Traces: l'invitation au voyage' at Platform 1 Gallery, Wandsworth Common Station, London. Image credit Thomas Butler.https://kelise72.com/wp-content/uploads/2016/05/dsc06537.jpgDSC06537'Fragments and Traces: l'invitation au voyage' at Platform 1 Gallery, Wandsworth Common Station, London. Image credit Thomas Butler.https://kelise72.com/wp-content/uploads/2016/05/dsc06529.jpgDSC06529'Fragments and Traces: l'invitation au voyage' at Platform 1 Gallery, Wandsworth Common Station, London. Image credit Thomas Butler.https://kelise72.com/wp-content/uploads/2016/05/dsc06527.jpgDSC06527'Fragments and Traces: l'invitation au voyage' at Platform 1 Gallery, Wandsworth Common Station, London. Image credit Thomas Butler.https://kelise72.com/wp-content/uploads/2016/05/dsc06520.jpgDSC06520Postcard prints by Antonia Jackson, 'Fragments and Traces: l'invitation au voyage' at Platform 1 Gallery, Wandsworth Common Station, London. Image credit Thomas Butler.2017-03-08T12:47:23+00:00monthlyhttps://kelise72.com/2016/06/17/religious-art-2016-at-st-pauls-cathedral-london/https://kelise72.com/wp-content/uploads/2016/06/madonna-and-child_stpauls-co-uk.jpgMadonna-and-child_stpauls-co-ukMadonna and Child in the collection at St Paul's Cathedral, London. Image courtesy stpauls.co.ukhttps://kelise72.com/wp-content/uploads/2016/06/nelson_tomb_stpauls-co-uk.jpegNelson_tomb_stPauls-co-ukAdmiral Nelson's Tomb in the crypt, at St Paul's Cathedral, London. Image courtesy Stpauls.co.ukhttps://kelise72.com/wp-content/uploads/2016/06/henry_moore_mother_and_child.jpgHenry_Moore_mother_and_ChildHenry Moore, 'Mother and Child (hood)', 1983, marble, at St Paul's Cathedral, London. Image courtesy Flickr.comhttps://kelise72.com/wp-content/uploads/2016/06/holmanhunt_lightoftheworld_stpauls-co-uk.jpegHolmanHunt_lightoftheworld_stpauls-co-ukWilliam Holman Hunt, 'Light of the World', 1900-04, oil on canvas, at St Paul's Cathedral, London. Image courtesy Stpauls.co.ukhttps://kelise72.com/wp-content/uploads/2016/06/st_mellitus_icon_st_pauls.jpgSt_Mellitus_icon_St_PaulsAn icon of St Mellitus at at St Paul's Cathedral, London. Image courtesy Pinterest.comhttps://kelise72.com/wp-content/uploads/2016/06/turner_stpaulscrypt_pinterest.jpgTurner_stpaulscrypt_pinterestJMW Turner's tombstone, at St Paul's Cathedral, London. Image source unknown.https://kelise72.com/wp-content/uploads/2016/06/millaisgrave_stpauls_anthony_blagg-e1466169117534.jpgmillaisgrave_stpauls_anthony_blaggat St Paul's Cathedral, London. Image source unknown.https://kelise72.com/wp-content/uploads/2016/06/spc-spb-history.jpgSPC-SPB-HistoryImage courtesy www.stpauls.co.ukhttps://kelise72.com/wp-content/uploads/2016/06/robt_jeffs_stpauls_watch_londoncallingblog-net.jpgRobt_Jeffs_stpauls_watch_londoncallingblog-netRobert Jeffs, 'St Paul's Watch', 2015, spraypaint on board, at St Paul's Cathedral, London. Image courtesy londoncallingblog.net.https://kelise72.com/wp-content/uploads/2016/06/regan_ocallaghan_st-paul-and-the-huia-2008.jpgRegan_OCallaghan_St-Paul-and-the-Huia-2008Regan O'Callaghan, 'St Paul and the Huia', 2015, by Regan O'Callaghan, at St Paul's Cathedral, London. Image courtesy the artist.2017-03-08T12:47:16+00:00monthlyhttps://kelise72.com/2016/07/11/chelsea-college-of-arts-alumni-show-fast-forward-rewind-london/https://kelise72.com/wp-content/uploads/2016/07/img_9463.jpgIMG_9463Installation view, 'Fast Forward/Rewind' at Punctum Gallery, Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/07/img_9437.jpgIMG_9437Installation view, 'Fast Forward/Rewind' at Punctum Gallery, Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/07/img_9419.jpgIMG_9419Installation view, 'Fast Forward/Rewind' at Punctum Gallery, Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/07/img_9416.jpgIMG_9416Installation view, 'Fast Forward/Rewind' at Punctum Gallery, Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/07/daneshmand_bijan.jpgDaneshmand_BijanWork by Bijan Daneshmand.https://kelise72.com/wp-content/uploads/2016/07/zoltowski_adam.jpgZoltowski_AdamWork by Adam Zoltowski.https://kelise72.com/wp-content/uploads/2016/07/yarbo_josh.jpgYArbo_JoshWork by Josh Y'Arbo.https://kelise72.com/wp-content/uploads/2016/07/wu_bo.jpgWu_BoWork by Bo Wu.https://kelise72.com/wp-content/uploads/2016/07/wheeler_louise.jpgWheeler_LouiseWork by Louise Wheeler.https://kelise72.com/wp-content/uploads/2016/07/ward_christopher.jpgWard_ChristopherWork by Christopher B. Ward.2017-03-08T12:47:01+00:00monthlyhttps://kelise72.com/2016/09/02/2016-ma-fine-art-postgraduate-summer-show-chelsea-college-of-arts-london/https://kelise72.com/wp-content/uploads/2016/09/yizhu_feng_dsc07237.jpgYizhu_Feng_DSC07237Yizhu Feng, in 2016 MA Fine Art Postgraduate Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/wasma_hamidaddin_dsc07294.jpgWasma_Hamidaddin_DSC07294Wasma Hamidaddin, in 2016 MA Fine Art Postgraduate Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/tibor_cervenak_dsc07281.jpgTibor_Cervenak_DSC07281Tibor Cervenak, in 2016 MA Fine Art Postgraduate Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/susan_marie_douglass_dsc07286.jpgSusan_Marie_Douglass_DSC07286Installation view, Susan Marie Douglass, in 2016 MA Fine Art Postgraduate Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/sonia_wynn_img_1518.jpgSonia_Wynn_IMG_1518Sonia Wynn (detail), in 2016 MA Fine Art Postgraduate Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/sonia_wynn_dsc07245.jpgSonia_Wynn_DSC07245Sonia Wynn, in 2016 MA Fine Art Postgraduate Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/soh_salisbury_dsc07250.jpgSOh_Salisbury_DSC07250Installation view, room DG11, in 2016 MA Fine Art Postgraduate Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/ryan_moses_dsc07259.jpgRyan_Moses_DSC07259Ryan Moses, in 2016 MA Fine Art Postgraduate Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/paris_akrill_dsc07291.jpgParis_Akrill_DSC07291Paris Akrill, in 2016 MA Fine Art Postgraduate Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/natalie_anastasiou_img_1528.jpgNatalie_Anastasiou_IMG_1528Natalie Anastasiou, in 2016 MA Fine Art Postgraduate Summer Show at Chelsea College of Arts, London. Photo credit Kelise Franclemont.2017-03-08T12:46:49+00:00monthlyhttps://kelise72.com/2016/09/05/ma-fine-art-2016-show-chelsea-college-of-arts-london/2017-03-08T12:46:41+00:00monthlyhttps://kelise72.com/2016/09/12/english-gardens-curated-alice-shirley-2016-art-for-youth-mall-galleries-london/https://kelise72.com/wp-content/uploads/2016/09/ms-amlin_logo.jpgms-amlin_logohttps://kelise72.com/wp-content/uploads/2016/09/art_for_youth_logo.gifart_for_youth_logohttps://kelise72.com/wp-content/uploads/2016/09/ken_howard_obe_ra.gifken_howard_obe_raWork by Ken Howard. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/09/keith_nichols_01.gifkeith_nichols_01Work by Keith Nichols. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/09/jazzy_echo.jpgjazzy_echo2016 Youth Ambassador, Jazzy, contributes artwork to Art for Youth. Image courtesy Art for Youth on Facebook.https://kelise72.com/wp-content/uploads/2016/09/james_naughton.gifjames_naughtonWork by James Naughton. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/09/guy_shoham.jpgguy_shohamWork by Guy Shoham. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/09/gardens_poppy_chancellor.jpggardens_poppy_chancellorPoppy Chancellor, 'In England we dream of Gardens', 2016, paper cut. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/09/elisabeth_de_cherisey.gifelisabeth_de_cheriseyWork by Elisabeth de Cherisey. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/09/demelza_louise.jpgdemelza_louiseWork by Demelza Louise. Image courtesy the artist.2017-03-08T12:46:34+00:00monthlyhttps://kelise72.com/2016/10/03/create-syria-future-constellation-talking-peace-festival-house-of-vans-london/https://kelise72.com/wp-content/uploads/2016/10/img_2051.jpgHouseofVans_img_2051Entrance lobby, House of Vans London, Arches, 228-232 Station Approach Road, London, SE1 8SW. Photo credit: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2049.jpgHouseofVans_img_2049The Bar, at House of Vans London, Arches, 228-232 Station Approach Road, London, SE1 8SW. Photo credit: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/house_of_vans_logo.pnghouse_of_vans_logohttps://kelise72.com/wp-content/uploads/2016/10/img_2050.jpgHouseofVans_img_2050Sponsored by International Alert, 'Create Syria - the future constellation', at House of Vans London, Waterloo. Photo credit: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2048.jpgHouseofVans_img_2048Sponsored by International Alert, 'Create Syria - the future constellation', at House of Vans London, Waterloo. Photo credit: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2046.jpgHouseofVans_img_2046Installation view, in 'Create Syria - the future constellation', at House of Vans London, Waterloo. Photo credit: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2040.jpgHouseofVans_img_2040Raghad Makhlouf and Wissam al-Ghati, 'Empowering Dialogue through Peace and Art [EBDA]', 2016, film documentary, in 'Create Syria - the future constellation', at House of Vans London, Waterloo. Photo credit: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2037.jpgHouseofVans_img_2037Mohamed Aloosh, drawings and photographs from his art workshops in Lebanon, in 'Create Syria - the future constellation', at House of Vans London, Waterloo. Photo credit: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2036.jpgHouseofVans_img_2036Mohamed Aloosh, drawings and photographs from his art workshops in Lebanon, in 'Create Syria - the future constellation', at House of Vans London, Waterloo. Photo credit: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2035.jpgHouseofVans_img_2035Barkev Taslakian, 'Voices of Syria', 2016, sound installation, in 'Create Syria - the future constellation', at House of Vans London, Waterloo. Photo credit: Kelise Franclemont.2017-03-08T12:46:27+00:00monthlyhttps://kelise72.com/2016/10/04/the-room-is-the-resonator-paul-abbott-alex-roberts-old-police-station-deptford-london/https://kelise72.com/wp-content/uploads/2016/10/paulabbot_pa_male_1.jpgpaulabbot_pa_male_1Paul Abbott, detail of 'Mirror (100 percent), 2016, privacy film, CRT monitor, CCTV camera, electrics, in 'The Room is the Resonator', at The Old Police Station, Deptford, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/10/paulabbot_pa_interview_s_books.jpgpaulabbot_pa_interview_s_booksPaul Abbott, 'Interview Room', 2016, flat screen monitor, in 'The Room is the Resonator', at The Old Police Station, Deptford, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/10/risr_kf-img_2006.jpgrisr_kf-img_2006The closed door of Female Cell 1 (detail), in 'The Room is the Resonator', at The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/risr_kf-img_2005.jpgrisr_kf-img_2005Female Cell 1 (detail), in 'The Room is the Resonator', at The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/risr_kf-img_1981.jpgrisr_kf-img_1981The waiting room, in 'The Room is the Resonator', at The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/paulabbott_pa-wings_c.jpgpaulabbott_pa-wings_cPaul Abbott, 'Interview Room', 2016, flat screen monitor, in 'The Room is the Resonator', at The Old Police Station, Deptford, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/10/paulabbott_pa-trans_1.jpgpaulabbott_pa-trans_1Paul Abbott, 'Mirror (40 percent)', 2016, privacy film, in 'The Room is the Resonator', at The Old Police Station, Deptford, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/10/paulabbott_pa-black_1.jpgpaulabbott_pa-black_1Paul Abbott, detail of 'Mirror (100 percent), 2016, privacy film, CRT monitor, CCTV camera, electrics, in 'The Room is the Resonator', at The Old Police Station, Deptford, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2016/10/paulabbott_kf-img_2001.jpgpaulabbott_kf-img_2001Paul Abbott, 'Mirror (40 percent)', 2016, privacy film, in 'The Room is the Resonator', at The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/paulabbott_kf-img_1986.jpgpaulabbott_kf-img_1986Paul Abbott, detail of 'Mirror (100 percent), 2016, privacy film, CRT monitor, CCTV camera, electrics, in 'The Room is the Resonator', at The Old Police Station, Deptford, London. Photo credit Kelise Franclemont.2017-03-08T12:46:13+00:00monthlyhttps://kelise72.com/2015/07/30/decision-carsten-holler-hayward-gallery-london/https://kelise72.com/wp-content/uploads/2015/07/dsc04930.jpgHayward_Gallery_Thomas_ButlerExterior of Hayward Gallery. Photo credit Thomas Butler.https://kelise72.com/wp-content/uploads/2015/07/carsten-hc3b6ller-decision-corrdidors-2015-c2a9-carsten-hc3b6ller-installation-view-carsten-hc3b6ller-l-decision-hayward-gallery-london-2015-courtesy-of-the-artist-photo-c2a9-linda-nylind.jpgCarsten-Höller-Decision-Corrdidors-2015-©-Carsten-Höller.-Installation-View-Carsten-Höller-l-Decision-Hayward-Gallery-London-2015.-Courtesy-of-the-artist-Photo-Linda-Nylind-1024x685Carsten Höller, 'Decision Corridors', 2015, installation, in 'Decision', at Hayward Gallery, London. Photo credit: Linda Nylind and SpindleMagazine.comhttps://kelise72.com/wp-content/uploads/2015/07/dsc04958.jpgDSC04958Carsten Höller, 'Two Flying Machines', 2015, installation in 'Decision' exhibition at Hayward Gallery, London. Photo credit Thomas Butler.https://kelise72.com/wp-content/uploads/2015/07/dsc04950.jpgDSC04950Carsten Höller, 'Two Flying Machines', 2015, installation in 'Decision' exhibition at Hayward Gallery, London. Photo credit Thomas Butler.https://kelise72.com/wp-content/uploads/2015/07/dsc04927.jpgDSC04927Carsten Höller, 'Upside Down Goggles', 2015, installation in 'Decision' exhibition at Hayward Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/07/dsc04902.jpgcarsten_holler_pill_clockCarsten Höller, 'Pill Clock', 2015, installation in 'Decision' exhibition at Hayward Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/07/dsc04897.jpgDecision_corridors_carsten_holler_linda_nylindCarsten Höller, 'Flying Mushrooms', 2015, installation in 'Decision' exhibition at Hayward Gallery, London. Photo credit Kelise Franclemont.2017-02-20T13:33:43+00:00monthlyhttps://kelise72.com/2017/02/19/game-plan-board-games-rediscovered-v-and-a-museum-of-childhood-london/https://kelise72.com/wp-content/uploads/2017/02/img_4649.jpgimg_4649V&A Museum of Childhood, Bethnal Green, Cambridge Heath Road, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4647.jpgimg_4647The pram parking area in the entrance foyer at V&A Museum of Childhood, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4646.jpgimg_4646A child artist, Margarete Hamerschlag (b. 1902), V&A Museum of Childhood, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4645.jpgimg_4645https://kelise72.com/wp-content/uploads/2017/02/img_4644.jpgimg_4644Sample of children's art by Margarete Hamerschlag (b. 1902), V&A Museum of Childhood, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4643.jpgimg_4643Display of artwork and drawings by 'Young Artists', V&A Museum of Childhood, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4642.jpgimg_4642Central display case, V&A Museum of Childhood, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4641.jpgimg_4641Star Wars action figures, 1970s-1980s, V&A Museum of Childhood, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4640.jpgimg_4640Star Wars action figures, 1970s-1980s, V&A Museum of Childhood, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4639.jpgimg_4639Troll dolls, 1980s, V&A Museum of Childhood, London. Photo credit Kelise Franclemont.2017-02-20T09:12:22+00:00monthlyhttps://kelise72.com/2017/02/06/foreign-bodies-adam-zoltowski-london/https://kelise72.com/wp-content/uploads/2017/02/adam_zoltowski_icon_04.jpgadam_zoltowski_icon_04https://kelise72.com/wp-content/uploads/2017/02/adamzoltowski_kf_4604.jpgadamzoltowski_kf_4604Adam Zoltowski, 'Self-portrait, with Monika', 2016, spray paint and ink on polyurethane and aluminium board, in 'Foreign Bodies', 242 Cambridge Heath Road, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/adamzoltowski_kf_4603.jpgadamzoltowski_kf_4603Adam Zoltowski, (l-r) 'Portrait of Monika' and 'Blackbeard (reverse)', 2016 in 'Foreign Bodies', 242 Cambridge Heath Road, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/adamzoltowski_kf_4600.jpgadamzoltowski_kf_4600Adam Zoltowski, (l-r) 'Self-portrait, with Monika' and 'Mask of Anubis', in 'Foreign Bodies', 242 Cambridge Heath Road, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/adamzoltowski_kf_4598.jpgadamzoltowski_kf_4598Adam Zoltowski, (l-r) 'Mask of Anubis' and 'Portrait of Monika', 2016, in 'Foreign Bodies', 242 Cambridge Heath Road, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/adamzoltowski_173405.jpgadamzoltowski_173405Adam Zoltowski, 'Mask of Anubis', 2016, polyurethane board, epoxy, fibreglass, wood, steel, ink, in 'Foreign Bodies', 242 Cambridge Heath Road, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/02/adamzoltowski_164501.jpgadamzoltowski_164501Adam Zoltowski, (l-r) 'Blackbeard' and 'Self-portrait with Monika', 2016, in 'Foreign Bodies', 242 Cambridge Heath Road, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/02/adamzoltowski_164239.jpgadamzoltowski_164239Adam Zoltowski, (background) 'Blackbeard' and (foreground) 'Portrait of Monika', 2016, wood, polyurethane, Jesmonite, fibreglass, spray paint, bitument, steel, in 'Foreign Bodies', 242 Cambridge Heath Road, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/02/adamzoltowski_115345.jpgadamzoltowski_115345Adam Zoltowski, 'Self-portrait, with Monika' looking through 'Portrait of Monika', 2016, in 'Foreign Bodies', 242 Cambridge Heath Road, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2017/02/adamzoltowski_115231.jpgadamzoltowski_115231Adam Zoltowski, 'Blackbeard' looking through 'Portrait of Monika', 2016, in 'Foreign Bodies', 242 Cambridge Heath Road, London. Image courtesy the artist.2017-02-20T06:27:16+00:00monthlyhttps://kelise72.com/2017/02/12/artist-block-with-artists-blocks-tate-modern-london/https://kelise72.com/wp-content/uploads/2017/02/img_4706.jpgimg_4706View of St Paul's Cathedral from 10th floor terrace at Switch House, Tate Modern. Photo Kelise Franclemont.https://kelise72.com/wp-content/uploads/2017/02/img_4713.jpgimg_4713https://kelise72.com/wp-content/uploads/2017/02/409_kunsthalle_fridericianum_photo_nils_klinge_architecture.jpg409_kunsthalle_fridericianum_photo_nils_klinge_architectureMeshac Gaba, 1996-7, from his 'Museum of Contemporary African Art' installation at Rijksakademie van beeldende kunsten in Amsterdam. Photo Nils Klinge.https://kelise72.com/wp-content/uploads/2017/02/img_4715_photo_celia_peachey.jpgimg_4715_photo_celia_peachey(l-r) Celia Peachey, Kelise Franclemont, and Heather Gentleman with their constructions, 2017, at Tate Modern, London. Photo credit Celia Peachey.https://kelise72.com/wp-content/uploads/2017/02/img_4710.jpgimg_4710Kelise Franclemont, 2017, 'Artist Blocks overcome', wooden blocks, at Tate Modern. Image courtesy the artist.2017-02-12T21:30:41+00:00monthlyhttps://kelise72.com/2012/01/06/how-to-qr-codes/https://kelise72.com/wp-content/uploads/2012/01/qrstuff_qr_code.pngQRSTUFF_QR_codeImage courtesy QRstuff.comhttps://kelise72.com/wp-content/uploads/2012/01/walk_thru_palestine_audio_qr.pngwalk_thru_palestine_audio_qrKelise Franclemont, 'A Walk Through Palestine', 2016, installation of found objects, audio, and printed posters. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2012/01/kelise_franclemont_palestine_02dsc05578.jpgKelise_Franclemont_Palestine_02DSC05578Kelise Franclemont, 'A Walk Through Palestine', 2016, installation of found objects, audio, and printed posters. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2012/01/img_4732.jpgIMG_4732https://kelise72.com/wp-content/uploads/2015/12/kelisefranclemont-com-qr.jpgkelisefranclemont-com-QR2017-02-09T16:23:21+00:00monthlyhttps://kelise72.com/2011/10/28/cubism-and-abstract-art/https://kelise72.com/wp-content/uploads/2011/10/alfred_barr_book_cubism_1936-11.jpgalfred_barr_book_cubism_1936-11Alfred Barr, 'Cubism and Abstract Art', 1936, bookcover detail.2017-02-03T17:49:54+00:00monthlyhttps://kelise72.com/2011/11/11/paul-nobson-gagosian/https://kelise72.com/wp-content/uploads/2011/11/gagosian_gallery_logo.pngGagosian_Gallery_logohttps://kelise72.com/wp-content/uploads/2011/11/gagosian_britannia_st.pngGagosian_Britannia_sthttps://kelise72.com/wp-content/uploads/2011/11/paul_noble_gagosian_installation-view.jpgPaul_Noble_gagosian_installation viewPaul Noble, installation view, in 'Welcome to Nobson', at Gagosian, Britannia Street, London. Image courtesy Gagosian gallery.https://kelise72.com/wp-content/uploads/2011/11/paul_noble_welcome_nobson.jpgPaul_Noble_welcome_nobsonPaul Noble, 'Welcome to Nobson', 2008-10, pencil on paper (20 panels), in 'Welcome to Nobson', at Gagosian, Britannia Street, London. Image courtesy Gagosian gallery.https://kelise72.com/wp-content/uploads/2011/11/welcome-to-nobson-by-paul-002-guardian.jpgwelcome-to-nobson-by-paul-002-guardianPaul Noble, installation view, in 'Welcome to Nobson', at Gagosian, Britannia Street, London. Image courtesy Gagosian gallery.https://kelise72.com/wp-content/uploads/2011/11/paul_noble_installation.jpgPaul_Noble_installationPaul Noble, installation view (entrance), 2011, wooden beads and paint, in 'Welcome to Nobson', at Gagosian, Britannia Street, London. Image courtesy Gagosian gallery.https://kelise72.com/wp-content/uploads/2011/11/paul_noble_gagosian.jpgPaul_Noble_gagosianPaul Noble, installation view, in 'Welcome to Nobson', at Gagosian, Britannia Street, London. Image courtesy Gagosian gallery.2017-02-03T17:44:31+00:00monthlyhttps://kelise72.com/2011/11/17/ipad-sketches-venice-biennale-2011/https://kelise72.com/wp-content/uploads/2011/11/venice_biennale_logo.gifVenice_biennale_logo2017-02-03T17:42:31+00:00monthlyhttps://kelise72.com/2012/02/03/03feb2012-my-reading-tree/https://kelise72.com/wp-content/uploads/2012/02/ra_logo.pngRA_logohttps://kelise72.com/wp-content/uploads/2012/02/david_hockney_logo.pngDavid_Hockney_logohttps://kelise72.com/wp-content/uploads/2012/02/hockney_ian0gct1uohg.jpgHockney_iAN0gct1UoHgDavid Hockney, 'self portrait with red braces', 2003, digital drawing. Image courtesy Bloomberg.comhttps://kelise72.com/wp-content/uploads/2012/02/user_50_3tres_im_genes_de_la_obra___parque_de_yosemite____del_pintor_brit_nico_david_hockney__en_el_museo_guggenheim_bilbao.jpguser_50_3tres_im_genes_de_la_obra___parque_de_yosemite____del_pintor_brit_nico_david_hockney__en_el_museo_guggenheim_bilbaoInstallation view of David Hockney's 'Yosemite iPad' drawings in 'A Bigger Picture' at Royal Academy of Art, London. Image courtesy of foroxerbar.comhttps://kelise72.com/wp-content/uploads/2012/02/david_hockney_yorkshire_sketchbooks.pngDavid_Hockney_yorkshire_sketchbooksSelections from David Hockney's 'Yorkshire sketchbooks' in 'The Bigger Picture' at Royal Academy of Art, London. Image courtesy kathrinjacobsen.comhttps://kelise72.com/wp-content/uploads/2012/02/hockney3-16598.jpghockney3-16598Installation view of David Hockney's iPad prints, 51 in all, in 'The Bigger Picture' at Royal Academy of Art, London. Image courtesy Royal Academy.https://kelise72.com/wp-content/uploads/2012/02/hockney-books-007.jpgHockney-books-007David Hockney, 'felled trees on Woldgate', 2008, oil on canvas in 'A Bigger Picture' at Royal Academy of Art, London. Image courtesy The Guardian.https://kelise72.com/wp-content/uploads/2012/02/hockney_2187529b.jpghockney_2187529bDavid Hockney at his exhibition 'The Bigger Picture' at Royal Academy of Art, London. Image courtesy The Telegraphhttps://kelise72.com/wp-content/uploads/2012/02/david_hockney_key-9_482.jpgDavid_Hockney_Key-9_482David Hockney, 'Winter tunnel with snow', 2006, digital drawing in 'A Bigger Picture' at Royal Academy. Image courtesy Design Week magazine.https://kelise72.com/wp-content/uploads/2012/02/david_hockney_ipad_montage.pngDavid_Hockney_iPad_montageMontage of David Hockney iPad drawings. Image courtesy Google Search results.2017-02-03T17:40:41+00:00monthlyhttps://kelise72.com/2012/05/16/the-apprentice-street-art/https://kelise72.com/wp-content/uploads/2012/05/250px-the_apprentice_logo.jpg250px-The_Apprentice_logohttps://kelise72.com/wp-content/uploads/2012/05/pure_evil_prince_philips_nightmare.jpgPure_Evil_prince_philips_nightmarePure Evil, 'Print Phillip's Nightmare', silk screen print on paper. Image courtesy ArtRepublic.comhttps://kelise72.com/wp-content/uploads/2012/05/nathan_bowen_flickr.jpgNathan_Bowen_flickrStreet art characters around London, by Nathan Bowen. Image courtesy Duncan C and Flickrhttps://kelise72.com/wp-content/uploads/2012/05/james_jessop_selfridge-art-stars-0086.jpgJames_Jessop_Selfridge Art Stars - 0086Artist James Jessop poses with his work in Selfridge's Art Stars. Image courtesy HookedBlog.co.ukhttps://kelise72.com/wp-content/uploads/2012/05/copyright_lake_red_web.jpgCOPYRIGHT_LAKE_RED_WEBCopyright, 'Lady of the Lake', 2009, silk screen with hand finishing. Image courtesy ArtRepublic.com2017-02-03T17:34:40+00:00monthlyhttps://kelise72.com/2013/03/15/whaam-lichtenstein-a-retrospective-at-tate-modern/2017-02-03T17:31:47+00:00monthlyhttps://kelise72.com/2013/03/15/light-show-is-magic-at-hayward-gallery/2017-02-03T17:29:30+00:00monthlyhttps://kelise72.com/2013/03/29/i-didnt-know-the-national-portrait-gallery-was-free/2017-02-03T17:25:06+00:00monthlyhttps://kelise72.com/2013/05/01/degree-show-planning-advice-from-ual-and-see/2017-02-03T17:23:53+00:00monthlyhttps://kelise72.com/2013/06/28/shubbak-festival-khaled-jarrar-at-ayyam-gallery-london/2017-02-03T17:17:33+00:00monthlyhttps://kelise72.com/2013/07/24/37-young-greek-artists-communicate-at-santorinis-megaro-gyzi-hall/https://kelise72.com/wp-content/uploads/2013/08/dsc03235.jpgDSC03235Installation view of 'Art for All - Communication' in Magaro Gyzi Hall, Fira, Santorini, Greek Islands. Photo courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/08/dsc03234.jpgDSC03234Installation view of 'Art for All - Communication' in Magaro Gyzi Hall, Fira, Santorini, Greek Islands. Photo courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/08/dsc03241.jpgDSC03241A painting from 'Art for All - Communicate' at Megaro Gyzi Hall, Fira, Santorini, Greece. Photo courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/08/dsc03239.jpgDSC03239A collage of leather pieces as seen in 'Art for All - Communicate', at Megaro Gyzi Hall, Fira, Santorini, Greece. Photo courtesy Kelise Franclemont.2017-02-03T17:14:06+00:00monthlyhttps://kelise72.com/2013/08/15/bankers-need-love-art-too-sculpture-in-the-city-2013/2017-02-03T17:13:30+00:00monthlyhttps://kelise72.com/2013/10/03/james-bond-big-draw-threadneedle-prize-exhibit/https://kelise72.com/wp-content/uploads/2013/10/conrad_engelhardt_threadneedle2013-png.jpgconrad_engelhardt_threadneedle2013-pngConrad Engelhardt, 'Aung Sang Suu Kyi', 2013, natural stained cork on board. Image courtesy ThreadneedlePrize.comhttps://kelise72.com/wp-content/uploads/2013/10/thebigdraw_header.pngTheBigDraw_headerhttps://kelise72.com/wp-content/uploads/2013/10/detail_ghazaleh_avarzamani_threadneedle-png.jpgdetail_Ghazaleh_Avarzamani_threadneedle.pnghttps://kelise72.com/wp-content/uploads/2013/10/mall_galleries_header.pngmall_galleries_headerhttps://kelise72.com/wp-content/uploads/2013/10/campaign_for_drawing_header.pngcampaign_for_drawing_headerhttps://kelise72.com/wp-content/uploads/2013/10/threadneedle_investments_logo.pngThreadneedle_Investments_logohttps://kelise72.com/wp-content/uploads/2013/10/threadneedle_prize_logo.pngthreadneedle_prize_logohttps://kelise72.com/wp-content/uploads/2013/10/detail_harriet_white_shortlisted_threadneedle-png.jpgdetail_Harriet_White_shortlisted_threadneedle.pngHarriet White, 'Goldmine' (detail), oil on canvas, in 'Threadneedle Prize 2013' at Mall Galleries, London. Photo courtesy www.threadneedleprize.co.ukhttps://kelise72.com/wp-content/uploads/2013/10/detail_lisa_wright_winner_threadneedle-png.jpgdetail_Lisa_Wright_winner_threadneedle.pngLisa Wright, 'The guiltys gaze on the innocent', 2013, oil on canvas. Winner of Threadneedle Prize 2013. Image courtesy ThreadneedlePrize.comhttps://kelise72.com/wp-content/uploads/2013/10/detail_clare_mccormack_winner_threadneedle-png.jpgdetail_Clare_McCormack_winner_threadneedle.pngClare McCormack, 'Dead Labour/Dead Labourer', 2013, scaffolding plank and woodblock print in Threadneedle Prize at Mall Galleries, London (winner). Photo courtesy the artist.2017-02-03T17:04:28+00:00monthlyhttps://kelise72.com/2013/11/21/tom-de-freston-shakespeares-globe/https://kelise72.com/wp-content/uploads/2013/11/breese_little_2016_logo.pngBreese_little_2016_logohttps://kelise72.com/wp-content/uploads/2013/11/dsc04300.jpgDSC04300(l-r) Henry Little and Josephine Breese, co-directors of Breese Little with artist Tom de Freston at 'The Charnel House' exhibition, Breese Little, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04298.jpgDSC04298Paintings by Tom de Freston, 2013, installation view, at 'The Charnel House' exhibition at Breese Little, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04297.jpgDSC04297Paintings by Tom de Freston, 2013, oil on canvas, at 'The Charnel House' exhibition at Breese Little, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04295.jpgDSC04295Artist Tom de Freston at 'The Charnel House' exhibition at Breese Little, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/6-father-and-son_cropped.jpg6 Father and Son_cropped(detail) Tom de Freston, 'Father and Son', 2013, oil on canvas at Shakespeare's Globe, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2013/11/dsc04197.jpgDSC04197London, view from Southbank near Shakespeare's Globe. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04189.jpgDSC04189Tom de Freston, 'Crowning', 2013, oil on canvas, in 'Paintings after Shakespeare' at Shakespeare's Globe, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04188.jpgDSC04188Artist Tom de Freston talking with visitors at 'Paintings after Shakespeare' at The Globe Theatre, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04184_actaeon.jpgDSC04184_actaeonTom de Freston, 'Last Judgement', 2013, oil on canvas, in 'Paintings after Shakespeare' at Shakespeare's Globe, London. Photo credit Kelise Franclemont.2017-02-03T16:46:56+00:00monthlyhttps://kelise72.com/2013/11/28/first-thursdays-whitechapel/https://kelise72.com/wp-content/uploads/2013/11/whitechapel_first_thursdays_logo.pngWhitechapel_First_Thursdays_logohttps://kelise72.com/wp-content/uploads/2013/11/dsc04282.jpgDSC04282Esperanza Gomez-Carrera discusses her work with Michaelangelo Arteaga in 'Quantum', at Espacio Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04275.jpgDSC04275Work by Ahmed Farooqui, in 'Quantum', at Espacio Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04264.jpgDSC04264Esperanza Gomez-Carrera, 'He does not throw dice', 2013, ink on paper in 'Quantum' at Espacio Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/sarah_lucas_image12360.jpgSarah_Lucas_image12360Work by Sarah Lucas, at Whitechapel Gallery, London. Photo credit Whitechapel Gallery.https://kelise72.com/wp-content/uploads/2013/11/dsc04294.jpgDSC04294Description for 'Emergence' by Ruth Jones, in 'Quantum', at Espacio Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04291.jpgDSC04291Ruth Jones, 'Emergence', 2013, acrylic discs, in 'Quantum', at Espacio Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04286.jpgDSC04286Work by Ralph Overill in 'Quantum', at Espacio Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04270.jpgDSC04270Installation view in 'Quantum', at Espacio Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/11/dsc04263.jpgDSC04263About 'Quantum', at Espacio Gallery, London. Photo credit Kelise Franclemont.2017-02-03T16:45:44+00:00monthlyhttps://kelise72.com/2013/12/06/akram-zaatari-at-thomas-dane/https://kelise72.com/wp-content/uploads/2013/12/aif_logo.pngAIF_logohttps://kelise72.com/wp-content/uploads/2013/12/img_4835.jpgIMG_4835Akram Zaatari, installation view, 'On Photography People and Modern Times' , at Thomas Dane gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/12/img_4826.jpgIMG_4826Akram Zaatari, installation view, 'On Photography People and Modern Times' , at Thomas Dane gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/12/img_4825.jpgIMG_4825Akram Zaatari, installation view, 'On Photography People and Modern Times' , at Thomas Dane gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2013/12/akram_zaatari_two_boys.pngAkram_Zaatari_two_boysAkram Zaatari, 'Two boys posing with Gevaert film advertisement', 2007, series of 6 silver prints, in 'On Photography People and Modern Times' , at Thomas Dane gallery, London. Image courtesy the artist and Thomas Dane gallery.https://kelise72.com/wp-content/uploads/2013/12/thomas_dane_logo.pngthomas_dane_logohttps://kelise72.com/wp-content/uploads/2013/12/akram_zaatari_3925_1000.jpgAkram_Zaatari_3925_1000Akram Zaatari, untitled (bicycle and plane), 2012, C-print, in 'On Photography People and Modern Times' , at Thomas Dane gallery, London. Image courtesy the artist and Thomas Dane gallery.https://kelise72.com/wp-content/uploads/2013/12/akram_zaatari_3923_1000.jpgAkram_Zaatari_3923_1000Akram Zaatari, 'Damaged negatives: scratched portrait of anonymous woman', 2012, inkjet print, in 'On Photography People and Modern Times' , at Thomas Dane gallery, London. Image courtesy the artist and Thomas Dane gallery.https://kelise72.com/wp-content/uploads/2013/12/akram_zaatari_3919_1000.jpgAkram_Zaatari_3919_1000Akram Zaatari, installation view 'Twenty-eight nights and a poem', 2010, in 'On Photography People and Modern Times' , at Thomas Dane gallery, London. Image courtesy the artist and Thomas Dane gallery.https://kelise72.com/wp-content/uploads/2013/12/akram_zaatari_3917_1000.jpgAkram_Zaatari_3917_1000Akram Zaatari, 'Objects of Study / Studio Sheherazade - Reception Space', 2006, C-prints in three parts, in 'On Photography People and Modern Times' , at Thomas Dane gallery, London. Image courtesy the artist and Thomas Dane gallery.2017-02-03T16:44:53+00:00monthlyhttps://kelise72.com/2013/12/12/500-years-of-british-art-tate-britain/https://kelise72.com/wp-content/uploads/2013/12/meettbweb-banner-meetrevised.jpgmeettbweb-banner-meetrevisedhttps://kelise72.com/wp-content/uploads/2013/12/henry_moore_t00240_9.jpgFigure 1931 by Henry Moore OM, CH 1898-1986Henry Moore, 'Figure', 1931, in 'BP Walk through British art', Room 1930, at Tate Britain. Image courtesy Tate Britain.https://kelise72.com/wp-content/uploads/2013/12/francis_bacon_n06171_10.jpgThree Studies for Figures at the Base of a Crucifixion circa 1944 by Francis Bacon 1909-1992Francis Bacon, 'Three studies for figures at the base of a Crucifixion', 1944, in 'BP Walk through British art', at Tate Britain. Image courtesy Tate Britain.https://kelise72.com/wp-content/uploads/2013/12/glyn_warren_philpot_t11861_10.jpgRepose on the Flight into Egypt 1922 by Glyn Warren Philpot 1884-1937Glyn Warren Philpot, 'Ropose on the Flight into Eqypt', 1922, in 'BP Walk through British art', at Tate Britain. Image courtesy Tate Britain.https://kelise72.com/wp-content/uploads/2013/12/dante_rossetti_n04872_10.jpgThe Girlhood of Mary Virgin 1848-9 by Dante Gabriel Rossetti 1828-1882Dante Gabriel Rossetti, 'The Girlhood of Mary Virgin', 1848-9, in 'BP Walk through British art', at Tate Britain. Image courtesy Tate Britain.https://kelise72.com/wp-content/uploads/2013/12/william_strang_t07518_10.jpgThe Temptation 1899 by William Strang 1859-1921William Strang, 'The Temptation', 1899, oil on canvas, in 'BP Walk through British art', at Tate Britain. Image courtesy Tate Britain.https://kelise72.com/wp-content/uploads/2013/12/john_millais_n03584_10.jpgChrist in the House of His Parents ('The Carpenter's Shop') 1849-50 by Sir John Everett Millais, Bt 1829-1896John Everett Millais, 'Christ in the house of his parents (The Carpenter's Shop), 1849-50 in 'BP Walk through British art', at Tate Britain. Image courtesy Tate Britain.https://kelise72.com/wp-content/uploads/2013/12/iltha_colquhoun_t02140_10.jpgScylla 1938 by Ithell Colquhoun 1906-1988Ithell Colquhoun, 'Scylla', 1938, oil paint on board in 'BP Walk through British art', at Tate Britain. Image courtesy Tate Britain.https://kelise72.com/wp-content/uploads/2013/12/martin_creed_lightsonoff.jpgMartin_Creed_lightsonoffMartin Creed, 'Work 227: The lights going on and off', 2000, lights and timer. Image courtesy ArtIntelligence.net.https://kelise72.com/wp-content/uploads/2013/12/rotunda-staircase.jpgrotunda-staircaseRotunda staircase in the newly-refurbished main entrance to Tate Britain, Millbank. Image courtesy The Telegraph.2017-02-03T16:43:59+00:00monthlyhttps://kelise72.com/2014/01/10/spotlight-on-saudi-arabia-in-exhibition-of-contemporary-prints-london/https://kelise72.com/wp-content/uploads/2014/01/edge_of_arabia_logo.jpgEdge_of_Arabia_logohttps://kelise72.com/wp-content/uploads/2014/01/edge_of_arabia_06.jpgEdge_of_Arabia_06Detail of print from Edge of Arabia, Edition#1, Battersea, London. Image courtesy Edge of Arabia.https://kelise72.com/wp-content/uploads/2014/01/edge_of_arabia_05.jpgEdge_of_Arabia_05Installation view of 'Edition#1', Edge of Arabia, London. Image courtesy Edge of Arabia.https://kelise72.com/wp-content/uploads/2014/01/edge_of_arabia_04.jpgEdge_of_Arabia_04Installation view of 'Edition#1', Edge of Arabia, London. Image courtesy Edge of Arabia.https://kelise72.com/wp-content/uploads/2014/01/edge_of_arabia_03.jpgEdge_of_Arabia_03Installation view of 'Edition#1', Edge of Arabia, London. Image courtesy Edge of Arabia.https://kelise72.com/wp-content/uploads/2014/01/edge_of_arabia_02.jpgEdge_of_Arabia_02Installation view of 'Edition#1', Edge of Arabia, London. Image courtesy Edge of Arabia.https://kelise72.com/wp-content/uploads/2014/01/edge_of_arabia_01.jpgEdge_of_Arabia_01Installation view of 'Edition#1', Edge of Arabia, London. Image courtesy Edge of Arabia.2017-02-03T16:42:53+00:00monthlyhttps://kelise72.com/2014/01/22/tammam-azzam-ayyam-gallery/https://kelise72.com/wp-content/uploads/2014/01/installation_view_tazzam_02.jpgInstallation_view_TAzzam_02Tammam Azzam, installation view, 'I, the Syrian' at Ayyam Gallery. Photo credit: Susanne Hakuba, courtesy Ayyam Gallery.https://kelise72.com/wp-content/uploads/2014/01/tammam_azzam_picture_huff_post.jpgTammam_Azzam_picture_huff_postArtist Tammam Azzam. Image courtesy Huffington Post.https://kelise72.com/wp-content/uploads/2014/01/tammam_azzam_goya.jpgTammam_Azzam_goyaTammam Azzam, 'Goya', 2013, C-print diasec mounting in 'I, the Syrian' at Ayyam Gallery. Image courtesy Ayyam Gallery.https://kelise72.com/wp-content/uploads/2014/01/tammam-azzam-syrian-olympic-2013-c-print-diasec-mounting-133-x-200-cm-edition-of-8-courtesy-the-artist-and-ayyam-gallery-749x500.jpgTammam-Azzam-Syrian-Olympic-2013-C-Print-Diasec-Mounting-133-x-200-cm.-Edition-of-8-Courtesy-the-artist-and-Ayyam-Gallery-749x500Tammam Azzam, 'Syrian Olympic', 2013, C-print diasec mounting, in 'I, the Syrian' at Ayyam Gallery. Photo credit: Susanne Hakuba, courtesy Ayyam Gallery.https://kelise72.com/wp-content/uploads/2014/01/tammam-azzam-freedom-graffiti-lightbox-edition-of-5-2013-courtesy-the-artist-and-ayyam-gallery-500x500.jpgTammam-Azzam-Freedom-Graffiti-Lightbox-Edition-of-5-2013.-Courtesy-the-artist-and-Ayyam-Gallery-500x500Tammam Azzam, 'Freedom Graffiti' from the series The Syrian Museum, 2013, lightbox, in 'I, the Syrian' at Ayyam Gallery. Photo credit: Susanne Hakuba, courtesy Ayyam Gallery.https://kelise72.com/wp-content/uploads/2014/01/tammam-azzam-damascus-from-bon-voyage-series-2013-c-print-on-diasec-mouting-120-x-100-cm-courtesy-the-artist-and-ayyam-gallery-417x500.jpgTammam-Azzam-Damascus-from-Bon-Voyage-Series-2013-c-print-on-diasec-mouting-120-x-100-cm.-Courtesy-the-artist-and-Ayyam-Gallery-417x500Tammam Azzam, from the series 'Bon Voyage', 2013, C-print diasec mounting, in 'I, the Syrian' at Ayyam Gallery. Photo credit: Susanne Hakuba, courtesy Ayyam Gallery.https://kelise72.com/wp-content/uploads/2014/01/installation-view-tammam-azzam-i-the-syrian-ayyam-gallery-london-2013-photo-susanne-hakuba-courtesy-ayyam-gallery-21-749x5001.jpgInstallation-view-Tammam-Azzam-I-The-Syrian.-Ayyam-Gallery-London-2013.-Photo-Susanne-Hakuba-Courtesy-Ayyam-Gallery-21-749x500Tammam Azzam, installation view (l-r), 'United Russia', 'United Nations', 'United States', 2013, lightboxes, in 'I, the Syrian' at Ayyam Gallery. Photo credit: Susanne Hakuba, courtesy Ayyam Gallery.2017-02-03T16:40:57+00:00monthlyhttps://kelise72.com/2014/01/30/art-is-a-pile-of-rocks-photo-essay/https://kelise72.com/wp-content/uploads/2014/01/rca_logo.jpegRCA_logohttps://kelise72.com/wp-content/uploads/2014/01/national_museum_art_cardiff.pngnational_museum_art_cardiffhttps://kelise72.com/wp-content/uploads/2014/01/tate_logo.pngTate_logohttps://kelise72.com/wp-content/uploads/2014/01/ludwig_muzeum_logo.pngLudwig_Muzeum_logohttps://kelise72.com/wp-content/uploads/2014/01/55_biennale_logo-2013.jpg55_Biennale_logo-2013https://kelise72.com/wp-content/uploads/2014/01/house_of_krause_rocks02.jpgHouse_of_Krause_rocks02Nikolas Krause, untitled. Image courtesy vonkrauzen.blogspot.co.ukhttps://kelise72.com/wp-content/uploads/2014/01/ozioma_onuzulike_genocide.jpgOzioma_Onuzulike_genocideOzioma Onuzulike, 'Genocide', ceramic. Photo courtesy InterpretingCeramics.comhttps://kelise72.com/wp-content/uploads/2014/01/sc3a1ndorpinczehelyi_bw_photo.jpgSándorPinczehelyi_bw_photoHungarian multi-media artist Sándor Pinczehelyi. Image courtesy Avantgarde Museum.com2017-02-03T16:39:21+00:00monthlyhttps://kelise72.com/2014/02/07/richard-deacon-beetle-snacks/https://kelise72.com/wp-content/uploads/2014/02/metro_logo.pngMetro_Logohttps://kelise72.com/wp-content/uploads/2014/02/richard_deacon_tate.pngRichard_Deacon_tateImage courtesy Tate.org.ukhttps://kelise72.com/wp-content/uploads/2014/02/venice_twist_richard_deacon.jpgvenice_twist_richard_deaconRichard Deacon, 'Venice Twist', 2007, ceramic. Image courtesy bbc.co.ukhttps://kelise72.com/wp-content/uploads/2014/02/richard_deacon_struck_dumb_t05558_10.jpgStruck Dumb 1988 by Richard Deacon born 1949Richard Deacon, 'Struck Dumb', 1988, welded steel at Tate Britian, London. Image courtesy Tate.org.ukhttps://kelise72.com/wp-content/uploads/2014/02/richard_deacon_personals.jpgRichard_Deacon_personalshttps://kelise72.com/wp-content/uploads/2014/02/richard_deacon_h0046-l03960996.jpgRichard_Deacon_H0046-L03960996Richard Deacon, '...or lose it', 2006, steamed ash wood. Image courtesy invaluable.comhttps://kelise72.com/wp-content/uploads/2014/02/richard_deacon_ceramics01.jpgRichard_Deacon_ceramics01Richard Deacon, 'Empirical Jungle', 2003, glazed stoneware. Image courtesy InterpretingCeramics.comhttps://kelise72.com/wp-content/uploads/2014/02/richard_deacon_basket.jpgRichard_Deacon_basketRichard Deacon, 'Keep the Faith', , wood. Image courtesy http://inspiredbynaturalforms.blogspot.co.uk https://kelise72.com/wp-content/uploads/2014/02/richard_deacon_after_0.jpgrichard_deacon_after_0Richard Deacon, 'After', 1998, wood, at Tate Britain, London. Image courtesy tate.org.ukhttps://kelise72.com/wp-content/uploads/2014/02/richard_deacon_1998.jpgRichard_Deacon_1998Richard Deacon, 'After', 1998, wood, at Tate Britain, London. Image courtesy artfund.org2017-02-03T16:38:48+00:00monthlyhttps://kelise72.com/2014/03/06/hetain-patel-pumphouse-london/https://kelise72.com/wp-content/uploads/2014/02/pumphouse_gallery_logo.pngPumpHouse_Gallery_logohttps://kelise72.com/wp-content/uploads/2014/02/img_51641.jpgIMG_5164The Pumphouse Gallery, Battersea Park, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/02/img_5163.jpgIMG_5163'What is your best advice?', the sign in the window at The Pumphouse Gallery, Battersea Park, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/02/img_5160.jpgIMG_5160Hetain Patel, from series 'Eva', 2012, digital photographs on archival paper, in 'At Home' at Pumphouse Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/02/img_5157.jpgIMG_5157Hetain Patel, from series 'Eva', 2012, digital photographs on archival paper, in 'At Home' at Pumphouse Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/02/img_5153.jpgIMG_5153Hetain Patel, 'The First Dance', 2012, video 7:57, in 'At Home' at Pumphouse Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/02/img_5150.jpgIMG_5150Hetain Patel, 'Mamai', 2012, installation of 5 videos 8:33, in 'At Home' at Pumphouse Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/02/img_5146.jpgIMG_5146Hetain Patel, 'Maestro', 2014, video 5:40, in 'At Home' at Pumphouse Gallery, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/02/img_5145.jpgIMG_5145Hetain Patel, film stills from 'Maestro', 2014, video 5:40, in 'At Home' at Pumphouse Gallery, London. Photo credit Kelise Franclemont.2017-02-03T16:36:19+00:00monthlyhttps://kelise72.com/2014/03/24/caiger-contemporary-art-battersea/https://kelise72.com/wp-content/uploads/2014/03/installation_view_caiger_battersea.jpgInstallation_View_Caiger_BatterseaInstallation view of 'Spring Showcase 2014' by Caiger Contemporary Art, at The Gallery on the Corner, Battersea, London. Image courtesy Caiger Contemporary Art.https://kelise72.com/wp-content/uploads/2014/03/lovejordan_dots_commas_and_other_dotoids_op_800x1202j.jpgLoveJordan_Dots_commas_and_other_dotoids_op_800x1202jLoveJordan, 'Dots commas and other dotoids', 2013, collage. Image courtesy LoveJordan.nethttps://kelise72.com/wp-content/uploads/2014/03/lucy_carty_shellshock_detail.jpgLucy_Carty_shellshock_detailLucy Carty, 'Shellshock', 2013, rope/string and plaster. Image courtesy LucyCarty.comhttps://kelise72.com/wp-content/uploads/2014/03/caiger_14_artists.pngCaiger_14_artistsImage courtesy Caiger Contemporary Arthttps://kelise72.com/wp-content/uploads/2014/03/gallery_on_the_corner_logo.pngGallery_on_the_corner_logohttps://kelise72.com/wp-content/uploads/2014/03/caiger_contemporary_art_logo.pngCaiger_contemporary_Art_logo2017-02-03T16:35:08+00:00monthlyhttps://kelise72.com/2014/05/11/jerusalem-3-d-at-the-imax-southbank-london/https://kelise72.com/wp-content/uploads/2014/05/jerusalem_us_lp_george_duffield_o-jerusalem-900.jpgJerusalem_US_LP_George_Duffield_o-JERUSALEM-900Armenian Apostolic priests descend the stairs to the Chapel of St Helena in the Church of the Holy Sepulchre. According to tradition, Queen Helena, mother to the Emperor Constantine, discovered remnants of the True Cross here in the 4th century C.E. (AD) during the construction of the original church, in 'Jerusalem 3-D', 2013, documentary film, 45 mins. Image courtesy National Geographic and The Huffington Post. Photo credit George Duffield.https://kelise72.com/wp-content/uploads/2014/05/jerusalem_western_wall_screenshot.pngJerusalem_Western_Wall_screenshotView of the Western Wall, Jerusalem in 'Jerusalem 3-D', , 2013, documentary film, 45 mins. Image courtesy National Geographic.https://kelise72.com/wp-content/uploads/2014/05/jerusalem_us_lp-dome-of-the-rock-900.jpgJerusalem_US_LP-DOME-OF-THE-ROCK-900Aerial view of Dome of the Rock/Haram al-Sharif, Jerusalem in 'Jerusalem 3-D', 2013, documentary film, 45 mins. Image courtesy National Geographic and The Huffington Post. Photo credit unknown.https://kelise72.com/wp-content/uploads/2014/05/jerusalem_us_lp_george_duffield_o-prayers-900.jpgJerusalem_US_LP_George_Duffield_o-PRAYERS-900Muslim women in embroidered Palestinian dress on their way to mid-day prayer at Al-Aqsa Mosque, Haram al-Sharif, Jerusalem, in 'Jerusalem 3-D', 2013, documentary film, 45 mins. Image courtesy National Geographic and The Huffington Post. Photo credit George Duffield.https://kelise72.com/wp-content/uploads/2014/05/jerusalem_us_lp_dustin_farrell_o-world-muslimah-900.jpgJerusalem_US_LP_Dustin_Farrell_o-WORLD-MUSLIMAH-900Aerial view of Jerusalem's iconic Citadel/Tower of David Museum of the History of Jerusalem, in 'Jerusalem 3-D', 2013, documentary film, 45 mins. Image courtesy National Geographic and The Huffington Post. Photo credit Dustin Farrell.https://kelise72.com/wp-content/uploads/2014/05/jerusalem_aerial_view.pngJerusalem_aerial_viewAerial view of Dome of the Rock/Haram al-Sharif, Jerusalem in 'Jerusalem 3-D', 2013, documentary film, 40 mins. Image courtesy National Geographic.https://kelise72.com/wp-content/uploads/2014/05/national_geographic_logo.jpgnational_geographic_logohttps://kelise72.com/wp-content/uploads/2014/05/bfi_imax_logo.jpgBFI_imax_logohttps://kelise72.com/wp-content/uploads/2014/05/jerusalem_3-d_poster.jpgJerusalem_3-D_posterhttps://kelise72.com/wp-content/uploads/2014/05/jerusalem_3-d_imax_02.jpgJerusalem_3-D_imax_02Image courtesy www.avondalepattilloumc.org and National Geographic.2017-02-03T16:31:54+00:00monthlyhttps://kelise72.com/2014/05/15/circling-giuseppe-penone-at-gagosian-london/https://kelise72.com/wp-content/uploads/2014/05/giuseppe_penone_pello_di_marmo_e_spine_d-acacia_marta_2006_mike_bruce.jpgGiuseppe_Penone_Pello_di_Marmo_e_spine_d-acacia_Marta_2006_Mike_BruceGiuseppe Penone, 'Pelle di marmo e spne d'acacia - Marta', 2006, Carrara marble, canvas, acrylic, glass microspheres and acacia thorns, in 'Circling' at Gagosian, London. Image courtesy Gagosian.com. Photo credit Mike Bruce.https://kelise72.com/wp-content/uploads/2014/05/giuseppe_penone_sigillo_2012_screenshot.pngGiuseppe_Penone_Sigillo_2012_screenshotGiuseppe Penone, 'Sigillo', 2012, white Carrera marble, in 'Circling', at Gagosian, London. Image courtesy Gagosian.comhttps://kelise72.com/wp-content/uploads/2014/05/giuseppe_penone_propgazione_1994_detail.pngGiuseppe_Penone_Propgazione_1994_detailGiuseppe Penone, 'Propagazione', 1994/2014, detail of installation view, in 'Circling', at Gagosian, London. Image courtesy Gagosian.comhttps://kelise72.com/wp-content/uploads/2014/05/guiseppe_penone_sigillo_2012_at_versailles.jpgGiuseppe_Penone_Sigillo_2012_at_VersaillesGuiseppe Penone, 'Sigillo', 2012, white Carrara marble as seen in Chateau de Versailles, 2013. Image courtesy Flickr.com (user: Andrea).https://kelise72.com/wp-content/uploads/2014/05/guiseppe_penone_scrigno_2007_mike_bruce.jpgGiuseppe_Penone_Scrigno_2007_Mike_BruceGiuseppe Penone, 'Scrigno' (installation view), 2007, leather, bronze, gold, and resin, in 'Circling' at Gagosian, London. Image courtesy Gagosian.com. Photo credit Mike Bruce.https://kelise72.com/wp-content/uploads/2014/05/guiseppe_penone_scrigno_2007_itsliquid.jpgGiuseppe_Penone_Scrigno_2007_itsliquidGiuseppe Penone, 'Scrigno' (detail), 2007, leather, bronze, gold, and resin, in 'Circling' at Gagosian, London. Image courtesy Gagosian.com. Photo credit Mike Bruce.https://kelise72.com/wp-content/uploads/2014/05/giuseppe-penone-spazio-di-luce-designboom-01.jpgGiuseppe-Penone-Spazio-di-Luce-designboom-01Giuseppe Penone, site-specific artwork 'Spazio di Luce (Space of Light)', 2012, for The Bloomberg Commission: Giuseppe Penone at the Whitechapel Gallery, London. Image courtesy designboom.comhttps://kelise72.com/wp-content/uploads/2014/05/giuseppe-penone-spazio-di-luce_david_perry.jpgGiuseppe-Penone-Spazio-di-Luce_David_PerryGiuseppe Penone, site-specific artwork 'Spazio di Luce (Space of Light)', 2012, for The Bloomberg Commission: Giuseppe Penone at the Whitechapel Gallery, London. Photo credit: David Parry/PA2017-02-03T16:31:13+00:00monthlyhttps://kelise72.com/2016/09/30/guiseppe-penone-rijksmuseum-amsterdam/https://kelise72.com/wp-content/uploads/2016/09/img_1912.jpgPenone_img_1912Guiseppe Penone, (foreground) 'Vene de Pietra Tra i Rami', 2015, in 'Penone in the Gardens' at Rjjksmuseum, Amsterdam. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/img_1906.jpgPenone_img_1906Guiseppe Penone, 'Indistinti Confini-Batinus', 2012, in 'Penone in the Gardens' at Rjjksmuseum, Amsterdam. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/img_1904.jpgPenone_img_1904Guiseppe Penone, 'Penone in the Gardens' at Rjjksmuseum, Amsterdam. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/img_1901.jpgPenone_img_1901Guiseppe Penone, 'Indistinti Confini-Tilaventum', 2012, in 'Penone in the Gardens' at Rjjksmuseum, Amsterdam. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/img_1895.jpgPenone_img_1895Guiseppe Penone, 'Albero di 8, 10, 11 metres', 2000, 1989, and 1999 respectively, and 'Nel Legno', 2010, in 'Penone in the Gardens' at Rjjksmuseum, Amsterdam. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/img_1893.jpgPenone_img_1893Guiseppe Penone, 'Penone in the Gardens' at Rjjksmuseum, Amsterdam. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/img_1891.jpgPenone_img_1891Guiseppe Penone, 'Penone in the Gardens' at Rjjksmuseum, Amsterdam. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/img_1885.jpgPenone_img_1885Guiseppe Penone, 'Penone in the Gardens' at Rjjksmuseum, Amsterdam. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/img_1883.jpgPenone_img_1883Guiseppe Penone, 'Respirare l'Ombra', 2000, in 'Penone in the Gardens' at Rjjksmuseum, Amsterdam. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/09/img_1877.jpgPenone_img_1877Guiseppe Penone, 'Tra...' (detail), 2008, in 'Penone in the Gardens' at Rjjksmuseum, Amsterdam. Photo: Kelise Franclemont.2017-02-03T16:30:06+00:00monthlyhttps://kelise72.com/2014/05/31/world-is-with-us-london/https://kelise72.com/wp-content/uploads/2014/05/fifth_war_fatehmilitia.jpgFifth_War_FatehMilitiaFilm still from 'The Fifth War', 1980, by Palestinian Cinema Institution, in the 'The World is with us' at Barbican Centre, London. Image courtesy http://theworldiswithus.org/https://kelise72.com/wp-content/uploads/2014/05/marc_rudin_martyrs_day_1990_2103_ppt2.jpgMarc_Rudin_Martyrs_Day_1990_2103_PPT2Marc Rudin, 'Martyr's Day', 1990, printed poster, n the 'The World is with us' at Barbican Centre, London. Image courtesy http://theworldiswithus.org/https://kelise72.com/wp-content/uploads/2014/05/viva_palestina_poster.jpegViva_Palestina_poster'Viva Palestina', printed poster, in the 'The World is with us' at Barbican Centre, London. Image courtesy http://theworldiswithus.org/https://kelise72.com/wp-content/uploads/2014/05/the-fifth-war_web_3.jpgthe-fifth-war_web_3Film still from 'The Fifth War', 1980, by Palestinian Cinema Institution, in the 'The World is with us' at Barbican Centre, London. Image courtesy http://theworldiswithus.org/https://kelise72.com/wp-content/uploads/2014/05/revolution-until-victory-001.jpgRevolution Until Victory, 1978, by Muaid al-RawiMuaid al-Rawi, 'Revolution Until Victory', 1978, printed poster, in the 'The World is with us' at Barbican Centre, London. Image courtesy http://theworldiswithus.org/https://kelise72.com/wp-content/uploads/2014/05/img_5516-001.jpgThe World is With usInstallation view of 'The World is with us' (with 1960s-style filter) at RichMix, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/05/poster-by-rafeik-sharaf-1-011.jpgPoster by Rafeik Sharaf, 1974Poster by Rafeik Sharaf, 1974, in 'The World Is With Us' exhibition at RichMix, London. Image courtesy Palestine Poster Archive project.https://kelise72.com/wp-content/uploads/2014/05/palestine_poster_project_archives_logo.jpegPalestine_Poster_Project_Archives_logohttps://kelise72.com/wp-content/uploads/2014/05/richmix_logo.jpegRichMix_logohttps://kelise72.com/wp-content/uploads/2014/05/palestine_film_foundation_logo.jpgPalestine_Film_Foundation_logo2017-02-03T16:29:16+00:00monthlyhttps://kelise72.com/2014/06/10/degree-shows-2014-ual/https://kelise72.com/wp-content/uploads/2014/06/dsc01498.jpgDSC01498https://kelise72.com/wp-content/uploads/2014/06/alexander_connatty_witch_costume1.jpgAlexander_Connatty_witch_costumeAlexander Williams Connatty, the witch from Matthew Bourne's BA Theatre & Screen - Costume Interpretationhttps://kelise72.com/wp-content/uploads/2014/06/dsc01511.jpgDSC01511Harry Weller, BA Fine Art - Print and Time-based Media, 2014. Image courtesy the artist. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/06/dsc01493.jpgMatthew_Johnson_WCA14Work by Matthew Johnson (background) and Xiaowen SunYin (foreground) in Wimbledon College of Art BA Degree Show, 2014. Image courtesy the artist. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/06/dsc01513.jpgDSC01513Kirstie Leeza-Ann Talbot, BA Fine Art - Print and Time-based Media, 2014. Image courtesy the artist. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/06/dsc01509.jpgPeter_Can_Bellamy_Spectra_WCA14Peter Can Bellamy, BA Fine Art - Print and Time-based Media, 2014. Image courtesy the artist. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/06/dsc01507.jpgNatalia_Boteva_WCA14Natalia Boteva, BA Fine Art - Print and Time Based Media, 2014. Image courtesy the artist. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/06/dsc01504.jpgAntonia_Jackson_WCA_14Antonia Jackson, BA Fine Art - Painting, 2014 at Wimbledon College of Art, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/06/dsc01503.jpgDSC01503Jonny Wheatley, BA Fine Art - Painting, 2014. Image courtesy the artist. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/06/dsc01500.jpgAmelia_Duria_WCA14Amelia Durie, BA Fine Art - Painting, 2014. Image courtesy the artist. Photo credit Kelise Franclemont.2017-02-03T16:28:43+00:00monthlyhttps://kelise72.com/2014/07/25/jimmie-durham-parasol-unit-london/https://kelise72.com/wp-content/uploads/2014/07/jimmie-durham-traces-and-shiny-evidence-detail-2014-courtesy-of-parasol-unit-london-and-the-artist-photo-nicola-pomery.jpgJimmie-Durham-Traces-and-Shiny-Evidence-detail-2014.-Courtesy-of-Parasol-unit-London-and-the-artist.-Photo-Nicola-PomeryJimmie Durham, installation view, 'Traces and Shiny Evidence' at Parasol Unit, London. Image courtesy Jimmie Durham and Parasol Unit. Photo credit Curamagazine.comhttps://kelise72.com/wp-content/uploads/2014/07/jimmie_durham_installation_view_04.pngJimmie_Durham_installation_view_04Jimmie Durham, installation view, in 'Traces and Shiny Evidence' at Parasol Unit, London. Image courtesy Jimmie Durham and Parasol Unit. Photo credit Stephen White.https://kelise72.com/wp-content/uploads/2014/07/jimmie_durham_smashing.pngJimmie_Durham_SmashingJimmie Durham, 'Smashing', 2004, video installation, 92 minutes, installation view, in 'Traces and Shiny Evidence' at Parasol Unit, London. Image courtesy Jimmie Durham and Parasol Unit. Photo credit Kai Vollmer.https://kelise72.com/wp-content/uploads/2014/07/jimmie_durham_installation_view_03.pngJimmie_Durham_installation_view_03Jimmie Durham, installation view, in 'Traces and Shiny Evidence' at Parasol Unit, London. Image courtesy Jimmie Durham and Parasol Unit. Photo credit Kai Vollmer.https://kelise72.com/wp-content/uploads/2014/07/jimmie_durham_installation_view_02.pngJimmie_Durham_installation_view_02Jimmie Durham, installation view, 'Traces and Shiny Evidence' at Parasol Unit, London. Image courtesy Jimmie Durham and Parasol Unit. Photo credit Stephen White.https://kelise72.com/wp-content/uploads/2014/07/jimmie_durham_installation_view_01.pngJimmie_Durham_installation_view_01Jimmie Durham, installation view, 'Traces and Shiny Evidence' at Parasol Unit, London. Image courtesy Jimmie Durham and Parasol Unit. Photo credit Stephen White.https://kelise72.com/wp-content/uploads/2014/07/jimmie_durham_artist_talk_03.pngJimmie_Durham_artist_talk_03Screen shot from video recording of the artist talk in which Jimmie Durham discusses his practice, at Parasol Unit, 12 June 2014. Image courtesy Parasol Unit.https://kelise72.com/wp-content/uploads/2014/07/saatchi_gallery_logo_grey.jpegSaatchi_Gallery_logo_greyhttps://kelise72.com/wp-content/uploads/2014/07/parasol_unit_logo.pngParasol_Unit_logo2017-02-03T16:22:06+00:00monthlyhttps://kelise72.com/2014/08/07/henri-matisse-cut-outs-at-tate-modern/https://kelise72.com/wp-content/uploads/2014/08/matisse_vegetables_independent.pngmatisse_vegetables_independenthttps://kelise72.com/wp-content/uploads/2014/08/matisse_horse_rider_clown_id_010new_1.jpgmatisse_horse_rider_clown_id_010new_1Henri Matisse, 1943-4, 'The Horse, the Rider and the Clown. Image courtesy www.artfund.orghttps://kelise72.com/wp-content/uploads/2014/08/matisse_snail_at_tate_modern.pngmatisse_snail_at_tate_modernhttps://kelise72.com/wp-content/uploads/2014/08/matisse_banner_tate.jpgmatisse_banner_tate2017-02-03T16:21:32+00:00monthlyhttps://kelise72.com/2014/08/28/postgraduate-summer-show-ma-fine-art-at-chelsea-college-of-arts-london/https://kelise72.com/wp-content/uploads/2014/08/isabelle_woodhouse_01.pngIsabelle_Woodhouse_01MA Fine Art graduate Isabelle Woodhouse discusses her drawing practice at Chelsea College of Arts, Pimlico, London. Image courtesy Chelsea College of Arts.https://kelise72.com/wp-content/uploads/2014/08/ma_fine_art_08.pngMA_Fine_Art_08In the studios of MA Fine Art at Chelsea College of Arts, Pimlico, London. Image courtesy Chelsea College of Arts.https://kelise72.com/wp-content/uploads/2014/08/ma_fine_art_07.pngMA_Fine_Art_07In the studios of MA Fine Art at Chelsea College of Arts, Pimlico, London. Image courtesy Chelsea College of Arts.https://kelise72.com/wp-content/uploads/2014/08/ma_fine_art_06.pngMA_Fine_Art_06In the studios of MA Fine Art at Chelsea College of Arts, Pimlico, London. Image courtesy Chelsea College of Arts.https://kelise72.com/wp-content/uploads/2014/08/ma_fine_art_05.pngMA_Fine_Art_05View of the Parade Ground at Chelsea College of Arts, Pimlico, London. Image courtesy Chelsea College of Arts.https://kelise72.com/wp-content/uploads/2014/08/ma_fine_art_04.pngMA_Fine_Art_04In the studios of MA Fine Art at Chelsea College of Arts, Pimlico, London. Image courtesy Chelsea College of Arts.https://kelise72.com/wp-content/uploads/2014/08/ma_fine_art_03.pngMA_Fine_Art_03In the ceramics workshop at Chelsea College of Arts, Pimlico, London. Image courtesy Chelsea College of Arts.https://kelise72.com/wp-content/uploads/2014/08/joshua_raffell_01.pngJoshua_Raffell_01In the studios of MA Fine Art at Chelsea College of Arts, Pimlico, London. Image courtesy Chelsea College of Arts.https://kelise72.com/wp-content/uploads/2014/08/denise_ackerl_02.pngDenise_Ackerl_02MA Fine Art graduate Denise Ackerl prepares the Parade Ground for the final show, at Chelsea College of Arts, Pimlico, London. Image courtesy Chelsea College of Arts.https://kelise72.com/wp-content/uploads/2014/08/brian_chalkley_01.pngBrian_Chalkley_01Brian Chalkley, Course Leader, discusses the MA Fine Art course at Chelsea College of Arts, Pimlico, London. Image courtesy Chelsea College of Arts.2017-02-03T16:10:09+00:00monthlyhttps://kelise72.com/2014/09/11/chelsea-ma-fine-art-2014/https://kelise72.com/wp-content/uploads/2014/09/jinjoo_kim.jpgJinjoo_KimJinjoo Kim, installation view in MA Fine Art Summer Show 2014 at Chelsea College of Arts, London. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2014/09/dsc02026.jpgChelsea_MA_Fine_Art_maphttps://kelise72.com/wp-content/uploads/2014/09/dsc02024.jpgDSC02024Donghwa Lee, installation view in MA Fine Art Summer Show 2014 at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/09/dsc02018.jpgDSC02018Shaikha al Mazrou, installation view in MA Fine Art Summer Show 2014 at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/09/dsc02015.jpgDSC02015Eden Lazaness, installation view in MA Fine Art Summer Show 2014 at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/09/dsc02013.jpgDSC02013Jimin Chae, installation view in MA Fine Art Summer Show 2014 at Chelsea College of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/09/ma_fine_art_we_have_nothing_left.jpgMA_Fine_Art_We_have_Nothing_leftFour student promoting the 2014 MA Fine Art summer show in style at Chelsea College of Arts. Photo credit Nana Seo.https://kelise72.com/wp-content/uploads/2014/09/ma_fine_art_class_of_2014.jpgMA_Fine_Art_Class_of_2014The class of 2014, MA Fine Art, Chelsea College of Arts, London. Photo credit Radhika Prabu.2018-06-14T22:23:45+00:00monthlyhttps://kelise72.com/2014/09/11/whose-gaze-is-it-anyway-ica-london/https://kelise72.com/wp-content/uploads/2014/09/maha_maamoun_domestic_tourism_ii_07.pngMaha_Maamoun_Domestic_Tourism_II_07Maha Maamoun, screen capture from 'Domestic Tourism II', 2009, Single channel video, 1:56, in 'Whose gaze is it anyway?' at the ICA, London. Image courtesy the artist from vimeo.comhttps://kelise72.com/wp-content/uploads/2014/09/maha_maamoun_domestic_tourism_ii_06.pngMaha_Maamoun_Domestic_Tourism_II_06Maha Maamoun, screen capture from 'Domestic Tourism II', 2009, Single channel video, 1:56, in 'Whose gaze is it anyway?' at the ICA, London. Image courtesy the artist from vimeo.comhttps://kelise72.com/wp-content/uploads/2014/09/img_5957.jpgIMG_5957Film poster for 'Watch out for Zouzou', 1971, screenprint on paper, in 'Whose gaze is it anyway?' at the ICA, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/09/img_5961.jpgIMG_5961Sophia al-Maria, 'Rape Gaze', 2014, video colour, sound, 3 min, in 'Whose gaze is it anyway?' at the ICA, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/09/img_5948.jpgIMG_5948Detail view of film poster for 'The Lady of the Black Moons', 1971, film brochure, ink on paper in 'Whose gaze is it anyway?' at the ICA, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/09/img_5958.jpgIMG_5958Sophie al-Maria, sketchbook for 'Beretta', 2011-2014, ink on paper, in 'Whose gaze is it anyway?' at the ICA, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/09/mark-blower-140901-whose-gaze-is-it-anyway-ica-0014.jpgMark-Blower-140901-Whose-Gaze-Is-It-Anyway-ICA-0014Raed Yassin, 'Disco', 2010, DV cam, colour, sound, 5 min 30 sec, in 'Whose gaze is it anyway?' at the ICA, London. Photo credit Mark Blower.https://kelise72.com/wp-content/uploads/2014/09/mark-blower-140901-whose-gaze-is-it-anyway-ica-0011.jpgMark-Blower-140901-Whose-Gaze-Is-It-Anyway-ICA-0011Installation view of 'Whose gaze is it anyway?' at the ICA, London. Photo credit Mark Blower.https://kelise72.com/wp-content/uploads/2014/09/mark-blower-140901-whose-gaze-is-it-anyway-ica-0002.jpgMark-Blower-140901-Whose-Gaze-Is-It-Anyway-ICA-0002Sophia al-Maria, Installation view, 'Beretta', 2011-2014, in 'Whose gaze is it anyway?' at the ICA, London. Photo credit Mark Blower.https://kelise72.com/wp-content/uploads/2014/08/ica_logo.gifICA_logo2017-02-03T16:07:56+00:00monthlyhttps://kelise72.com/2014/10/03/assembly-at-chelsea-college-of-arts-london-photos/https://kelise72.com/wp-content/uploads/2014/10/dsc02112.jpgAssembly_Chelsea_23Aaron Wells, installation view, 2014, in 'Assembly' at Chelsea College of Arts, London.https://kelise72.com/wp-content/uploads/2014/10/dsc02110.jpgAssembly_Chelsea_20Timothy Ekins, 'Add-blhoc(s)', 2014, in 'Assembly' at Chelsea College of Arts, London.https://kelise72.com/wp-content/uploads/2014/10/dsc02109.jpgAssembly_Chelsea_22(background) Camilla Breuton, untitled, 2014, and Cuthbert Noble, untitled (foreground), 2014, in 'Assembly' at Chelsea College of Arts, London.https://kelise72.com/wp-content/uploads/2014/10/dsc02106.jpgAssembly_Chelsea_21(l-r) Jon Baker, untitled, 2014, and Jane Saotome, 'The Trapped Sea', 2014, in 'Assembly' at Chelsea College of Arts, London.https://kelise72.com/wp-content/uploads/2014/10/dsc02100.jpgAssembly_Chelsea_19Gavin Edmonds, 'Mourning and Melancholia', 2014, in 'Assembly' at Chelsea College of Arts, London.https://kelise72.com/wp-content/uploads/2014/10/dsc02099.jpgAssembly_Chelsea_18Gavin Edmonds, 'Mourning and Melancholia', 2014, in 'Assembly' at Chelsea College of Arts, London.https://kelise72.com/wp-content/uploads/2014/10/dsc02095.jpgAssembly_Chelsea_17Niamh Cunningham, 2014, in 'Assembly' at Chelsea College of Arts, London.https://kelise72.com/wp-content/uploads/2014/10/dsc02094.jpgAssembly_Chelsea_16Niamh Cunningham, 2014, in 'Assembly' at Chelsea College of Arts, London.https://kelise72.com/wp-content/uploads/2014/10/dsc02093.jpgAssembly_Chelsea_15Marion Guerineau, 2014, in 'Assembly' at Chelsea College of Arts, London. (detail)https://kelise72.com/wp-content/uploads/2014/10/dsc02092.jpgAssembly_Chelsea_14Stella Cecil, installation view, 2014, in 'Assembly' at Chelsea College of Arts, London.2017-02-03T16:07:15+00:00monthlyhttps://kelise72.com/2016/01/17/london-lumiere-light-festival-by-artichoke-photos/https://kelise72.com/wp-content/uploads/2016/01/img_5793.jpgLumiere_IMG_5793'Les Voyageurs (The Travellers)', Cédric Le Borgne, Lumiere light festival, Piccadilly, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5819.jpgLumiere_IMG_5819'1.8 London', Janet Echelman / Studio Echelman, Lumiere light festival, Oxford Circus, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5816.jpgLumiere_IMG_5816'Les Luminéoles', Porté par le vent, Lumiere light festival, Piccadilly/Regent Street, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5811.jpgLumiere_IMG_5811'Elephantastic', Top’là Design / Catherine Garret, Lumiere light festival, Piccadilly/Regent Street, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5810.jpgLumiere_IMG_5810'Garden of Light', TILT, Lumiere light festival, Leicester Square, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5800.jpgLumiere_IMG_5800'Plastic Islands', Luzinterruptus, Lumiere light festival, Trafalgar Square, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5794.jpgLumiere_IMG_5794'Les Voyageurs (The Travellers)', Cédric Le Borgne, Lumiere light festival, Piccadilly, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5784.jpgLumiere_IMG_5784'Les Voyageurs (The Travellers)', Cédric Le Borgne, Lumiere light festival, Piccadilly, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5782.jpgLumiere_IMG_5782'Les Voyageurs (The Travellers)', Cédric Le Borgne, Lumiere light festival, Piccadilly/Burlington Arcade, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/img_5776.jpgLumiere_IMG_5776'I Haven’t Changed my Mind in a Thousand Years', Beth J Ross, Lumiere light festival, Piccadilly/Burlington Arcade, London. Photo credit Kelise Franclemont.2017-02-03T15:42:50+00:00monthlyhttps://kelise72.com/2014/05/23/5-ways-to-clear-artists-block-by-being-a-copy-cat/https://kelise72.com/wp-content/uploads/2014/05/img_0117.jpgIMG_0117Kelise Franclemont, 'artist painting', 2011, digital media (Sketchy).https://kelise72.com/wp-content/uploads/2014/05/img_0878.jpgIMG_0878Kelise Franclemont, 'male figure standing', 2011, digital media (Brushes).https://kelise72.com/wp-content/uploads/2014/05/img_0595.jpgIMG_0595Kelise Franclemont, 'pregnant woman seated', 2012, digital media (Brushes).https://kelise72.com/wp-content/uploads/2014/05/yibao_gao_lunchbox_2013.jpgYibao_Gao_lunchbox_2013Yibao Gao, 'Lunchbox', 2013, digital print (ArtRage). Image courtesy the artist and Showtime.arts.ac.ukhttps://kelise72.com/wp-content/uploads/2014/05/yibao_gao_hotel_shampoos_2013.jpgYibao_Gao_Hotel_Shampoos_2013Yibao Gao, 'Hotel Shampoos', 2013, digital print (ArtRage). Image courtesy the artist and Showtime.arts.ac.ukhttps://kelise72.com/wp-content/uploads/2014/05/timeoutlondon_logo.pngTimeOutLondon_logohttps://kelise72.com/wp-content/uploads/2014/05/artfund_logo.pngArtFund_logohttps://kelise72.com/wp-content/uploads/2014/05/oliver_yu_chan_shard_from_borough_high_st_2014.jpgOliver_Yu_Chan_Shard_from_Borough_High_St_2014Oliver Yu Chan, 'Shard from the art studio in Borough High St', 2014, acrylic on canvas. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2014/05/jess_huang_photo_man_drawing_london.jpgJess_Huang_photo_man_drawing_londonImage courtesy Jess Huang of a man sketching in central London.https://kelise72.com/wp-content/uploads/2014/05/jess_huang_cambridge_2009.jpgJess_Huang_Cambridge_2009Jess Huang, drawing in Cambridge, 2009. Image courtesy Jess Huang.2017-02-03T11:56:49+00:00monthlyhttps://kelise72.com/2012/02/07/how-to-make-a-wimbledon-canvas-stretcher/https://kelise72.com/wp-content/uploads/2012/02/stretcher_demo_01.jpgstretcher_demo_01Making a canvas stretcher frame yourself. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2012/02/stretcher_demo_canvas_04.jpgstretcher_demo_canvas_04Priming a cotton duck canvas with acrylic gesso. Image courtesy opusartsupplies.comhttps://kelise72.com/wp-content/uploads/2012/02/stretcher_demo_canvas_03.jpgstretcher_demo_canvas_03Image courtesy www.carlagraceart.comhttps://kelise72.com/wp-content/uploads/2012/02/stretcher_demo_canvas_02.jpgOLYMPUS DIGITAL CAMERAStretching canvas, measuring to fit the frame. Image courtesy craftsy.comhttps://kelise72.com/wp-content/uploads/2012/02/stretcher_demo_canvas_01.jpgstretcher_demo_canvas_01Using canvas pliers. Image courtesy pinterest/jesseagayhttps://kelise72.com/wp-content/uploads/2012/02/stretcher_demo_1x2_bnq.pngstretcher_demo_1x2_bnqWood planks, 1x2 (38x50mm) typically comes in 2m lengths. Image courtesy diy.comhttps://kelise72.com/wp-content/uploads/2012/02/stretcher_demo_beading_bnq.pngstretcher_demo_beading_bnqWood beading/trim, 14-20mm, quadrant shape. Image courtesy diy.comhttps://kelise72.com/wp-content/uploads/2017/01/stretcher_demo_carpentry_tools.jpgstretcher_demo_carpentry_toolsImage courtesy AmazonAWS.comhttps://kelise72.com/wp-content/uploads/2012/02/stretcher_demo_dsc07299.jpgstretcher_demo_dsc07299Making a canvas stretcher frame, corner lap joint. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2012/02/stretcher_demo_dsc07297.jpgstretcher_demo_dsc07297Making a canvas stretcher frame, cross-bar lap joint. Photo credit Kelise Franclemont.2024-01-25T10:13:10+00:00monthlyhttps://kelise72.com/2012/07/29/i-was-a-gamesmaker-in-the-london-2012-olympic-games/2017-01-28T13:02:03+00:00monthlyhttps://kelise72.com/2013/05/01/loud-and-stompy-for-enlightenment-the-paralympics-opening-ceremony/https://kelise72.com/wp-content/uploads/2013/05/london2012_05.jpglondon2012_05https://kelise72.com/wp-content/uploads/2013/05/london2012_03.jpglondon2012_03https://kelise72.com/wp-content/uploads/2013/05/london2012_04.jpglondon2012_04https://kelise72.com/wp-content/uploads/2013/05/london2012_02.jpglondon2012_02https://kelise72.com/wp-content/uploads/2013/05/london2012_01.jpglondon2012_012017-01-28T12:58:44+00:00monthlyhttps://kelise72.com/2012/05/10/building-screens/2017-01-28T12:27:27+00:00monthlyhttps://kelise72.com/2012/07/17/artists-block-try-idea-generator-no-1-automatic-drawing/https://kelise72.com/wp-content/uploads/2012/07/scan0074.jpgSCAN0074Kelise Franclemont, an automatic drawing, 2012, ink on paper. Lots of weird and wonderful things going on here.https://kelise72.com/wp-content/uploads/2012/07/open-book-photo_4018_200901251.jpgOpen-book-photo_4018_200901251Image courtesy AbidemiSanusi.com website.https://kelise72.com/wp-content/uploads/2012/07/scan0080.jpgSCAN0080Kelise Franclemont, an automatic drawing, 2012, ink on paper. Looks like a plant with feet.2017-01-28T12:27:19+00:00monthlyhttps://kelise72.com/2013/04/18/e-portfolio-and-personal-website-help/2017-01-28T12:26:45+00:00monthlyhttps://kelise72.com/2014/02/06/artists-block-fixes-post-2/https://kelise72.com/wp-content/uploads/2014/02/geomag_to_jazz_dog.jpgGeomag_to_Jazz_DogKelise Franclemont, showing progression from Geomag sculpture to an illustration in which I saw a 'Cool as Jazz Dog' in my first drawing of the sculpture, 2014, digital media. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2014/02/31011407.jpg31011407Kelise Franclemont, sketchbook doodles while having Monmouth coffee, 2014, ink on paper. Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/02/lego-becks.jpglego-becksEven David Beckham plays with Legos to chill out. Image courtesy metro.co.ukhttps://kelise72.com/wp-content/uploads/2014/02/borough_market_logo.pngBorough_Market_logohttps://kelise72.com/wp-content/uploads/2014/02/lego_logo.pngLego_logohttps://kelise72.com/wp-content/uploads/2014/02/geomag_logo.pngGeomag_logohttps://kelise72.com/wp-content/uploads/2014/01/kfranclemont_pawprints_flyer.jpgKFranclemont_pawprints_flyerA flyer for 'Pawprints Gallery' using the logo I made in InDesign. Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/01/pawprints_logo1.jpgpawprints_logoKelise Franclemont, 'pawprints', 2013, digital media (InDesign). Image courtesy Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/01/alan_fletcher_magazine_cover.jpgAlan_Fletcher_magazine_coverAlan Fletcher, 'W94', 1996, collage, paper and glue for the cover of Wallpaper magazine (December 1996 issue). Image courtesy Wallpaper.comhttps://kelise72.com/wp-content/uploads/2014/01/31011401-a.jpg31011401-aKelise Franclemont, 'lamp/dog (drawing)', 2014, ink on paper. Image courtesy Kelise Franclemont.2017-01-28T12:26:27+00:00monthlyhttps://kelise72.com/2014/03/20/collage-possible-cure-your-creative-clog/https://kelise72.com/wp-content/uploads/2014/03/matisse_cutouts_banner.pngMatisse_cutouts_bannerMatisse, detail of 'blue nude III', spring 1952, collage. Image courtesy Tate.org.ukhttps://kelise72.com/wp-content/uploads/2014/03/wallpaper_magazine_logo.jpegWallpaper_magazine_logohttps://kelise72.com/wp-content/uploads/2014/03/31011402.jpg31011402Kelise Franclemont, 'weird bird', 2014, collage and ink on paper. Image courtesy Kelise Franclemont.2017-01-28T12:26:16+00:00monthlyhttps://kelise72.com/2016/01/03/submit-artist-call-out-no-1-identity-art-with-a-heart/https://kelise72.com/wp-content/uploads/2016/01/artwithaheart_cropped-header1.pngartwithaheart_cropped-header1_logohttps://kelise72.com/wp-content/uploads/2016/01/80_artists_2012_banner.jpg80_artists_2012_bannerImage courtesy of Art with a Heart.https://kelise72.com/wp-content/uploads/2016/01/identity_artwithaheart_callout_poster4-724x1024.jpgIdentity_artwithaheart_callout_poster4-724x1024Image courtesy Art with a Heart, registered UK charity 1159034.2017-01-28T12:25:36+00:00monthlyhttps://kelise72.com/2016/01/14/part-3-new-contemporaries-2016-for-art-graduates/https://kelise72.com/wp-content/uploads/2016/01/new_contemporaries_bloomberg_logo.jpegNew_Contemporaries_bloomberg_logohttps://kelise72.com/wp-content/uploads/2016/01/justin-fitzpatrick_hermann_hesse.jpgjustin-fitzpatrick_hermann_hesseJustin Fitzpatrick, 'Hermann Hesse', 2014, oil on MDF, in Bloomberg New Contemporaries 2015 at the ICA, London. Image courtesy www.newcontemporaries.org.ukhttps://kelise72.com/wp-content/uploads/2016/01/julia-curtin_allie-mae-burroughs-wife-of-cotton-sharecropper-hale-county-alabama2014.jpgjulia-curtin_Allie Mae Burroughs-wife of cotton sharecropper-Hale County-Alabama2014Julia Curtin, 'Allie Mae Burroughs, wife of cotton sharecropper, Hale County, Alabama', 2014, in Bloomberg New Contemporaries 2015 at the ICA, London. Image courtesy www.newcontemporaries.org.ukhttps://kelise72.com/wp-content/uploads/2016/01/andrei-costache-column-1.jpgandrei-costache-column-1Andrei Costache, 'Column 1', 2014, inflatable, in Bloomberg New Contemporaries 2015 at the ICA, London. Image courtesy www.newcontemporaries.org.uk2017-01-28T12:25:16+00:00monthlyhttps://kelise72.com/2011/10/25/25-oct-2011-tate-prints-and-drawing-room/https://kelise72.com/wp-content/uploads/2011/10/david_hockney_ipad_drawing_i5-key-153-05.jpgDavid_Hockney_ipad_drawing_i5-key-153-05David Hockney, 'The arrival of sprint in Woldgate, East Yorkshire in 2011', 2011, one of 52 iPad drawings (using Brushes) printed on paper, in 'A Bigger Picture' at Royal Academy, London. Image courtesy Royal Academy website. https://kelise72.com/wp-content/uploads/2011/10/6479224483_b57f46b497_b.jpg6479224483_b57f46b497_bKelise Franclemont, 'Zurich stein and plate' postcard from 'Treasures from Atlantis', 2012, digital drawing and printed postcard.https://kelise72.com/wp-content/uploads/2011/10/6487127483_5652923fb2_b.jpg6487127483_5652923fb2_bKelise Franclemont, 'terracotta warriors', 2011, in British Museumhttps://kelise72.com/wp-content/uploads/2011/10/img_1742.jpgIMG_1742Kelise Franclemont, inside cover and first postcard 'little house' in 'Treasures from Atlantis', 2012, digital drawing and printed postcard.https://kelise72.com/wp-content/uploads/2011/10/img_1737.jpgIMG_1737Kelise Franclemont, five printed postcard sets, 'Treasures from Atlantis', 2012, digital drawing and printed postcard.https://kelise72.com/wp-content/uploads/2011/10/treasures_cover.jpgTreasures_CoverKelise Franclemont, cover image from 'Treasures from Atlantis', 2012, digital and print postcard zine.https://kelise72.com/wp-content/uploads/2011/10/tate_logo.pngTate_logohttps://kelise72.com/wp-content/uploads/2011/10/david_hockney_t01517_9.jpgStudy for 'Mr and Mrs Clark and Percy' 1970 by David Hockney born 1937David Hockney, Study for 'Mr and Mrs Clark and Percy', 1970, coloured pencil on paper, in Tate Print and Drawings Room. Image courtesy Tate.org.ukhttps://kelise72.com/wp-content/uploads/2011/10/david_hockney_print_p07033_9.jpg3. The Start of the Spending Spree and the Door Opening for a Blonde 1961-3 by David Hockney born 19372017-01-28T11:46:59+00:00monthlyhttps://kelise72.com/2011/12/03/intellectual-property/https://kelise72.com/wp-content/uploads/2011/12/04-rodin_lage-dairain.jpg04-Rodin_LAge-dAirainAuguste Rodin, 'l'Age d'Airain', 1877-1880, bronze, in Musee d'Orsay, Paris. Photo credit P. Schmidt/Musee d'Orsay.https://kelise72.com/wp-content/uploads/2011/12/img_0600.jpgIMG_0600Kelise Franclemont, study of Rodin's 'l'age d'airain', 2013, digital media (Brushes), in Musee d'Orsay.https://kelise72.com/wp-content/uploads/2011/12/patrickcariou_02.pngPatrickCariou_02Image courtesy Huffington Post and ArtInfo.https://kelise72.com/wp-content/uploads/2011/12/patrickcariou_01.pngPatrickCariou_01Image courtesy Huffington Post and ArtInfo.https://kelise72.com/wp-content/uploads/2011/11/img_0589.pngIMG_0589Kelise Franclemont, study of Monet's 'the beach at Trouville', 2011, digital drawing (Brushes), in National Gallery.2017-01-28T11:40:38+00:00monthlyhttps://kelise72.com/2012/09/28/double-vision-contemporary-art-japan-haifa-museum-of-art-israel/2017-01-27T18:45:15+00:00monthlyhttps://kelise72.com/2012/09/29/why-ride-a-bicycle-through-west-bank/2017-01-27T18:42:57+00:00monthlyhttps://kelise72.com/2013/02/22/art-and-politics-looking-for-critical-distance-in-the-holy-land/2017-01-27T18:24:56+00:00monthlyhttps://kelise72.com/2016/01/11/the-question-of-artists-paying-to-submit-to-open-calls/https://kelise72.com/wp-content/uploads/2016/01/img_2547.jpgRA_Summer_Show_2015_IMG_2547Installation view, Lecture Room in Summer Show 2015 at Royal Academy of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/01/a-n_new_logo_final_small.jpga-n_new_logo_final_smallhttps://kelise72.com/wp-content/uploads/2016/01/img_2525.jpgRA_Summer_Show_2015_IMG_2525Exterior of the RA Summer Show, 2015. Photo credit Kelise Franclemont.2017-01-27T18:14:45+00:00monthlyhttps://kelise72.com/2012/02/08/painter-phil-allen-artist-talk-wimbledon/https://kelise72.com/wp-content/uploads/2012/02/phil_allen-onm.jpgPhil_allen-onmPhillip Allen, 'onm', 2008, oil on canvas. Image courtesy theartadvisor.blogspot.co.ukhttps://kelise72.com/wp-content/uploads/2012/02/phil_allen_tifosi_2005_ap_allep_05050.jpgPhil_Allen_Tifosi_2005_AP_ALLEP_05050Phillip Allen, 'Tifosi', 2005, oil on canvas. Image courtesy Kerlin Gallery.https://kelise72.com/wp-content/uploads/2012/02/phil_allen_summoned_help_mutiple_bathroom_version_3000.jpgPhil_Allen_Summoned_Help_Mutiple_Bathroom_Version_3000Phillip Allen, 'Summoned Help, Multiple Bathroom version', 2011, oil on board. Image courtesy Kerlin Gallery.https://kelise72.com/wp-content/uploads/2012/02/phil_allen_scholarly_glass_jaw_islands_of_meaning_version_3000.jpgPhil_Allen_Scholarly_Glass_Jaw_Islands_of_Meaning_Version_3000Phillip Allen, 'Scholarly glass jaw islands of meaning version 3000', 2011, oil on board. Image courtesy Kerlin Gallery.https://kelise72.com/wp-content/uploads/2012/02/phil_allen_deep_north_av0.jpgPhil_Allen_Deep_North_AV0Phillip Allen, 'Deep North (Academy Version)', 2003, oil on board. Image courtesy Kerlin Gallery2017-01-27T18:12:59+00:00monthlyhttps://kelise72.com/2014/02/13/keepers-of-infinite-space-art-cultural-resistance/https://kelise72.com/wp-content/uploads/2014/02/park_theatre_cafe_bar.jpgPark_theatre_cafe_barA great little spot for a pre/post theatre drink or bite to eat in the upstairs cafe/bar at Park Theatre, Finsbury Park, London. Image courtesy greatcafes.blogspot.comhttps://kelise72.com/wp-content/uploads/2014/02/freedom-theatre-in-jenin.jpgFreedom Theatre in JeninThe entrance to Freedom Theatre in Jenin, West Bank, Palestine. Image courtesy aprairievoice.blogspot.comhttps://kelise72.com/wp-content/uploads/2014/02/c2a9rwd14_the-keepers-of-infinite-space_017.jpg©RWD14_The-Keepers-of-Infinite-Space_017(clockwise from top), John Wark, Laura Prior, Cornelius McCarthy, Edmund Kingsley in 'The Keepers of Infinite Space' at Park Theatre, London. Photo credit Richard Davenport.https://kelise72.com/wp-content/uploads/2014/02/c2a9rwd14_the-keepers-of-infinite-space_073.jpg©RWD14_The-Keepers-of-Infinite-Space_073(l-r) John Wark, Laura Prior, bottom, Edmund Kingsley in 'The Keepers of Infinite Space' at Park Theatre, London. Photo credit Richard Davenport.https://kelise72.com/wp-content/uploads/2014/02/global_uncertainties_logo.pngGlobal_uncertainties_logohttps://kelise72.com/wp-content/uploads/2014/02/keepers_banner_with_title.pngKeepers_banner_with_titleImage courtesy Park Theatre.https://kelise72.com/wp-content/uploads/2014/02/keepers_scene_capture02.jpgKeepers_scene_capture02Edmund Kingsley as 'Saeed' in 'Keepers of Infinite Space' at Park Theatre, London. Photo credit Richard Davenport.https://kelise72.com/wp-content/uploads/2014/02/keepers_scene_capture01.jpgKeepers_scene_capture01(l-r) Patrick Toomey, Philip Correia, Edmund Kingsley in 'The Keepers of Infinite Space' at Park Theatre, London. Photo credit Richard Davenport.https://kelise72.com/wp-content/uploads/2014/02/freedom_theatre_logo.pngFreedom_Theatre_logohttps://kelise72.com/wp-content/uploads/2014/02/park_theatre_logo.pngPark_Theatre_logo2017-01-27T18:06:04+00:00monthlyhttps://kelise72.com/2017/01/16/preview-of-holding-the-man-by-tommy-murphy-brockley-jack-studio-theatre-london/https://kelise72.com/wp-content/uploads/2017/01/brockley_jack_studio_theatre_logo.pngbrockley_jack_studio_theatre_logohttps://kelise72.com/wp-content/uploads/2017/01/big_boots_theatre_co_logo.jpgbig_boots_theatre_co_logohttps://kelise72.com/wp-content/uploads/2017/01/htm03_nicholaschinardet.pnghtm03_nicholaschinardet(l-r) Paul-Emile Forman and Christopher Hunter. Image courtesy Big Boots Theatre Company. Photo: Nicholas Chinardet.https://kelise72.com/wp-content/uploads/2017/01/htm02_nicholaschinardet.pnghtm02_nicholaschinardet(l-r) The cast of 'Holding the Man': Dickon Farmar, Marla-Jane Lynch, Paul-Emile Forman, Christopher Hunter, Emma Zadow, Sam Goodchild. Image courtesy Big Boots Theatre Company. Photo: Nicholas Chinardet.https://kelise72.com/wp-content/uploads/2017/01/htm01_nicholaschinardet.pnghtm01_nicholaschinardet(l-r) Paul-Emile Forman and Christopher Hunter. Image courtesy Big Boots Theatre Company. Photo: Nicholas Chinardet.https://kelise72.com/wp-content/uploads/2017/01/htm_e-flyer_banner.pnghtm_e-flyer_bannerImage courtesy Big Boots Theatre Company, London.2017-01-24T11:28:55+00:00monthlyhttps://kelise72.com/2013/04/26/collage-is-not-just-paper-and-glue-kurt-schwitters-at-tate-britain/2017-01-13T17:51:07+00:00monthlyhttps://kelise72.com/2012/05/22/essentials-art-library-blouin-artinfo/https://kelise72.com/wp-content/uploads/2012/05/gardiners_art_hist_covery.jpggardiners_art_hist_coveryhttps://kelise72.com/wp-content/uploads/2012/05/anatomy_sheppard_cover.jpganatomy_sheppard_coverhttps://kelise72.com/wp-content/uploads/2012/05/edward_said_orientalism.jpegedward_said_orientalismhttps://kelise72.com/wp-content/uploads/2012/05/sontag_on_photog_cover.jpgsontag_on_photog_coverhttps://kelise72.com/wp-content/uploads/2012/05/waysofseeing_cover.jpegwaysofseeing_cover2017-01-13T17:16:44+00:00monthlyhttps://kelise72.com/2016/10/27/street-art-southbank-mosaics-william-blake-waterloo-london/https://kelise72.com/wp-content/uploads/2016/10/img_27271.jpgimg_2727Southbank Mosaics group, after William Blake, 2007-2014, in 'Blake's Lambeth', Carlisle Lane, Waterloo, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2726.jpgimg_2726Southbank Mosaics group, after William Blake, 2007-2014, in 'Blake's Lambeth', Carlisle Lane, Waterloo, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2725.jpgimg_2725Southbank Mosaics group, after William Blake, 2007-2014, in 'Blake's Lambeth', Carlisle Lane, Waterloo, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2724.jpgimg_2724Southbank Mosaics group, after William Blake, 2007-2014, in 'Blake's Lambeth', Carlisle Lane, Waterloo, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2719.jpgimg_2719Southbank Mosaics group, after William Blake, 2007-2014, in 'Blake's Lambeth', Carlisle Lane, Waterloo, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2718.jpgimg_2718Southbank Mosaics group, after William Blake, 2007-2014, in 'Blake's Lambeth', Carlisle Lane, Waterloo, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2717.jpgimg_2717Southbank Mosaics group, after William Blake, 2007-2014, in 'Blake's Lambeth', Carlisle Lane, Waterloo, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2716.jpgimg_2716Southbank Mosaics group, after William Blake, 2007-2014, in 'Blake's Lambeth', Carlisle Lane, Waterloo, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2714.jpgimg_2714Southbank Mosaics group, after William Blake, 2007-2014, in 'Blake's Lambeth', Carlisle Lane, Waterloo, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2713.jpgimg_2713Southbank Mosaics group, after William Blake, 2007-2014, in 'Blake's Lambeth', Carlisle Lane, Waterloo, London. Photo credit Kelise Franclemont.2020-12-05T15:12:03+00:00monthlyhttps://kelise72.com/2016/10/21/sculpture-on-cruise-ship/https://kelise72.com/wp-content/uploads/2016/10/massimo_bertoline_b-002034.jpgmassimo_bertolini_b-002034Massimo Bertolini, 'Situazione Precaria', 1984, plaster. Image courtesy www.museodeibozzetti.ithttps://kelise72.com/wp-content/uploads/2016/10/img_2167.jpgimg_2167Artist, title, and date unknown, aboard MSC Splendida, 2016. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2168.jpgimg_2168Artist, title, and date unknown, aboard MSC Splendida, 2016. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2169.jpgimg_2169Artist, title, and date unknown, aboard MSC Splendida, 2016. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2171.jpgimg_2171Artist, title, and date unknown, aboard MSC Splendida, 2016. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2172.jpgimg_2172Artist, title, and date unknown, aboard MSC Splendida, 2016. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2174.jpgimg_2174Massimo Bertolini, title and date unknown, bronze, aboard MSC Splendida, 2016. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2175.jpgimg_2175Massimo Bertolini, title and date unknown, bronze, aboard MSC Splendida, 2016. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2188.jpgimg_2188Artist, title, and date unknown, aboard MSC Splendida, 2016. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/10/img_2189.jpgimg_2189Artist, title, and date unknown, aboard MSC Splendida, 2016. Photo credit Kelise Franclemont.2016-10-19T16:04:56+00:00monthlyhttps://kelise72.com/2011/10/14/the-minotaur-at-old-vic-tunnels-waterloo/https://kelise72.com/wp-content/uploads/2011/10/photojpg_6289464860_o.jpgMinotaur_6289464860_oStreet art at Waterloo tunnels, 14 October 2011. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2011/10/photojpg_6289463820_o.jpgMinotaur_6289463820_oStreet art at Waterloo tunnels, 14 October 2011. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2011/10/photojpg_6289461796_o.jpgMinotaur_6289461796_oStreet art at Waterloo tunnels, 14 October 2011. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2011/10/photojpg_6289461614_o.jpgMinotaur_6289461614_oStreet art at Waterloo tunnels, 14 October 2011. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2011/10/photojpg_6289454482_o.jpgMinotaur_6289454482_oVhils, title unknown, 2011, portrait carved out of the wall, in 'The Minotaur' at Old Vic Tunnels, Waterloo, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2011/10/photojpg_6288942599_o.jpgMinotaur_6288942599_oStreet art at Waterloo tunnels, 14 October 2011. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2011/10/photojpg_6288940423_o.jpgMinotaur_6288940423_oDoug Foster, title unknown, 2011, installation/projection in 'The Minotaur' at Old Vic Tunnels, Waterloo, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2011/10/photojpg_6288939539_o.jpgMinotaur_6288939539_oDavid Falconer, 'Vermin Death Star' (detail), 2011, taxidermy and resin, in 'The Minotaur' at Old Vic Tunnels, Waterloo, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2011/10/photojpg_6288939171_o.jpgMinotaur_6288939171_oDavid Falconer, 'Vermin Death Star', 2011, taxidermy and resin, in 'The Minotaur' at Old Vic Tunnels, Waterloo, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2011/10/photojpg_6288938197_o.jpgMinotaur_6288938197_oStanley Donwood, 'Labyrinth', 2011, installation, in 'The Minotaur' at Old Vic Tunnels, Waterloo, London. Photo credit Kelise Franclemont.2016-09-21T14:37:31+00:00monthlyhttps://kelise72.com/2016/08/31/eduardo-kobra-street-art-praca-maua-rio-de-janeiro/https://kelise72.com/wp-content/uploads/2016/08/rio2016_logo.jpgRio2016_logohttps://kelise72.com/wp-content/uploads/2016/08/rita_wainer_img_1210.jpgRita_Wainer_IMG_1210Rita Wainer, 2016, at Praça Mauá port, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/jr_img_1202.jpgJR_IMG_1202JR, 2016, at Praça Mauá port, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_1204.jpgIMG_1204Artist unknown, 2016, at Praça Mauá port, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/eduardo_kobra_img_1247.jpgEduardo_Kobra_IMG_1247Eduardo Kobra, 'Etnias [Ethnicities]', 2016, mural 620-feet long (detail), at Praça Mauá port, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/eduardo_kobra_img_1239.jpgEduardo_Kobra_IMG_1239Eduardo Kobra, 'Etnias [Ethnicities]', 2016, mural 620-feet long (detail), at Praça Mauá port, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/eduardo_kobra_img_1238.jpgEduardo_Kobra_IMG_1238Eduardo Kobra, 'Etnias [Ethnicities]', 2016, mural 620-feet long (detail), at Praça Mauá port, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/eduardo_kobra_img_1236.jpgEduardo_Kobra_IMG_1236Eduardo Kobra, 'Etnias [Ethnicities]', 2016, mural 620-feet long, at Praça Mauá port, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/eduardo_kobra_img_1225.jpgEduardo_Kobra_IMG_1225Eduardo Kobra, 'Etnias [Ethnicities]', 2016, mural 620-feet long (detail), at Praça Mauá port, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/eduardo_kobra_img_1217.jpgEduardo_Kobra_IMG_1217Eduardo Kobra, 'Etnias [Ethnicities]', 2016, mural 620-feet long (detail), at Praça Mauá port, Rio de Janeiro. Photo: Kelise Franclemont.2016-08-31T17:01:27+00:00monthlyhttps://kelise72.com/2016/08/14/playing-with-naive-colours-at-museu-internacional-de-arte-naif-do-brasil-rio-de-janeiro/https://kelise72.com/wp-content/uploads/2016/08/img_0652.jpgIMG_0652Outside in the garden cafe of Museu Internacional de Arte Naïf do Brasil, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_0641.jpgIMG_0641'Be an artist for a minute and draw your own tourist attraction or favourite sport!', Museu Internacional de Arte Naïf do Brasil, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_0639.jpgIMG_0639A chalk graffiti space where visitors can contribute, Museu Internacional de Arte Naïf do Brasil, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_0633.jpgIMG_0633Aparaecida Azedo, 'Regata Olimpica', 2001, acrylic on canvas, Museu Internacional de Arte Naïf do Brasil, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_0629.jpgIMG_0629Dalvan, 'Ice Hockey', 2000, acrylic on fiberboard, Museu Internacional de Arte Naïf do Brasil, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_0619.jpgIMG_0619An interactive piece for the visitor, Museu Internacional de Arte Naïf do Brasil, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_0609.jpgIMG_0609Barbara Deister, 'Beach volleyball - Brazil is the champion', 2001, acrylic on canvas and fiberboard, Museu Internacional de Arte Naïf do Brasil, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_0607.jpgIMG_0607Berenic, 'Guga', 2001, acrylic on canvas, Museu Internacional de Arte Naïf do Brasil, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_0606.jpgIMG_0606Dag Franca, 'Guga (Gustavo Kuerten)', 2000, oil on canvas, Museu Internacional de Arte Naïf do Brasil, Rio de Janeiro. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_0602.jpgIMG_0602Close-up of art that can be touched, Museu Internacional de Arte Naïf do Brasil, Rio de Janeiro. Photo: Kelise Franclemont.2016-08-25T15:56:41+00:00monthlyhttps://kelise72.com/2016/08/25/oscar-niemeyer-mac-niteroi-contemporary-art-museum-rio-de-janeiro/https://kelise72.com/wp-content/uploads/2016/08/img_10321.jpgIMG_1032Entrance to Museu de Arte Contemporânea (MAC) de Niterói, in the region of Rio de Janiero, Brazil. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_10311.jpgIMG_1031Looking upwards from beneath the winding ramp, Museu de Arte Contemporânea (MAC) de Niterói, in the region of Rio de Janiero, Brazil. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_10201.jpgIMG_1020Main gallery, currently closed while a new exhibition is installed, Museu de Arte Contemporânea (MAC) de Niterói, in the region of Rio de Janiero, Brazil. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_10111.jpgIMG_1011Inner staircase, Museu de Arte Contemporânea (MAC) de Niterói, in the region of Rio de Janiero, Brazil. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/img_09561.jpgIMG_0956Museu de Arte Contemporânea (MAC) de Niterói, in the region of Rio de Janiero, Brazil. Photo: Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/08/mac_niteroi_logo.jpegMAC_Niteroi_logo2016-08-25T15:48:03+00:00monthlyhttps://kelise72.com/2014/05/03/martin-creed-at-hayward-gallery-southbank/https://kelise72.com/wp-content/uploads/2014/05/martin_creed_work_no_200_01.pngMartin_Creed_Work_no_200_01Two visitors in Martin Creed's 'Work No. 200 -half the air in the room', balloons, in 'What's the point of it?' at Hayward Gallery, Southbank, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/05/martin-creed-ford-focus-011.jpgMartin Creed Ford FocusMartin Creed, 'Work No. 1813', Ford Focus, in 'What's the point of it?' at Hayward Gallery, Southbank, London. Image courtesy The Guardian. Photo credit Graeme Robertson.https://kelise72.com/wp-content/uploads/2014/05/martin_creed_linda_nylind.jpgMartin_Creed_linda_nylindMartin Creed, installation view, 'What's the point of it?' at Hayward Gallery, Southbank, London. Photo credit Linda Nylind.https://kelise72.com/wp-content/uploads/2014/05/martin_creed_work1636.jpgMartin_Creed_Work1636Martin Creed, 'Work 1626', in 'What's the point of it?' at Hayward Gallery, Southbank, London. Image courtesy The Telegraph. Photo credit Linda Nylind.https://kelise72.com/wp-content/uploads/2014/05/martin_creed_work_no_mothers.jpgMartin_Creed_Work_no_MothersMartin Creed, 'Work No. 1092', in 'What's the point of it?' at Hayward Gallery, Southbank, London. Image courtesy The Telegraph. Photo credit Linda Nylind.https://kelise72.com/wp-content/uploads/2014/05/martin_creed_work_no_1636.jpgMartin_Creed_work_no_1636Martin Creed, 'Work no. 1626', various sports balls, in 'What's the point of it?' at Hayward Gallery, Southbank, London. Image courtesy The Telegraph. Photo credit Genevieve Hanson.https://kelise72.com/wp-content/uploads/2014/05/work-no-79-martin-creed-008.jpgWork No 79 Martin CreedMartin Creed, 'Work No. 79', some Blu-tack on the wall, in 'What's the point of it?' at Hayward Gallery, Southbank, London. Image courtesy Hauser and Wirth. Photo credit the artist.https://kelise72.com/wp-content/uploads/2014/05/martin_creed_work-no1585_2013_photo_linda-nylind.jpgMartin Creed at Hayward Gallery, London. Photo by Linda Nylind. 26/1/2014.Martin Creed, 'Work no. 1585', 2013, installation view in 'What's the point of it?' at Hayward Gallery, Southbank, London. Photo credit Linda Nylind.https://kelise72.com/wp-content/uploads/2014/05/martin_creed_629.jpgMartin_Creed_629Martin Creed, 'Work no. 629', 2007, cacti in pots in 'What's the point of it?' at Hayward Gallery, Southbank, London. Photo credit David Bebber.https://kelise72.com/wp-content/uploads/2014/05/martin_creed_slide_balloons_carousel.jpgMartin_Creed_slide_balloons_carouselMartin Creed, 'Work No. 200', half the air in the room, in 'What's the point of it?' at Hayward Gallery, Southbank, London. Image courtesy Hayward Gallery.2016-07-25T11:45:10+00:00monthlyhttps://kelise72.com/2016/07/22/sculpture-in-the-city-2016-london/https://kelise72.com/wp-content/uploads/2016/07/sitc2016_map_guide.pngSITC2016_map_guideMap courtesy Sculpture in the City 2016.https://kelise72.com/wp-content/uploads/2016/07/img_9134.jpgSITC2016_IMG_9134Recycle Group, 'Falling into Virtual Reality', 2016 in Sculpture in the City 2016, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/07/img_9129.jpgSITC2016_IMG_9129Jürgen Partenheimer, 'Axis Mundi', 2016, in Sculpture in the City 2016, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/07/img_9121.jpgSITC2016_IMG_9121Huma Bhabha, 'The Orientalist', 2016, in Sculpture in the City 2016, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/07/img_9119.jpgSITC2016_IMG_9119Anthony Caro, 'Aurora', 2016, in Sculpture in the City 2016, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/07/img_9110.jpgSITC2016_IMG_9110Enrico David, untitled (detail), 2016, in Sculpture in the City 2016, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/07/img_9107.jpgSITC2016_IMG_9107Enrico David, untitled, 2016 in Sculpture in the City 2016, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/07/img_9105.jpgSITC2016_IMG_9105Mat Collishaw, 'Magic Lantern Small' (detail), 2016, in Sculpture in the City 2016, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/07/img_9103.jpgSITC2016_IMG_9103Mat Collishaw, 'Magic Lantern Small', 2016, in Sculpture in the City 2016, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/07/img_9099.jpgSITC2016_IMG_9099Jaume Plensa, 'Laura', 2016, in Sculpture in the City 2016, London. Photo credit Kelise Franclemont.2016-07-21T17:24:20+00:00monthlyhttps://kelise72.com/kelise72-art-map/2016-07-01T09:25:30+00:00weekly0.6https://kelise72.com/2015/04/23/sculpture-in-the-city-2015-city-of-london-image-gallery/https://kelise72.com/wp-content/uploads/2015/04/img_0950.jpgSITC_2014-2015_IMG_0950Richard Wentworth, 'False Ceiling', books hanging from wire, site-specific installation, in 'Sculpture in the City 2014', London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/img_0949.jpgSITC_2014-2015_IMG_0949Cerith Wyn Evans, "Time here becomes Space, Space here becomes Time', site-specific installation, in 'Sculpture in the City 2014', London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/img_0946.jpgSITC_2014-2015_IMG_0946Cerith Wyn Evans, "Time here becomes Space, Space here becomes Time', site-specific installation, in 'Sculpture in the City 2014', London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/img_0944.jpgSITC_2014-2015_IMG_0944Jim Lambie, 'Secret Affair (Silver)', steel, in 'Sculpture in the City 2014', London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/img_0926.jpgSITC_2014-2015_IMG_0926Lynn Chadwick, 'Stairs', bronze, in 'Sculpture in the City 2014', London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/img_0915.jpgSITC_2014-2015_IMG_0915Julian Wild, 'Deadly Nightshade', welded steel, in 'Sculpture in the City 2014', London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/img_0912.jpgSITC_2014-2015_IMG_0912Paul Hoskin, 'Flow; Edge; Flux; Within; Fall', suspended wire objects, in 'Sculpture in the City 2014', London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/img_0904.jpgSITC_2014-2015_IMG_0904Julian Wild, 'Salvia', welded steel, in 'Sculpture in the City 2014', London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/img_0897.jpgSITC_2014-2015_IMG_0897Lynn Chadwick, 'High Wind IV', bronze, in 'Sculpture in the City 2014', London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/04/img_0888.jpgSITC_2014-2015_IMG_0888Peter Randall-Page, 'Shapes in the Clouds I; IV; V', marble, in 'Sculpture in the City 2014', London. Photo credit Kelise Franclemont.2016-06-16T13:08:06+00:00monthlyhttps://kelise72.com/2014/03/11/tomorrow-today-csm-ma-interim-show-bargehouse/https://kelise72.com/wp-content/uploads/2014/03/today_tomorrow_exhibit_flyer_cropped.jpgToday_Tomorrow_Exhibit_Flyer_croppedhttps://kelise72.com/wp-content/uploads/2014/03/zhanna_bobrakova.jpegZhanna_BobrakovaZhanna Bobrakovahttps://kelise72.com/wp-content/uploads/2014/03/hana_vojackova_her-2-light_800.pngHana_Vojackova_HER 2- light_800Hana Vojackovahttps://kelise72.com/wp-content/uploads/2014/03/aava_anttinen.jpgaava_anttinenAava Anttinenhttps://kelise72.com/wp-content/uploads/2014/03/yasmine_abulnasi_detail.pngYasmine_Anabulsi_detailYasmine Alnabulsihttps://kelise72.com/wp-content/uploads/2014/03/yan_guo_shoes.jpgYan_Guo_shoesYan Guohttps://kelise72.com/wp-content/uploads/2014/03/jessica_windhorst.jpgJessica_WindhorstJessica Windhorsthttps://kelise72.com/wp-content/uploads/2014/03/sandra_berghianu_01.jpgSandra_Berghianu_01Sandra Berghianuhttps://kelise72.com/wp-content/uploads/2014/03/may_turner_hornflower.jpgMay_Turner_hornflowerMay Turnerhttps://kelise72.com/wp-content/uploads/2014/03/libby_heaney_01.pngLibby_Heaney_01Libby Heaney2016-06-01T19:55:40+00:00monthlyhttps://kelise72.com/2014/03/13/iraqi-artist-athier-edge-of-arabia-london/https://kelise72.com/wp-content/uploads/2014/03/dsc00506.jpgDSC00506Edge of Arabia in Battersea, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2014/03/athier_man_of_war_4_print.pngAthier_Man_of_War_4_printAthier, 'Man of War III (Edition)', 2014, archival print on cotton paper, in 'Man of War' at Edge of Arabia, London. Image courtesy Edge of Arabia.https://kelise72.com/wp-content/uploads/2014/03/athier_man_of_war_eoa_06.pngAthier_Man_of_War_EOA_06Athier, 'Man of War 3' 2013, acrylic on canvas, 205 cm x 237 cm, in 'Man of War' at Edge of Arabia, London. Image courtesy Edge of Arabia.https://kelise72.com/wp-content/uploads/2014/03/athier_man_of_war_eoa_04.pngAthier_Man_of_War_EOA_04Athier, Man of War study, 2013, drawing on paper, in 'Man of War' at Edge of Arabia, London. Image courtesy Edge of Arabia.https://kelise72.com/wp-content/uploads/2014/03/athier_man_of_war_eoa_02.jpgAthier_Man_of_War_EOA_02Athier, installation view, 'Man of War' at Edge of Arabia, London. Image courtesy Edge of Arabia.https://kelise72.com/wp-content/uploads/2014/03/athier_man_of_war_eoa_01.jpgAthier_Man_of_War_EOA_01Iraqi artist Athier talks about his work in 'Man of War' exhibition at Edge of Arabia, London. Image courtesy Edge of Arabia.2016-06-01T19:54:29+00:00monthlyhttps://kelise72.com/2015/04/16/freeborn-exchange-cookhouse-chelsea-college-of-arts-london/https://kelise72.com/wp-content/uploads/2015/04/freeborn_exchange_banner.jpgFreeborn_exchange_bannerhttps://kelise72.com/wp-content/uploads/2015/04/brew_by_nos_03.jpgBrew_by_nos_03Image courtesy Brew By Numbers.https://kelise72.com/wp-content/uploads/2015/04/c2a9gavinfreeborn-141.jpgc2a9gavinfreeborn-141Gavin Freeborn, 'Honami's Future', 2014, photographic print. Photo courtesy the artist.https://kelise72.com/wp-content/uploads/2015/04/gavin_freeborn_google_image.pngGavin_Freeborn_google_imageArtist Gavin Freeborn. Image courtesy the artist and Google+.https://kelise72.com/wp-content/uploads/2015/04/gfreeborn_daniel_hernandez_01.jpgGFreeborn_Daniel_Hernandez_01Gavin Freeborn, portrait of Daniel Hernandez, with whom Freeborn made an 'Exchange' in October 2014. Photo courtesy the artists and Freeborn Exchange on Facebook.https://kelise72.com/wp-content/uploads/2015/04/brewbynumbers_logo.pngBrewByNumbers_logohttps://kelise72.com/wp-content/uploads/2015/04/freeborn_logo.pngFreeborn_logo2016-06-01T19:13:16+00:00monthlyhttps://kelise72.com/2015/06/13/summer-exhibition-2015-at-royal-academy-of-arts-london/https://kelise72.com/wp-content/uploads/2015/06/simon_kirk_claude_ra.pngSimon_Kirk_Claude_RASimon Kirk, 'Claude', 2015, oil, in RA Summer Exhibition 2015 at Royal Academy of Arts, London. Image courtesy the artist and RoyalAcademy.org.uk.https://kelise72.com/wp-content/uploads/2015/06/rasummershow_tomphillips_asadowski.pngRASummerShow_TomPhillips_ASadowskiTom Phillips RA, 'A Human Document (or A Humument), 1966-present (ongoing), in Summer Show 2015 at Royal Academy of Arts, London. Photo credit Andy Sadowski.https://kelise72.com/wp-content/uploads/2015/06/rasummershow_lectureroom_johnbodkin.pngRASummerShow_LectureRoom_JohnBodkinInstallation view, Lecture Room in Summer Show 2015 at Royal Academy of Arts, London. Photography: John Bodkin, DawkinsColour. Image courtesy Royal Academy of Arts.https://kelise72.com/wp-content/uploads/2015/06/img_2606.jpgRA_Summer_Show_2015_architectureInstallation view, Large Weston Room in Summer Show 2015 at Royal Academy of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/img_2594.jpgRA_Summer_Show_2015_01Andrew McIntosh, 'Stolen Thunder', 2015, oil, Gallery II, in Summer Show 2015 at Royal Academy of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/img_2591.jpgRA_Summer_Show_2015_Gallery_IIIInstallation view, Gallery III, with Tony Bevan RA's 'Tree No. 7', 2015, acrylic and charcoal (upper right), in Summer Show 2015 at Royal Academy of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/img_2573.jpgRA_Summer_Show_2015_04Michael Craig-Martin, 'iPhone', 2015, etching, in Gallery VII, in Summer Show 2015 at Royal Academy of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/img_2560.jpgRA_Summer_Show_2015_05David Mach RA, 'Buddha' (multiple editions), 2015, coat hangers and gold leaf, Gallery VIII, in Summer Show 2015 at Royal Academy of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/img_2549.jpgRA_Summer_Show_2015_06Tim Shaw RA, 'Erebus (Man on Fire, Version II), 2015, painted foam, polythene and steel, in the Lecture Room in the Summer Show 2015 at Royal Academy of Arts, London. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2015/06/img_2544.jpgRA_Summer_Show_2015_Fiona_LongFiona Long, 'Norman', 2015, oil on board, in Summer Show 2015 at Royal Academy of Arts, London. Photo credit Kelise Franclemont.2016-06-01T19:10:51+00:00monthlyhttps://kelise72.com/2015/07/04/unreadable-sculpture-exhibition-10-ma-fine-art-students-experiment-with-collective-art-making-pangaea-sculptors-centre-london/https://kelise72.com/wp-content/uploads/2015/07/the_courtauld_institute_of_art_logo-svg.pngThe_Courtauld_Institute_of_Art_logo.svghttps://kelise72.com/wp-content/uploads/2015/07/pangaea_sculptors_centre_logo.pngPangaea_sculptors_centre_logohttps://kelise72.com/wp-content/uploads/2015/07/suarts-logo-icon-2.jpgsuarts-logo-icon-2https://kelise72.com/wp-content/uploads/2015/07/unreadable_flyer.jpgUnreadable_flyerhttps://kelise72.com/wp-content/uploads/2015/07/ual_chelsea_logo.gif2016-06-01T19:05:12+00:00monthlyhttps://kelise72.com/2015/07/10/conflux-exhibition-of-ual-fine-art-curated-by-goldsmiths-trinity-buoy-wharf-london/https://kelise72.com/wp-content/uploads/2015/07/london_beer_factory_logo.jpgLondon_Beer_Factory_logohttps://kelise72.com/wp-content/uploads/2015/07/colart_logo.pngcolart_logohttps://kelise72.com/wp-content/uploads/2015/07/goldsmiths_logo_rgb_large1.jpgGoldsmithshttps://kelise72.com/wp-content/uploads/2015/07/conflux_logo1.pngConflux_logohttps://kelise72.com/wp-content/uploads/2015/07/trinity_buoy_wharf_trust_logo.pngTrinity_Buoy_Wharf_Trust_logohttps://kelise72.com/wp-content/uploads/2015/07/johnny_gordon_scaramangas_funhouse.jpgJohnny Gordon. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/07/conflux_red_banner.pngConflux_red_bannerhttps://kelise72.com/wp-content/uploads/2015/07/ual_logo_black.pngUAL_logo_blackhttps://kelise72.com/wp-content/uploads/2015/07/ruoru_wang_1435198280.pngRuoru Wang. Image courtesy the artist.https://kelise72.com/wp-content/uploads/2015/07/bo_min_kim2.jpgBo-Min Kim. Image courtesy the artist.2016-06-01T19:04:07+00:00monthlyhttps://kelise72.com/2015/10/29/dust-and-shadows-guy-haddon-grant-karavil-contemporary/https://kelise72.com/wp-content/uploads/2015/10/karavil_ghaddon-grant03.jpgKaravil_GHaddon-Grant03Guy Haddon-Grant, from 'Dust and Shadows', 2015, at Karavil Contemporary, London. Image courtesy the artist and Karavil Contemporary.https://kelise72.com/wp-content/uploads/2015/10/guy_haddon-grant_sculptor_cmavroleon.jpgGuy_Haddon-Grant_sculptor_CMavroleonGuy Haddon-Grant in his studio. Photo credit Caitlin Mavroleon.https://kelise72.com/wp-content/uploads/2015/10/karavil_contemporary_logo.pngKaravil_contemporary_logohttps://kelise72.com/wp-content/uploads/2015/10/karavil_ghaddon-grant02-az5y8961.jpgKaravil_GHaddon-Grant02-AZ5Y8961Inside the studio of artist Guy Haddon-Grant. Image courtesy the artist and Karavil Contemporary, London.https://kelise72.com/wp-content/uploads/2015/10/karavil_ghaddon-grant01.jpgKaravil_GHaddon-Grant01Inside the studio of artist Guy Haddon-Grant. Image courtesy the artist and Karavil Contemporary, London.2016-06-01T18:54:37+00:00monthlyhttps://kelise72.com/2016/03/17/blind-sculptor-michael-naranjo-booth-western-art-museum-cartersville-georgia/https://kelise72.com/wp-content/uploads/2016/03/img_6667.jpgnaranjo_IMG_6667Michael Naranjo, 'Here's my heart', 1989, bronze, in 'The artist who sees with his hands', at Booth Western Art Museum, Cartersville, Georgia, USA. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/img_6666.jpgnaranjo_IMG_6666Michael Naranjo, 'Shar', 1993, bronze, in 'The artist who sees with his hands', at Booth Western Art Museum, Cartersville, Georgia, USA. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/img_6664.jpgNaranjo_IMG_6664Michael Naranjo, 'Good Medicine', 1983, stone, in 'The artist who sees with his hands', at Booth Western Art Museum, Cartersville, Georgia, USA. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/img_6663.jpgNaranjo_IMG_6663Installation view, 'Michael Naranjo: The artist who sees with his hands', at Booth Western Art Museum, Cartersville, Georgia, USA. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/img_6662.jpgNaranjo_IMG_6662Installation view, 'Michael Naranjo: The artist who sees with his hands', at Booth Western Art Museum, Cartersville, Georgia, USA. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/img_6661.jpgNaranjo_IMG_6661Installation view, 'Michael Naranjo: The artist who sees with his hands', at Booth Western Art Museum, Cartersville, Georgia, USA. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/img_6659.jpgMichael_Naranjo_IMG_6659Michael Naranjo (pictured right), installation view, 'The artist who sees with his hands', at Booth Western Art Museum, Cartersville, Georgia, USA. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/img_6658.jpgIMG_6658Installation view, 'Michael Naranjo: The artist who sees with his hands', at Booth Western Art Museum, Cartersville, Georgia, USA. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/img_6657.jpgIMG_6657https://kelise72.com/wp-content/uploads/2016/03/boothmuseum_logo-png.jpgBoothMuseum_logo.png2016-06-01T18:40:10+00:00monthlyhttps://kelise72.com/2016/03/24/cowboys-and-indians-booth-western-art-museum-cartersville-ga/https://kelise72.com/wp-content/uploads/2016/03/img_6761.jpgIMG_6761Installation view of 'War is Hell' gallery at Booth Western Art Museum, Cartersville, GA. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/img_6749.jpgIMG_6749Bob Moline, 'The Altar', 1974, oil on masonite, at Booth Western Art Museum, Cartersville, GA. Photo credit Kelise Franclemont. The card reads: 'Texan Bob Moline gave up his full-time job as a saddle-maker in 1973 for a full-time career in art. In this painting, he draws on his Comanche heritage, portraying a Plains Indian medicine man praying with a sacred pipe. He has laid out a buffalo skull and offerings of tobacco https://kelise72.com/wp-content/uploads/2016/03/img_6731.jpgIMG_6731(foreground) Truman Bolinger, 'Rendezvous, Rendezvous', 1973, bronze, and (background) L. Maynard Dixon, 'Red Butte with Mountain Men', 1935, oil on canvas, at Booth Western Art Museum, Cartersville, GA. Photo credit Kelise Franclemont. The card reads: 'In this mural Dixon's simplified shapes, strong desert colors, and vast landscape forms make Kit Carson and his band of frontiersman appear insignificant... this is one of a pair of murals with a similar theme installed behind one of the two cocktail bars in the Kit Carson Steak Restaurant in San Francisco (now demolished).'https://kelise72.com/wp-content/uploads/2016/03/img_6729.jpgIMG_6729Howard Terpning, 'Trail along the backbone', 2001, oil on canvas at Booth Western Art Museum, Cartersville, GA. Photo credit Kelise Franclemont. The card reads: 'Plains Indians often brought along extra horses when raiding enemies or hunting buffalo, saving their best ponies for the action. Terpning served in the Marines in WWII, later touring Vietnam as a civilian combat artist. He says this experience shaped his thoughts on native peoples.'https://kelise72.com/wp-content/uploads/2016/03/img_6728.jpgIMG_6728Kenneth Riley, 'The Herd Watcher', 2000, oil on masonite, at Booth Western Art Museum, Cartersville, GA. Photo credit Kelise Franclemont. The card reads: 'This young brave is improvising his skill on the courting flute while guarding the tribe's pony herd. During his distinguished career Riley has earned international acclaim as both an Eastern illustrator and a Western artist. A unique palette and strong sense of design characterise his work.'https://kelise72.com/wp-content/uploads/2016/03/img_6718.jpgIMG_6718William Penhallow Henderson, 'Sky high, Powder river', 1915, oil on canvas, at Booth Western Art Museum, Cartersville, GA. Photo credit Kelise Franclemont. The card reads: '...This colourful painting is influenced by the French art style known as Fauvism. WP Henderson is remembered as a highly-inventive New Mexico artist, teacher, children's book illustrator, and architect.'https://kelise72.com/wp-content/uploads/2016/03/img_6711.jpgIMG_6711Installation view at Booth Western Art Museum, Cartersville, GA. Photo credit Kelise Franclemont.https://kelise72.com/wp-content/uploads/2016/03/img_6709.jpgIMG_6709Warren E Rollins, 'The Burden Bearers', 1929, oil on canvas, at Booth Western Art Museum, Cartersville, GA. Photo credit Kelise Franclemont. The card reads: 'Rollins gained recognition as an Indian painter in California, and is also known for helping to establish an art colony in Santa Fe in the early 1900s. This painting is very similar to a frequently copied photograph of the time, entitled, "Carrying water to Tewa"...'https://kelise72.com/wp-content/uploads/2016/03/img_6701.jpgIMG_6701Ross R Rossin, 'A Meeting in Time' (The American Presidents of the 20th Century), 2004, oil on canvas, at Booth Western Art Museum, Cartersville, GA. Photo credit Kelise Franclemont. https://kelise72.com/wp-content/uploads/2016/03/img_6698.jpgIMG_6698John Moyers, 'The suitor's song', not dated, oil on canvas, at Booth Western Art Museum, Cartersville, GA. Photo credit Kelise Franclemont. 2016-06-01T18:39:39+00:00monthlyhttps://kelise72.com/2016/04/15/wandsworth-arts-fringe-2016-festival-london/https://kelise72.com/wp-content/uploads/2016/04/dsc_6169_edit_300_300_s_c1_c_c.jpgdsc_6169_edit_300_300_s_c1_c_cThe Fabularium, 'Reynard the Fox' at St Mary's Church Square, Putney, Wandsworth Arts Fringe 2016, Wandsworth, London. Image courtesy the artists and WandsworthFringe.comhttps://kelise72.com/wp-content/uploads/2016/04/w_plates_16c_500_540_s.jpgw_plates_16c_500_540_sSilvia Ziranek, 'My Late Plate' at Wandsworth Oasis charity shop, for Wandsworth Arts Fringe 2016, Wandsworth, London. Image courtesy the artist and WandsworthFringe.comhttps://kelise72.com/wp-content/uploads/2016/04/rockgfinal_copy_300_300_s_c1_c_c.jpgrockgfinal_copy_300_300_s_c1_c_cWork by Anna Flemming for 'Fragment' at Platform 1 Gallery, Wandsworth Arts Fringe 2016, London. Image courtesy the artist. More: http://wandsworthfringe.com/2016/event/fragmenthttps://kelise72.com/wp-content/uploads/2016/04/eme_1_fringe_image-2_300_300_s_c1_c_c.jpgeme_1_fringe_image-2_300_300_s_c1_c_cWork by Ema Mano Epps in 'Transcending' at Platform 1 Gallery, Wandsworth Arts Fringe 2016, London. Image courtesy the artist. More: http://wandsworthfringe.com/2016/event/transcendinghttps://kelise72.com/wp-content/uploads/2016/04/platform_1_gallery_image02.pngPlatform_1_gallery_image02Platform 1 Gallery on Wandsworth Common Station. Image courtesy Platform 1 Gallery website.https://kelise72.com/wp-content/uploads/2016/04/2016-fragments-and-traces.jpg2016 Fragments and Traces(l-r) Work by Kelise Franclemont and Antonia Jackson in 'Fragments and Traces', Platform 1 Gallery, Wandsworth Arts Fringe 2016, London. Image courtesy the artists. More: http://wandsworthfringe.com/2016/event/fragment-and-traces-part-1-invitation-to-the-voyagehttps://kelise72.com/wp-content/uploads/2016/04/14041602.jpg14041602Events at Wandsworth Fringe. More: http://wandsworthfringe.com/2016/eventshttps://kelise72.com/wp-content/uploads/2016/04/14041601-copy.jpg14041601 copyEvents at Wandsworth Fringe. More: http://wandsworthfringe.com/2016/eventshttps://kelise72.com/wp-content/uploads/2016/04/wandsworthfringe_logo.pngWandsworthFringe_logohttps://kelise72.com/wp-content/uploads/2016/04/squidwithboys_2015_highres_catriona_ahmadi_puppetswithguts_citizensquid_500_500_s.jpgsquidwithboys_2015_highres_catriona_ahmadi_puppetswithguts_citizensquid_500_500_sPuppets with Guts present "Citizen Squid" - an interactive big puppet spectacle, Wandsworth Arts Fringe, 2016. Image courtesy Puppets with Guts and WandsworthFringe.com2016-06-01T18:35:39+00:00monthlyhttps://kelise72.com/2012/05/27/a-very-nice-neighbourhood/https://kelise72.com/wp-content/uploads/2012/05/00_cover_01.jpg00_cover_01Click the image to see a slideshow of 'A Very Nice Neighbourhood'.2015-12-10T16:53:09+00:00monthlyhttps://kelise72.com/2012/05/14/postcards-6-for-5/https://kelise72.com/wp-content/uploads/2012/05/img_3072.jpgpostcards, 6 for 52015-10-23T17:04:48+00:00monthlyhttps://kelise72.comdaily1.02026-01-24T10:30:41+00:00